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In a small Southern town celebrating Confederate Memorial Day, a young woman (Lana Turner) is murdered. Suspicion quickly falls on her Northern teacher at business school, Robert Hale (Edward Norris), whom she had a crush on. Ambitious district attorney Andy Griffin (Claude Rains) uses this as an opportunity to build a name for himself, not caring about Hale's guilt or innocence. Hale is arrested and tried but the anti-Northern sentiment running through the town guarantees his trial won't be fair.

Great role for Claude Rains, who owns every scene he's in as a remorseless politician out to further his career regardless of cost. Edward Norris (Ann Sheridan's first husband) has probably his biggest role as Robert Hale and does a fine job. Film debut of Allyn Joslyn, who plays a slimy reporter colluding with Rains. Pretty Gloria Dickson plays Hale's wife. She has a potent speech at the end. First significant role for Lana Turner. Note the tight sweater which accentuates her...attributes. This is why she was dubbed "the sweater girl" early in her career. The rest of the cast is made up of familiar faces, including Otto Kruger and Elisha Cook, Jr.

Loosely based on the real story of Leo Frank, a Jewish man accused of murdering 13 year-old Mary Phagan in Georgia. He was lynched in 1915. The story here keeps antisemitism out of it, instead making it more of a focus on the resentments and prejudices of the South towards the North. Having grown up in the South, I know these sentiments were very real for many even decades after this movie was made. This is a film that examines everything from bigotry to mob mentality and the manipulation of the public by politicians and the media. Sociologically and historically relevant, it's a powerful movie from Warner Bros. with a good cast.

This may well be the most depressing movie ever made. Based on a notorious murder case, the audience is spared nothing. I think it took guts for producer Mervyn Leroy to make this film. Many theaters refused to show it. The role of a lifetime for actor Claude Rains, I was impressed by the performance of the actress who plays the wife of the victim of a trial that never should have been. It takes a strong stomach to sit through until the end. The film did win awards, but the Academy of Arts and Sciences was afraid to touch it. In real life the victim of the miscarriage of justice was exonerated many years later, but the political career of the Governor who tried to commute his sentence was ruined.

"They Won't Forget" and neither will you if you've seen this chilling depression-era drama based on an actual murder case. Some of the scenes are so real, they're scary. One look at gimlet-eyed Trevor Bardette with a voice from the grave is like seeing death incarnate and enough to freeze a platoon of marines in their tracks. Then there's hapless Clinton Rosemon, his pleas for mercy so achingly real, they echo across generations of tormented black souls. Also not to be overlooked is the bereaved Gloria Dickson. Her righteous anger at movie's end is so heart-felt, I expect it probably was. Together with the wily District Attorney Claude Rains, there's an uncommon authority to this searing drama of justice gone wrong.

There's also an uncommon richness of detail. The script, for all its sprawl, remains tight and unrelenting, a genuine testament to writers Rossen and Kandel. Then too, producer Le Roy pulled out all the stops and the results show it. No one acts without apparent reason. Everyone has understandable motivations for doing what they do. That's why the upshot is so tragic. It's as though there's an on-rushing train nobody can stop because the momentum is carried by an infernal logic greater than the demands of justice. Despite appearances, it's not an anti-lynching film, though it is that. Rather, it's a down and dirty look at the cynical roots of injustice. From lowly pool hall to lofty city council, no one wants to convict an innocent man, but then no one much cares either. This movie stands as a fine example of why Warner Bros. was the studio of record during the stressed-out 1930's. Anyway, for guys who don't like the gloomy theme, there's always the chance to catch Lana Turner as she juggles two balloons while sashaying up the sidewalk in the film's most famous scene.

All in all-- a classic of 30's social realism, with Hollywood at its unapologetic best.

A dark haired, southern drawled Claude Rains has an actor's field day as D.A Andy Griffin. Griffin needs to win one sensational court case to move his career foward. He gets it when a Yankee school teacher (Edward Norris) is accused of murdering a high school girl (Fetching Lana Turner in her film debut) Griffin turns the trial into a media circus and a kangaroo court. The ending is grim, and Griffin gets what he wants. Mervyn LeRoy (Warner Brothers' prize director in the 1930's) moves the story along at rocket pace. He gets fine performances out of Rains, Norris, Otto Kruger and a young Elisha Cook Jnr. LeRoy always cut the fat from his films, meaning very rarely will he show an unimportant aspect of the story. (Example: a scene begins with a sobbing janitor calling the police. We see the police leave. Cut to them at the crime scene. Cut to them grilling their first suspect- the janitor- cut to a newspaper headline about the murder. all of this in about 12 seconds) A film far above average.

They Won't Forget (1937)

**** (out of 4)

Terrific Warner drama about a school teacher (Edward Norris) from the North who's working in the South when one of his students his murdered. The local D.A. (Claude Rains), wanting to rise in the political game, charges the teacher with the murder not because of evidence but because the Southerners think he's guilty due to being from the North. I've been wanting to see this film for many years now after hearing so much about it and it certainly didn't let me down. I think the courtroom drama is probably my favorite genre and this here ranks with the very best out there. What really stands out are the performances, which are all excellent. Norris doesn't stand out in the crowd but he delivers a very somber performance. The real standout is Gloria Dickson as his wife. The final speech she gives is quite chilling and very memorable. Rains also gives a great performance, although I think he goes a bit over the top in a couple of the courtroom scenes. Lana Turner, in her screen debut, also comes off very memorable especially with her "giggle" as she walks down the street in that tight sweater. Mervyn LeRoy does a great job at building all the suspense and anger that surrounds the controversy of the case, which is based on a true story. After watching this film as well as Mississippi Burning this year it's rather amazing to know this stuff happened within the last one-hundred years.