Chicago

The film is delicious in that brassy, over-blown 20th Century Fox way. Among the absurdities is Alice Faye singing "In Old Chicago" in a town that was 35 years old. Yet it's amazing that so much of the actual fire's history is accurately portrayed, such as Mrs. O'Leary's "peg-leg" neighbor who sounded the alarm for the immediate DeKoven St. neighbors. Some of the bigger shots are copied right from lithographs of the period. But then most of the politics is totally fraudulent.

Women extras were not allowed to appear in dangerous situations in '30s Hollywood so watch closely during the street scenes where there are runaway horses and racing fire engines. The "ladies" scrambling around are clearly tall men in Victorian drag. It's a hoot.

Those viewers of a certain age may remember a Sunday evening TV program in the '50s with Walter Kronkite called "You Are There" which put you into historical events. The episode featuring the Chicago Fire cannibalized this Fox film and lifted much of the disaster footage.

There are so many parallels to the previous year's big MGM success "San Francisco" (1936) with Clark Gable and Jeanette McDonald. Here we have Alice Faye also singing in a saloon, a disaster during the night, "dirty politics" with an attempt to clean out the slum zone, little kids in danger during the fire, buildings being dynamited to contain the blaze, the hero searching for days for his lost love among the victims, and so forth.

This is the fictional story of the O'Leary family and the birth of the Great Fire of Chicago.

Big budget, big stars and a completely big production, In Old Chicago may be deemed as a Zanuck cash in on the previous years MGM eye opener, San Francisco, it is however a wonderful picture that features two differing halves of worth. Casting aside historical accuracy (lets really not go down that road in cinema history), this Henry King directed piece firstly engages us as a jaunty family character piece, only to then pull the rug from underneath us to let in political intrigue, deception, down right ugliness and a near $2 million fire besieged Chicago!

Tyrone Power, Don Ameche, Alice Faye, Alice Brady (Best Supporting Actress Academy Award) and Brian Donlevy all line up to entertain the viewers, all possibly aware that they are merely the starter course for the extravagant main course that will be the 20 minute final reel of panic and burning disaster. Yet to focus merely on the fire itself, and the effects that some 70 years later still impact smartly, is to do the first half a disservice, characters are formed and the story is fully fleshed to make the wait for the fire completely worth our time. It's no history lesson for sure but the devilment of some characters, and the ineptitude of some others, more than make this an essential watch for fans of 30s cinema. 7.5/10

The historical drama In Old Chicago is directed by Henry King and stars Tyrone Power, Alice Faye, and Don Ameche. The film takes place in 1870s Chicago.

The film starts out with a family heading to Chicago in 1854. On the way to Chicago the father decides to race a train after his children ask him to do so and he loses control of the cart and ends up badly injuring himself, so much so it leads to his death. When the remainder of the family enter Chicago two of the children accidentally dirty a woman's dress and the mother offers to clean it for her. The mother is so good as cleaning she starts a business and then it is cut to 1870. All the boys are grown up one is a lawyer, one is involved with gambling and other frowned on affairs, and the final one does not really have that much of a part so it doesn't matter. The son that is a lawyer, Jack (Ameche), is convinced to run for mayor and Dion (Power) is one of the heads of a somewhat crime organization. The two are rivals, but then the great fire starts burning...

The writing for this film is decent. It is an interesting concept having the two brothers pitted against each other, I like that part a lot. But every relationship involving a woman of romance just seemed so unnatural and forced. It was just like if anyone talked to a woman in a few minutes they would be in love. I liked towards the end everything that had to do with the fire, I thought that was very interesting and kept my attention. After the film ended though not much was very memorable.

Henry King's direction for this film was quite good. One shot in particular I liked was when it was in the bar and the camera dollied backwards and I saw all the bartenders serving beer to the large crowd of people. This shot was so much more efficient than just an overhead shot displaying the large amount of people because it felt like I was actually there. Also King directed everything with the fire brilliantly as well. He got solid performances from all his leads as well.

The editing for this film was equally as good as the direction. One thing I liked in particular was when the mother was washing the clothes and all the years passed by over her washing. I thought that was much smarter than just going to the next shot and putting 1870 on the bottom of the screen. Again with the fire scenes everything was edited perfectly, especially involving the special effects.

The acting was solid by most of the cast. I thought Tyrone Power played his part very well, he was likable even though his character was devious. I did think the parts where he was with any woman besides his mother were ridiculous, but that wasn't his fault it was the writers and director. Alice Faye did not give that great of a performance but I thought her role was somewhat useless so it was hard for her to be good. Don Ameche basically just read his lines and furrowed his brow during the whole film so nothing remarkable. Alice Brady won an Oscar for her role as the mother and she deserved it. She was basically a caring mother that did not want her sons to be running around and being with women who were not of class. She played the part perfectly and really could not have improved.

Overall I give this film a very weak 7/10. My main issue is that after the film I almost immediately forgot it but during the film it was quite an experience. I would recommend this film to anyone who enjoys historical dramas.

This is a good, old-fashioned movie featuring brotherly rivalry between Don Ameche's character and Tyrone Power's. Tyrone is the good-hearted scoundrel of the two -- his scenes with Alice Faye have pizzaz despite her not being half as gorgeous as her leading man. The scene where Tyrone ducks objects that Alice throws at him in anger, then wrestles her to the floor and bites her lower lip, is a must-see for Power admirers. The Chicago fire is portrayed so well, this movie won an award for special effects.

In 1854, the patriarch Patrick O'Leary (J. Anthony Hughes) of the O 'Leary family dies in an accident nearby Chicago while traveling amid-western prairie. His wife Molly O'Leary (Alice Brady) raises her three sons alone working as laundress. Her son Jack (Don Ameche) becomes an idealistic lawyer; Dion (Tyrone Power) is a gambler; and Bob (Tom Brown) helps his mother in the laundry business and marries local Gretchen (June Storey) in the old area known as The Patch. Dion meets the singer Belle Fawcett (Alice Faye) in the cabaret owned by Gil Warren (Brian Donlevy) and they fall in love with each other and become lovers. They also open a business of their own to compete with Gil that becomes their enemy. However Gil invites Dion to join the politics with him but Dion plots a scheme with tragic consequences.

"In Old Chicago" is a film with the fictional dramatization of the Great Chicago Fire in 1871. The melodramatic and romantic screenplay follows basically the fictional lives of the Irish brothers Jack and Dion. However it seems that the origin of the fire is precise with the O'Leary cow starting the fire in the barn. My vote is seven.

Title (Brazil): "Na Velha Chicago" ("In Old Chicago")