PUNTUACIÓN EN IMDb
6,1/10
595
TU PUNTUACIÓN
Un agente de prensa de Hollywood mete a su cliente en un buen lío con sus estrafalarias maniobras publicitarias.Un agente de prensa de Hollywood mete a su cliente en un buen lío con sus estrafalarias maniobras publicitarias.Un agente de prensa de Hollywood mete a su cliente en un buen lío con sus estrafalarias maniobras publicitarias.
- Dirección
- Guión
- Reparto principal
Brooks Benedict
- Man in Webb's Office
- (sin acreditar)
Stanley Blystone
- Cop
- (sin acreditar)
John Butler
- Scriptwriter
- (sin acreditar)
Maurice Cass
- Dr. Rubnick
- (sin acreditar)
Charles Coleman
- Perkins
- (sin acreditar)
Reseñas destacadas
This was an ok satire on the movie business from that famous red head, Lucille Ball. Also, a long forgotten actor named Jack Oakie lended Miss Ball support. This was actually better than I expected. Usually, comedies such as these that last a little over an hour aren't exactly a great film-viewing experience. But I enjoyed the director who was a little crazed and Hollywood's view on itself.
Back when Lucille Ball was a contract player at RKO she got to co- star with Jack Oakie in a pair of films where she was cast as Annabel Allison motion picture queen on the lot at Wonder Pictures. Oakie played her press agent who was constantly coming up with Lucy Ricardo like schemes to keep his client before the public eye. And she's feeling as put upon as Ricky Ricardo used to.
Oakie who plays the part much like Pat O'Brien would do at Warner Brothers or Lee Tracy at MGM has a mind that works 24/7. His latest scheme is to have Lucy go to a home and work as a maid incognito as part of a scheme to publicize her latest picture where she is a kind of Ms. Fixit maid.
She gets a chance to be a real heroine when a couple of robbers feign interest in eccentric Uncle Thurston Hall's invention. It's all I can say, but it's all done with typical slapstick like gags. This was an unusual part for Hall, usually he's the respectable establishment type poo-pooing ideas like he has in this film.
James Burke also memorable as a thick as a brick policeman.
I don't think Ball and Oakie had all that much chemistry between them. They did one more film with these same characters and RKO called it quits on a series. Still the film will have its moments for fans of the two leads.
Oakie who plays the part much like Pat O'Brien would do at Warner Brothers or Lee Tracy at MGM has a mind that works 24/7. His latest scheme is to have Lucy go to a home and work as a maid incognito as part of a scheme to publicize her latest picture where she is a kind of Ms. Fixit maid.
She gets a chance to be a real heroine when a couple of robbers feign interest in eccentric Uncle Thurston Hall's invention. It's all I can say, but it's all done with typical slapstick like gags. This was an unusual part for Hall, usually he's the respectable establishment type poo-pooing ideas like he has in this film.
James Burke also memorable as a thick as a brick policeman.
I don't think Ball and Oakie had all that much chemistry between them. They did one more film with these same characters and RKO called it quits on a series. Still the film will have its moments for fans of the two leads.
Personally, I've always felt that the best comedies were the ones where you could actually believe in the situations--in other words, the events are things that could have happened. THE AFFAIRS OF ANNABEL is funny in spots, but hasn't got a single moment that is in touch with reality.
JACK OAKIE plays a scheming publicity man who dreams up the most outrageous ways of getting attention (newspaper headlines) for his fading star LUCILLE BALL, her film career supposedly on the wane. One plan involves getting her to spend three days in prison (which turns out to be 30 days) and to have the press on hand when she's released. The plan backfires, of course, and Lucy fires him.
She rehires him when he gets a little old lady (LEONA ROBERTS, Mrs. Meade from GWTW), to pretend to be his sick mother who needs money for an operation. Lucy relents and he comes up with another scheme--her next film is called "The Maid and the Man" so he gets her work as a maid in a wacky household. It turns out the house has become the nest for two infamous criminals and Lucy, of course, gets into the thick of things while Oakie tries to rescue her by hiring fake police officers to storm the house.
It had possibilities but emerges as a scatterbrained comedy without any real foothold on reality. THURSTON HALL is fun as a plate breaking scientist and RUTH DONNELLY has a few good one-liners as a studio receptionist, but other than that the gags are pretty hard to swallow at times.
Best that can be said is that LUCILLE BALL shows skill at this sort of comedy and looks pert and pretty throughout. OAKIE overplays the press agent with outlandish schemes but is fun to watch.
If you love Lucy, you'll find this acceptable fare but lacking in so many departments.
JACK OAKIE plays a scheming publicity man who dreams up the most outrageous ways of getting attention (newspaper headlines) for his fading star LUCILLE BALL, her film career supposedly on the wane. One plan involves getting her to spend three days in prison (which turns out to be 30 days) and to have the press on hand when she's released. The plan backfires, of course, and Lucy fires him.
She rehires him when he gets a little old lady (LEONA ROBERTS, Mrs. Meade from GWTW), to pretend to be his sick mother who needs money for an operation. Lucy relents and he comes up with another scheme--her next film is called "The Maid and the Man" so he gets her work as a maid in a wacky household. It turns out the house has become the nest for two infamous criminals and Lucy, of course, gets into the thick of things while Oakie tries to rescue her by hiring fake police officers to storm the house.
It had possibilities but emerges as a scatterbrained comedy without any real foothold on reality. THURSTON HALL is fun as a plate breaking scientist and RUTH DONNELLY has a few good one-liners as a studio receptionist, but other than that the gags are pretty hard to swallow at times.
Best that can be said is that LUCILLE BALL shows skill at this sort of comedy and looks pert and pretty throughout. OAKIE overplays the press agent with outlandish schemes but is fun to watch.
If you love Lucy, you'll find this acceptable fare but lacking in so many departments.
It's easy to see why one viewer would love this movie and another couldn't stand it. I have had both reactions the two times I saw it.
Boy, I loved this the first time I viewed it and then was totally bored on the second viewing 10 years later, so it's hard to evaluate. Suffice to say it does have it's share of laughs which isn't surprising since Lucille Ball and Jack Oakie star. However, the humor is so corny one might see no humor in this - it all depends on what you like.
It WAS interesting to see a young (26 or 27-year-old) Ball, who was very attractive woman at that age. Oakie is okay because he looks funny. He doesn't even have to say anything to get a laugh, which sometimes is better because he played a number of roles over the years in which he delivered a lot of stupid lines!
Like a lot of comedies, it's very silly but the shortness of the film (68 minutes) helps in that regard, preventing it from becoming too silly for too long. There were some funny supporting roles in here, too. Like me, you might really laugh at this or think it's a waste of time: hard to say.
Boy, I loved this the first time I viewed it and then was totally bored on the second viewing 10 years later, so it's hard to evaluate. Suffice to say it does have it's share of laughs which isn't surprising since Lucille Ball and Jack Oakie star. However, the humor is so corny one might see no humor in this - it all depends on what you like.
It WAS interesting to see a young (26 or 27-year-old) Ball, who was very attractive woman at that age. Oakie is okay because he looks funny. He doesn't even have to say anything to get a laugh, which sometimes is better because he played a number of roles over the years in which he delivered a lot of stupid lines!
Like a lot of comedies, it's very silly but the shortness of the film (68 minutes) helps in that regard, preventing it from becoming too silly for too long. There were some funny supporting roles in here, too. Like me, you might really laugh at this or think it's a waste of time: hard to say.
Publicist Lanny Morgan (Jack Oakie) has one crazy stunt after another for his star client actress Annabel Allison (Lucille Ball). The latest has her stuck in prison for 30 days and the media doesn't even show up. Annabel has Morgan fired and then rehired. He has her hired as a maid as research for a new movie. The job gets even crazier when the family is taken prisoner by two criminals.
There are moments of fun. While Jack Oakie was probably the bigger star, people would mostly know Lucille Ball today. She has a few comedic twitches especially with the lovelorn son. It's the start of a Hollywood legend. She is more than just a pretty girl in this. She gets to do some fun bits. It's a shorter theatrical movie clocking in at little more than an hour. One can see some of Lucille Ball's physical comedy coming through.
There are moments of fun. While Jack Oakie was probably the bigger star, people would mostly know Lucille Ball today. She has a few comedic twitches especially with the lovelorn son. It's the start of a Hollywood legend. She is more than just a pretty girl in this. She gets to do some fun bits. It's a shorter theatrical movie clocking in at little more than an hour. One can see some of Lucille Ball's physical comedy coming through.
¿Sabías que...?
- CuriosidadesFirst film where Lucille Ball's name appears above the title in this RKO picture. In about 19 years, she would own the studio, along with her husband Desi Arnaz.
- Citas
Lanny Morgan: I've got it! I got it! It's a cinch! A terrific idea! I'm gonna stick you in the can.
Annabel Allison: [suprised] In the what?
- ConexionesFollowed by Anabel y el vizconde (1938)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- The Affairs of Annabel
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 8 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Los líos de Anabel (1938) officially released in India in English?
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