Anabel y el vizconde

Serious film nuts are out there. I get mail from waves of them every day as I run in the dark, stepping on feet with my comments.

There seem to be two kinds of zealots: those attached to genres and archetypes and those attached to specific people, actors and directors.

I usually blow off the email about actors. Usually actors don't have much to do with the movies they are in, and when they do it is because they coordinate their intent with that of the filmmaker. And except for a short list, most actors — like their brethren politicians — are just dull, empty people.

But I feel differently about actors in the 30s and 40s. Some of them. Those of interest just happened to be there when movies settled down after the great confusions: sound, color, the code, and the great quest of movies to define themselves.

If you want to understand your imagination, you need to follow the grooves in film. And to do that you need to see the family tree of genres, and that is only found in 30s and 40s films. The genres, naturally enough, co-evolved with certain film archetypes, and most of those were invented by actors.

Some of these actors are forgotten while their character type remains: Edna May Oliver. Some have become icons themselves, like Jimmy Stewart. Lucille Ball is worth following.

Any of these icons is worth seeing in their early work when they play characters who are actors. In this case, Lucille is an actress trying to establish an identity (which she did eventually and wonderfully) playing an actress doing the same thing. Oakie plays all the dumb jokes, so is usually that attentiongetter in the Annabel films.

But take a look at this woman. She said she wasn't funny but brave. You can see that. You can also see that she invented her walk after losing that ability because of sickness. And you can already see how she engineers her fake eyebrows after losing those. Her face isn't a funny one, but she makes it so with her mouth and eyes and those eyes are inherently comic, but painted on.

You can also see her — or rather her character — working out how to pair with the type that became Ethyl Merman.

This was in the day when she was a brunette.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

A lackluster screenplay doesn't help this comedy about a movie star, Lucille Ball, whose publicity man, Jack Oakie, uses stupid schemes to get her name in the newspapers. Unfortunately, very little of the film is funny, but it was nice to see a very young Lucille Ball, even in black and white. Ball, Oakie, Bradley Page and Ruth Donnelly reprised their roles in this second and last film based on the characters created in the 1938 film "The Affairs of Annabel" by Charles Hoffman. There would have been more in the series, but Oakie wanted too large a fee for his services.

The follow-up to the affairs of annabel... the premise is the same. When others are getting more attention, fame, fortune, actress Annabel (Lucy) hires Morgan (Okie) to remedy this, doing whatever it takes. This was still during Lucy's early phase in hollywood, where they weren't sure where she fit in; i personally liked her films from the late 1940s... Fuller Brush Girl, Miss Grant, where she's the lead. In this chapter, much silliness, pratfalls... literally, she falls off a horse. The usual shenanigans as they dream up stunts to get publicity. Of course, Morgan goes too far! Some fun co-stars...ruth donnelly, donald mcbride. Those guys aside, this one just tries too hard. So much effort for little humor. Kind of ironic, how it's a movie about what to do with an actress, played by an actress who was completely competent, but seemed to be doomed to doing silly, common roles. Directed by Lew Landers. He and Lucy would make four films together. Not her best stuff.

Jack Oakie and Lucille Ball are no Lucy and Desi, to be sure. But Jack Oakie evokes laughter without effort. This one is full of further hi-jinx of the ne'er do well starlet and her insane publicity man. Not great movies, but all of the Annabel flix are worthwhile watches because they are good, clean, honest fun. Oakie did others on his own for RKO, some of which are good ONLY because he's there. He did his share of clunkers, and sometimes he appears in films with material that I personally find objectionable. But on the whole, he's one of the funniest characters in film ( and good with drama !!). Obviously Lucy cut her comedic teeth in these films. She can only steal a scene from Oakie by taking pratfalls or by being the butt of jokes. I dig Oakie, Lucy, and the "Annabel" films.

Movie star Annabel Allison (Lucille Ball) is frustrated with her publicity being overshadowed. She runs into Lanny Morgan (Jack Oakie) again who is working for a horse. When the horse overshadows Annabel, she gets Lanny rehired again. He organizes a train trip to Chicago to promote her latest film. She fails to get the front page even after falling through a trap door.

This is a sequel. Somehow, I like her a little less in this one. She is a little higher maintenance. There is one scene of physical comedy during the dance. It's the style she excels at most. The ending is abrupt. I get the idea but a comedy should probably end more traditionally. This is a little less fun. The first one has a high concept comedy situation. This one is simply a little less.