La senda del crimen

Fine early talkie that belongs along side Little Caesar and The Public Enemy as the gangster films that set the rules for the genre. Unlike those films however this film gives us a smart gangster who tries to get out while on top only to be dragged back in.

Much has been said about Lew Ayres being miscast in this film, but I don't agree. The notion that a pretty young boy can't be a gangster is belied both by Ayres' performance and by history itself--Pretty Boy Floyd, anyone? (I should add, however, that Jimmy Cagney, in his autobiography, agreed with those who believed Ayres was too pretty to play a convincing gangster!)

This film is so much better than you'd think, and that is due not only to fine performances by Ayres and Cagney (make that, a WONDERFUL performance by Cagney, who really does ignite the screen), but also to impressive direction by Archie Mayo. I confess I usually think of Mayo as a pretty journeyman director, but maybe I've only seen his later work and "talkies" spoiled him. If you were to watch this film without sound, you'd be hyper-aware of the wonderful camera set-ups and editing, particularly during the prison break, when the screen is filled with jump cuts of men's legs running. Of course, without the sound, you'll miss the great period dialogue (a gangland ambush offers Ayres the opportunity to "walk into a handful of clouds").

TCM shows this film from time to time, and you really shouldn't miss it. It's well-written, well-directed, has great performances, and the closing lines (displayed as a printed page of the source story on the screen) are as poignant as anything you'll ever read.

I first wanted to viddy this interesting piece of sinny because it offered a pre-PUBLIC ENEMY look at James Cagney. Imagine my surprise to find out it is also Dwight Frye's first talkie! Yes, the man who would find fame as Renfield in DRACULA and Fritz in FRANKENSTEIN appears in this film too. Billed way at the bottom of the opening credits as simply "gangster", Dwight's character is called "Monk" and is one of the first people we meet in the film. That old cliche of the gangster who carries a tommy-gun in a violin case got started with this film and Dwight is the fellow toting the lethal instrument. When he strolls out of a pool room with his violin case under his arm he offhandedly comments "I'm gonna teach a guy a lesson." with a sardonic smile on his face. The lines "Take a guy for a ride" and "Put a guy on the spot" originated with this film too. Lew Ayers, fresh from ALL QUIET ON THE WESTERN FRONT is the real hero, or should I say anti-hero, of the movie and Cagney exhibits the screen personality that aimed him directly at the bullseye of Hollywood stardom but being a lifelong fan of character actors, I now like this film for Dwight Frye's brief, but memorable, appearance.

To see this movie on the Big Screen(like my Father,his uncles, and my Grandfathers did)would have been a treat. Well,not in my Dad's instance,because when my Dad saw the film on the Screen, it was shortly after Bogart's death and Cagney was already a long since established star.But still a treat nonetheless. Anyway for the Old oldtimers,they had to have the attitude:"This Cagney guy is gonna be around. Can't wait to see him again." Cagney always made his surroundings crackle with anticipation and uncertainty. You never really knew what was gonna happen. Doorway to Hell took risks. Real life gangsters dared Hollywood to make this movie because it hit close to home, for them. It's an interesting film to watch because of the miscasting. A thing William Wellman took note of during the filming of "Public Enemy", and had Cagney and the Lew Ayres clone "switch roles"...because "this Cagney guy has that gutter quality that this story needs to become effective". A must see movie.Especially for the buffs.

A pretty good crime drama of its time, on a par with PUBLIC ENEMY, LITTLE CEASAR, and others of the genre,good acting, too.Excellent acting by a very young Lew Ayres, an up-and-coming yet unknown James Cagney, here listed way down in the cast of players as a secondary, and I particularly enjoyed the fine characterization by pre-Dracula Dwight Frye. Much better than the common, cheesy melodramas of the period,this one holds the interest better due to its inferences and unseen sub-plots, an early gem by director Archie Mayo, ahead of its time for its imaginative storyline, and great scene shots, a captivating film as a whole simply for standing out among the rest! Watch this one, it's very good!!