The Last of Mrs. Cheyney

This 1929 version has all the tight pacing and wit that the 1937 film lacks. It also doesn't have the tacked-on moralizing ending that so blights the 1937 version. Basil Rathbone (so young!) is charming and funny with that hint of edge that he could do so well. The two-part scene in which he invites Norma Shearer for a little supper at his apartment and is then verbally rebuffed by the "butler," only to return to kiss the hem of Norma's garment is priceless. I watched it four times. Basil Rathbone is believable as an English lord in ways that Robert Montgomery in the 1937 version is so painfully not believable. George Barraud as Charles effaces himself effectively in the beginning scenes as the butler, and his scenes with Rathbone are not marred by the hint of effeminacy Montgomery brings to his fraternization scenes with the butler when that is not called for in the script. As much as I love William Powell, and I think he's the only reason to see the 1937 version, he can't manage to efface himself effectively in the beginning scenes as the butler. He's always William Powell. As enjoyable as Powell is, when you see George Barraud move from effacement to boldness, you really see how it should be done.

Talky, uncinematic and slow-as-molasses, "The Last of Mrs. Cheyney" (1929) is really for film historians only (the second half is SLIGHTLY more tolerable than the first). Norma Shearer is OK but not yet in full bloom, Basil Rathbone comes off best, while Herbert Bunston is particularly awful. Gotta love the "good woman" = "virgin" coded speak, though. ** out of 4.

A comedy of manners, requiring close concentration to catch the liveliness of the dialogue. Basil Rathbone is magnificent as a dapper wolf; his performance is perhaps the best I've seen in a role like this, of course aided by the snappy discourse between himself and the slower-but-sweeter Norma Shearer. No classic but very entertaining. Anyone amused by witty pick-up lines from the 30's should find this quite funny.

I realize that this is a minority view, but I find the later version from the late Thirties of The Last Of Mrs. Cheyney superior to this one. I'm sure brickbats will follow.

This is not choosing Joan Crawford over Norma Shearer's performance here. It's a question of the technical advancements made over a decade to a film that was one of MGM's first all talkie productions. This version quite frankly is a photographed stage play.

The Last Of Mrs. Cheyney is a play not often revived I'm sure as it belongs to an era of fluff. Shearer is a con woman with a small entourage who pretends to be a wealthy widow from Australia. Actually she gets herself invited to the best homes in London, the better to scope them out for robberies which butler George Barraud does.

However when at one party Shearer arouses the interest of Lord Basil Rathbone it's on several levels. He's smitten with her, but he knows something's afoot since he recognizes Barraud as a thief previously arrested. After that it's a game of cat and mouse.

For reasons I can't explain The Last Of Mrs. Cheyney got a nomination for 'writing achievement' as it was phrased then. As this was just a photographed version of Frederick Lonsdale's play, then what was the achievement?

The film is the second sound film for Norma Shearer and it was Basil Rathbone's debut in talkies. It has some witty dialog, but in the end it's entertaining fluff.

Antiquated, early talkie curio from Frederick Lonsdale's hit play of chic American jewel thief (Shearer) residing among the gullible rich London aristocrats, and taking interest in dashing Rathbone. Like the 1937 version, it is dated now, but is quite interesting to watch thanks to the star chemistry