PUNTUACIÓN EN IMDb
7,3/10
1,6 mil
TU PUNTUACIÓN
Los vagabundos Stan y Ollie conocen a un borracho agradable que los invita a quedarse en su lujosa mansión.Los vagabundos Stan y Ollie conocen a un borracho agradable que los invita a quedarse en su lujosa mansión.Los vagabundos Stan y Ollie conocen a un borracho agradable que los invita a quedarse en su lujosa mansión.
- Dirección
- Guión
- Reparto principal
Arthur Housman
- Drunk
- (as Arthur Houseman)
Vivien Oakland
- Mrs. Beaumont
- (as Vivian Oakland)
Wilson Benge
- Hawkins - the Butler
- (sin acreditar)
Baldwin Cooke
- Court Recorder
- (sin acreditar)
Charles Dorety
- Defendant
- (sin acreditar)
Sam Lufkin
- Policeman
- (sin acreditar)
Charles McMurphy
- Patrolman
- (sin acreditar)
Reseñas destacadas
LAUREL & HARDY Comedy Short.
An angry judge orders vagrants Stan & Ollie to `SCRAM!' or they'll be locked-up. Before they can obey, a good deed performed for an inebriated millionaire precipitates the Boys into a crazy series of misunderstandings.
A hilarious little film. Highlight: the wild romp with the lady of the house. That's Richard Cramer as His Honor; Arthur Housman as the drunk; and Vivien Oakland portrays the lady.
An angry judge orders vagrants Stan & Ollie to `SCRAM!' or they'll be locked-up. Before they can obey, a good deed performed for an inebriated millionaire precipitates the Boys into a crazy series of misunderstandings.
A hilarious little film. Highlight: the wild romp with the lady of the house. That's Richard Cramer as His Honor; Arthur Housman as the drunk; and Vivien Oakland portrays the lady.
10SamHardy
I have seen all the films of L & H sometimes over and over. There are some weak shorts, but this is the one I keep coming back to to watch repeatedly. It is, in MHO, one of a handful of the best of their work in shorts.
It is brilliantly planned, masterfully timed, perfectly acted, and expertly edited. I often tell folks who are not familiar with the boys to watch this one as their introduction to the boys. It is THAT funny.
One of my favorite things about it is watching perpetually drunk Arthur Houseman utter what appear to be ad-libs that almost crack up Stan and Babe.
The boys have stood up Arthur and are going through his pockets trying to find the key to his house. He has a lot of pockets to go through. After a moment he tells Ollie, "Someday I'm gonna have all my pockets indexed." Cracks me up every time.
Vivian Okland is unforgettable as the judge's wife.
It was a sign of the boys generosity as actors that allows supporting players to get as many laughs as they get. They are the stars but not the only funny people in this.
It is brilliantly planned, masterfully timed, perfectly acted, and expertly edited. I often tell folks who are not familiar with the boys to watch this one as their introduction to the boys. It is THAT funny.
One of my favorite things about it is watching perpetually drunk Arthur Houseman utter what appear to be ad-libs that almost crack up Stan and Babe.
The boys have stood up Arthur and are going through his pockets trying to find the key to his house. He has a lot of pockets to go through. After a moment he tells Ollie, "Someday I'm gonna have all my pockets indexed." Cracks me up every time.
Vivian Okland is unforgettable as the judge's wife.
It was a sign of the boys generosity as actors that allows supporting players to get as many laughs as they get. They are the stars but not the only funny people in this.
The Laurel and Hardy short Scram! feels less like a new skit from the lovable and timeless comedy duo but a highlight reel of their most famous moments from all of their shorts. This particular short is packed with all the zaniness you can predict going into a Laurel and Hardy film, from repeated stumbles, difficulty getting sneaking into places, and a seriously deranged mix-up serving as the cherry on the sundae.
Scram! opens with Laurel and Hardy being ordered out of town by a judge after finding them sleeping on a park bench. In the process of leaving town, they run into a congenial drunk (Arthur Housman, who plays a wildly convincing drunk) who invites them back to his home to spend the night after they retrieved his key when it fell into a sewer. Despite being incoherent, the man manages to drive the two of them to the home of Mrs. Beaumont (Vivien Oakland), mistaking it for his own home. While the drunk mindlessly stands outside searching for the key to his home, Laurel and Hardy barge in through the window, being greeted with Mrs. Beaumont and proceeding to get drunk themselves when they inform her they know her husband, who happens to really be someone Laurel and Hardy have already found themselves acquainted with.
Scram! is all too familiar for a dedicated Laurel and Hardy fan, especially one who has seen their admittedly short range of physical comedy. All the aforementioned tropes make an appearance here or there, and their geniality could easily be mistaken for genuine humor. The moral of this particular short is just because you recognize the sight-gag or the ploy doesn't mean it's necessarily funny. If anything, the funniest part of the film is how much it got away with in 1932: drunk driving, breaking and entering, philandering, and two men in the same bed with one woman. Did the Motion Picture Association of America fall asleep when looking over the contents of the film making sure it was in line with the Hays Code?
Starring: Stan Laurel, Oliver Hardy, Arthur Housman, Vivien Oakland, and Richard Cramer. Directed by: Ray McCarey.
Scram! opens with Laurel and Hardy being ordered out of town by a judge after finding them sleeping on a park bench. In the process of leaving town, they run into a congenial drunk (Arthur Housman, who plays a wildly convincing drunk) who invites them back to his home to spend the night after they retrieved his key when it fell into a sewer. Despite being incoherent, the man manages to drive the two of them to the home of Mrs. Beaumont (Vivien Oakland), mistaking it for his own home. While the drunk mindlessly stands outside searching for the key to his home, Laurel and Hardy barge in through the window, being greeted with Mrs. Beaumont and proceeding to get drunk themselves when they inform her they know her husband, who happens to really be someone Laurel and Hardy have already found themselves acquainted with.
Scram! is all too familiar for a dedicated Laurel and Hardy fan, especially one who has seen their admittedly short range of physical comedy. All the aforementioned tropes make an appearance here or there, and their geniality could easily be mistaken for genuine humor. The moral of this particular short is just because you recognize the sight-gag or the ploy doesn't mean it's necessarily funny. If anything, the funniest part of the film is how much it got away with in 1932: drunk driving, breaking and entering, philandering, and two men in the same bed with one woman. Did the Motion Picture Association of America fall asleep when looking over the contents of the film making sure it was in line with the Hays Code?
Starring: Stan Laurel, Oliver Hardy, Arthur Housman, Vivien Oakland, and Richard Cramer. Directed by: Ray McCarey.
SCRAM!
Aspect ratio: 1.37:1
Sound format: Mono
(Black and white - Short film)
Ordered out of town by an aggressive judge (Richard Cramer), two vagrants (Laurel and Hardy) become involved with a drunken motorist (Arthur Housman) who invites them home. Unfortunately, he takes them to the wrong house...
Brilliantly constructed short film, directed by Raymond McCarey and scripted by H.M. Walker, in which L&H fall foul of the same judge on two separate occasions, with hilarious (and painful) consequences. Cast alongside some of the best comic actors of the day (Housman is note-perfect in his signature role, while Cramer plays it straight as the no-nonsense judge), L&H ply their trade with consummate skill, and the scene in which co-star Vivien Oakland gets blind drunk and sets off a chain reaction of uproarious laughter is a joy. Wonderful stuff, a highlight of L&H's distinguished career.
Aspect ratio: 1.37:1
Sound format: Mono
(Black and white - Short film)
Ordered out of town by an aggressive judge (Richard Cramer), two vagrants (Laurel and Hardy) become involved with a drunken motorist (Arthur Housman) who invites them home. Unfortunately, he takes them to the wrong house...
Brilliantly constructed short film, directed by Raymond McCarey and scripted by H.M. Walker, in which L&H fall foul of the same judge on two separate occasions, with hilarious (and painful) consequences. Cast alongside some of the best comic actors of the day (Housman is note-perfect in his signature role, while Cramer plays it straight as the no-nonsense judge), L&H ply their trade with consummate skill, and the scene in which co-star Vivien Oakland gets blind drunk and sets off a chain reaction of uproarious laughter is a joy. Wonderful stuff, a highlight of L&H's distinguished career.
Convicted of vagrancy, Laurel and Hardy are give one hour to get out of town or be jailed. On their way out of town they meet a drunk who has lost his car keys. They help him find them and he takes them to his house, but given the trouble they have getting inside, is it even his house?
As usual Stan and Oliver are homeless and workless. Here they are forced out of a town but think they've landed on their feet when a drunk takes them into his luxury home. This plot gives the leads only really one type of humour to concentrate on physical routines. That isn't a major problem as they are pretty funny is never exactly setting the world on fire.
However I always liked their dialogue together as it is often hilarious and well written to make them both look foolish. Here there is none of this worth speaking of. Both the leads do well and there's no doubting their abilities when it comes to falling over in amusing way.
Overall this is funny if you like L&H's physical stuff which I do, but I did feel like the job was only half done when their was none of their usual banter.
As usual Stan and Oliver are homeless and workless. Here they are forced out of a town but think they've landed on their feet when a drunk takes them into his luxury home. This plot gives the leads only really one type of humour to concentrate on physical routines. That isn't a major problem as they are pretty funny is never exactly setting the world on fire.
However I always liked their dialogue together as it is often hilarious and well written to make them both look foolish. Here there is none of this worth speaking of. Both the leads do well and there's no doubting their abilities when it comes to falling over in amusing way.
Overall this is funny if you like L&H's physical stuff which I do, but I did feel like the job was only half done when their was none of their usual banter.
¿Sabías que...?
- CuriosidadesBanned in the Netherlands upon its release in 1932 due to the scene when Stan and Ollie lie on a bed with a woman. This ban was subsequently lifted.
- PifiasLaurel is seen smoking a cigar before he lights it.
- Citas
Judge: You're charged with vagrancy. Are you guilty or not guilty?
Oliver: Not guilty, Your Highness.
Judge: On what grounds?
Stanley Laurel: We weren't on the grounds - we were sleeping on a park bench.
- Versiones alternativasThere is also a colorized version.
- ConexionesEdited into Dance of the Cookoos (1982)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Scram!
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración20 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Ayuda al prójimo (1932) officially released in India in English?
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