Seamos alegres

... because this is some bold fashion statement she is making here, four years before Bette Davis dared to look repulsive in "Of Human Bondage".

Kitty (Norma Shearer) is a somewhat overweight frumpy housefrau, devoted to her husband and kids. The husband, Bob (Rod La Roque), is kind to Kitty, but his passion belongs to his mistress. The mistress is getting tired of hiding matters, so she barges into the house and frankly tells Kitty what's been going on between the two of them. Kitty acts sophisticated and says she knows all about it, but deep down she is heartbroken. Bob asks for forgiveness and a second chance, but she flatly refuses.

Fast forward three years and socialite Mrs. Bouccicault (Marie Dressler) is entertaining at her Long Island estate. She's invited her good friend Kitty to come for the weekend and steal Bob away from her granddaughter, Diane (Sally Eiler), who is about to be married to someone closer to her own age and range of experience. Mrs. B has no idea that Kitty was ever married to Bob, so this is just a big coincidence. Kitty is now thin, fashionable, and confident and has no idea that she is supposed to be vamping her ex husband. Just how this transformation to head turner happened is never mentioned. For that matter, neither are her children! Well, they are alluded to from time to time, but they apparently are stashed somewhere that they cannot interfere with the jet setting of their parents before there was any such thing as jets.

When Kitty and Bob finally meet, they are genuinely surprised to see each other and sparks begin to fly. In Bob's case that means romance is on his mind, but in Kitty's case those sparks could mean she is considering burning him at the stake. How does this turn out? Watch and find out.

I don't know who cast the men in this film, but they are ponderous choices. Collectively they have the romantic appeal of the Pillsbury Doughboy without his flair for conversation and comedy. I will give it a small break because this was the first full year MGM was involved in talking film. The first act with Kitty as a frump and the last act are compelling, but it sags pretty badly in the middle and is mainly saved by Marie Dressler's performance as the eccentric socialite Mrs. B. Dressler steals the show in just about every scene she appears, as was often the case.

Dutiful wife Norma Shearer (as Katherine "Kitty" Brown) waits on husband Rod La Rocque (as Bob Brown) hand and foot. While making him breakfast in bed, and helping him dress for a Sunday golf outing, Ms. Shearer suggests joining Mr. La Rocque for the day, noting how infrequently the two see each other. But La Rocque puts her off, saying her presence adversely affects his game. Then, unexpectedly, Shearer meets the real reason for her husband's frequent absences… his pretty blonde mistress!

Three years later, Shearer is a glamorous and flirty divorcée. While summering in Paris, she has struck up a friendship with wealthy, older socialite Marie Dressler (as Mrs. "Boucci" Bouccicault). Ms. Dressler invites Shearer to her Long Island home, to socialize with some friends, and ask a favor. Dressler is worried about her granddaughter's relationship with a suave, worldly man. She wants young Sally Eilers (as Dionne) to marry Raymond Hackett (as Bruce), instead. Aware of Shearer's flirtatious conquests, Dressler asks her to lure the undesirable man away from Ms. Eilers. Shearer is stunned to discover the man is La Rocque, her ex-husband.

Shearer and Dressler make this a cute, entertaining play. They are in top form, giving guaranteed-to-be-popular performances, with enthusiasm and professionalism. The story is silly and predictable; yet, in a way which helps the humorous situation. And, the ending is quite clever. In fact, the comic "Let Us be Gay" may have aged better than Shearer's larger-produced, and more serious, "The Divorcée", which was released around the same time. The cast uniformly fine. La Rocque is better than his film with Lillian Gish; but, his role is not at all endearing. Gilbert Emery (as Towney) and Tyrell Davis (as Wallace) are funny supporting suitors.

Those not familiar with Norma Shearer may not realize it is she who appears as the dowdy wife in the opening scenes. This is Shearer as "Kitty" before her make-over. Watch the close-ups of Shearer with light, natural make-up, for a good look at an intriguingly beautiful woman.

******* Let Us Be Gay (1930) Robert Z. Leonard ~ Norma Shearer, Marie Dressler, Rod La Rocque

When a dowdy wife (Shearer) loses her husband, she decides to completely make herself over to win him back. Not "politically correct" by today's standards, but still fun to watch, especially the scenes with Marie Dressler and Hedda Hopper.

Frumpy housewife Katherine Brown (Norma Shearer) adores her husband Bob (Rod La Rocque). Her every action is dedicated to his comfort. Unfortunately, his roving eyes find other women and in heartbreak, Katherine divorces him. Years later, the two meet again, this time under very different circumstances. Katherine has become a beautiful and charming woman of the world. She is invited to a small party by an eccentric friend (Marie Dressler) to lure Bob away from his latest conquest, the engaged young Diane (Sally Eilers). En route to seducing Bob, Katherine also catches the eyes of all of the men at the party.

Also appearing are Hedda Hopper as the beautiful Madge Livingston and Dickie Moore as Katherine's young son.

This film suffers a bit from early talkie syndrome. The editing is not as slick as it could be, with moments of complete silence and shots with no people in the frame. Sometimes the scenes are confined to one room with very little editing between people. The story is also quite old fashioned, especially the abrupt ending which does not comply with the rest of the film. However, it is worth watching especially for Shearer fans. It is fascinating to see such a startling transformation from an overweight housewife to a gorgeous and elegant woman.

The film begins with a dowdy housewife (Norma Shearer) finding out that her husband (Rod La Rocque) had been cheating on her. Three years pass and apparently they'd been divorced during these years due to the infidelity. Oddly, during this time, La Rocque did not see Shearer or his two kids as Shearer took them to Paris.

Marie Dressler is a rich society lady and she has invited a new and improved Norma to come to her house for the weekend--ostensibly to help Marie break up a budding romance between her daughter and La Rocque! Apparently, Norma is now a super-vamp and with her magical sex appeal, she can break up the romance--and no one seems to realize that she and La Rocque were married. Several others are there for the weekend and immediately Norma is a hit with her gay, carefree sexy ways--and almost all the men (including La Rocque) are captivated by her. Neither tells anyone that they were married but it's obvious that her ex- wants the new and improved Norma back! This film is a sophisticated comedy of manners among the upper-crust--similar in some ways to Jean Renoir's THE RULES OF THE GAME. Oddly, despite the severity of the Depression, such films about pretty rich folks were pretty popular though many today will doubtless find them a bit too droll in spots. However, fortunately, in LET US BE GAY, there are plenty of cute and funny moments (particularly towards the end when Marie Dressler shows her true colors). While not a great film, it certainly is a good one and more than just another time-passer. My only real regret is that I didn't love the very end. You'll just have to see it for yourself--perhaps you'll agree about the ending, perhaps you won't, but I'm pretty sure you will enjoy this clever film.