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IMDbPro

River's End

  • 1930
  • Passed
  • 1h 15min
PUNTUACIÓN EN IMDb
5,6/10
181
TU PUNTUACIÓN
Charles Bickford and Evalyn Knapp in River's End (1930)
DramaWestern

Añade un argumento en tu idiomaSgt. Conniston and his alcoholic guide O'Toole are on the trail of an escaped murderer named Keith. When they catch up with him in the farthest reaches of Northern Canada, Keith turns out to... Leer todoSgt. Conniston and his alcoholic guide O'Toole are on the trail of an escaped murderer named Keith. When they catch up with him in the farthest reaches of Northern Canada, Keith turns out to be a dead ringer for Conniston. On the way back, the sled overturns, Keith grabs the gun ... Leer todoSgt. Conniston and his alcoholic guide O'Toole are on the trail of an escaped murderer named Keith. When they catch up with him in the farthest reaches of Northern Canada, Keith turns out to be a dead ringer for Conniston. On the way back, the sled overturns, Keith grabs the gun and leaves them to die in the snow. After second thoughts he comes back and brings them to... Leer todo

  • Dirección
    • Michael Curtiz
  • Guión
    • James Oliver Curwood
    • Charles Kenyon
  • Reparto principal
    • Charles Bickford
    • Evalyn Knapp
    • J. Farrell MacDonald
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,6/10
    181
    TU PUNTUACIÓN
    • Dirección
      • Michael Curtiz
    • Guión
      • James Oliver Curwood
      • Charles Kenyon
    • Reparto principal
      • Charles Bickford
      • Evalyn Knapp
      • J. Farrell MacDonald
    • 5Reseñas de usuarios
    • 1Reseña de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes5

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    Reparto principal15

    Editar
    Charles Bickford
    Charles Bickford
    • John Keith…
    Evalyn Knapp
    Evalyn Knapp
    • Miriam McDowell
    J. Farrell MacDonald
    J. Farrell MacDonald
    • Pat O'Toole
    Zasu Pitts
    Zasu Pitts
    • Louise
    Walter McGrail
    Walter McGrail
    • Sergeant Martin
    David Torrence
    David Torrence
    • Inspector McDowell
    Frank Coghlan Jr.
    Frank Coghlan Jr.
    • Mickey O'Toole
    • (as Junior Coghlan)
    Tom Santschi
    Tom Santschi
    • Segeant Shotwell
    Alice Belcher
    Alice Belcher
    • Townswoman at Dance
    • (sin acreditar)
    Lionel Belmore
    Lionel Belmore
    • Mountie
    • (sin acreditar)
    Willie Fung
    Willie Fung
    • Eskimo
    • (sin acreditar)
    Frank Hagney
    Frank Hagney
    • Mountie
    • (sin acreditar)
    Tiny Jones
    Tiny Jones
    • Townswoman at Dance
    • (sin acreditar)
    Tom London
    Tom London
    • Mountie
    • (sin acreditar)
    Cliff Saum
    • Mountie
    • (sin acreditar)
    • Dirección
      • Michael Curtiz
    • Guión
      • James Oliver Curwood
      • Charles Kenyon
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios5

    5,6181
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    Reseñas destacadas

    6marcslope

    Pretty impressive for an early talkie

    You can enjoy Charles Bickford in a rare (dual) leading role and watch Michael Curtiz learning to master talkies in this rugged melodrama, an improbability about a Mountie who gets his man and lives, though not for long, to regret it. Unusual for this period, it has refreshingly ambiguous morality -- the Mountie, outwardly such a mensch, turns out to have an interesting secret, and the bad guy turns out to be not bad at all. Add to that an appealing supporting cast, with vivacious, pretty Evalyn Knapp (she looks a little like Joan Blondell around the same time) and the excellent Junior Coughlan, a comparatively subtle kid actor who doesn't overdo cute, like Freddie Bartholomew, or grate the ears, like Jackie Cooper. Some of the art direction is forcedly unreal, almost Expressionist, and the ending's abrupt and unconvincing. But the snowy exteriors are vivid and believable, and Bickford's good enough to leave you wondering why he didn't attain leading-man status for a longer period.
    Mozjoukine

    Disappointing early mountie adventure.

    Michael Curtiz directs Charles Bickford in a story of rugged adventure in the Frozen North piney woods - sounds great.

    Well, for the first ten minutes, with mountie Bickford getting his man, unshaven fugitive Bickford, and the dialogue in Eskimo (I kid you not) this one does intrigue, even if Ben Carré's painted on canvas cabin walls aren't going to fool anyone. The effects work with the doubled-up character is really ingenious and the confrontation has a harshness that we're not used to.

    Unfortunately, as with so many early sound films, all the good stuff is in the opening and then the movie gets on with what people have paid good money to watch - actors talking.

    The leads aren't at all bad but the dumb plot lets them down.I wonder who thought it was worth another go round in 1940?
    5AlsExGal

    It's a long way to Casablanca at this point...

    ... but this is still a delightful mess for anyone who loves the early talkies.

    Mountie Sgt. Conniston (Charles Bickford) and his guide Pat O'Toole head into rugged terrain in the dead of winter to catch an accused murderer. When they find the guy, they are surprised that he looks just like Conniston. So to say Charles Bickford is the whole show here would not be an exaggeration. On the way back, accused murderer John Keith has a chance to head for freedom and leave O'Toole and Conniston in the snow to die, but he has a change of heart and rescues them. On the way back to civilization Conniston dies of a frozen lung, and O'Toole believes Keith's story of being innocent of the murder of which he's accused. They both plan to have Keith dress up like Conniston so that he can make it across the border into the United States.

    But then life is what happens when you make plans. Keith is spotted by some other mounties and has to go to headquarters with the rest of them or else it would look like desertion. While there he meets and befriends O'Toole's young son and falls in love with Conniston's best girl, Miriam. Miriam was going to break it off with Conniston because of his stiff ways, but then she falls in love with John Keith impersonating Conniston. But circumstances conspire to keep Miriam and Keith apart - Mainly that the actual Conniston turns out to have had a deep dark secret, and everybody thinks that Keith is Conniston. Complications ensue.

    The acting in this early talking film is excellent, mainly because of the considerable talent of Charles Bickford. Director Michael Curtiz convinced the Warner Brothers to borrow him specifically for this dual role. There are some art design problems. For example, lots of the scenery looks painted rather than being actual trees. It looks very amateurish, like a high school play. And you also just have the limitations of cinematography in the early sound era, such as when Keith as Conniston runs into the actual Mounties. A close-up wouldn't convey what is going on, and the long shot, which is used, shows all of the mounties but doesn't have clear conversation or show Keith's facial expression at being cornered. What they needed was a medium shot that could cut to Keith and then to the Mounties who spot him, which can't be done outdoors at this point. Also, there are some gaffes, such as Zasu Pitts and Evelyn Knapp dressing for a game of tennis when it is January in Canada! I guess you can take the girls out of LA but you can't take LA out of the girls!

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    Argumento

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    • Pifias
      In the ship's cabin, when both of Bickford's characters are smoking a pipe and playing cards on the opposite sides of the same table, the pipe smoke is cut off when it crosses the edge of the film where the two sides are spliced together. Likewise, when the cards are dealt, there is a delay between them being dealt and arriving on the other side of the table. It's obvious the two scenes were shot separately and spliced together.
    • Conexiones
      Version of The River's End (1920)
    • Banda sonora
      Taps
      (uncredited)

      Written by Daniel Butterfield

      Played by a buglar at headquarters

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de noviembre de 1930 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Med stulet pass
    • Localizaciones del rodaje
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos(Studio)
    • Empresa productora
      • Warner Bros.
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 15 minutos
    • Color
      • Black and White

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