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IMDbPro

Doble boda

Título original: Double Wedding
  • 1937
  • Approved
  • 1h 27min
PUNTUACIÓN EN IMDb
6,9/10
2,7 mil
TU PUNTUACIÓN
Myrna Loy and William Powell in Doble boda (1937)
Two sisters of differing temperaments, the younger's milquetoast fiancé, and a free-spirited artist in an auto trailer are all experiencing romantic complications.
Reproducir trailer3:54
2 vídeos
44 imágenes
ComediaComedia locaRomance

Añade un argumento en tu idiomaTwo sisters of differing temperaments, the younger's milquetoast fiancé, and a free-spirited artist in an auto trailer are all experiencing romantic complications.Two sisters of differing temperaments, the younger's milquetoast fiancé, and a free-spirited artist in an auto trailer are all experiencing romantic complications.Two sisters of differing temperaments, the younger's milquetoast fiancé, and a free-spirited artist in an auto trailer are all experiencing romantic complications.

  • Dirección
    • Richard Thorpe
  • Guión
    • Jo Swerling
    • Ferenc Molnár
  • Reparto principal
    • William Powell
    • Myrna Loy
    • Florence Rice
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,9/10
    2,7 mil
    TU PUNTUACIÓN
    • Dirección
      • Richard Thorpe
    • Guión
      • Jo Swerling
      • Ferenc Molnár
    • Reparto principal
      • William Powell
      • Myrna Loy
      • Florence Rice
    • 43Reseñas de usuarios
    • 14Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 4 premios en total

    Vídeos2

    Official Trailer
    Trailer 3:54
    Official Trailer
    Trailer
    Trailer 3:54
    Trailer
    Trailer
    Trailer 3:54
    Trailer

    Imágenes44

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    + 36
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    Reparto principal36

    Editar
    William Powell
    William Powell
    • Charles Lodge
    Myrna Loy
    Myrna Loy
    • Margit Agnew
    Florence Rice
    Florence Rice
    • Irene Agnew
    John Beal
    John Beal
    • Waldo Beaver
    Jessie Ralph
    Jessie Ralph
    • Mrs. Kensington-Bly
    Edgar Kennedy
    Edgar Kennedy
    • Spike
    Sidney Toler
    Sidney Toler
    • Keough
    Mary Gordon
    Mary Gordon
    • Mrs. Keough
    Barnett Parker
    Barnett Parker
    • Flint
    Katharine Alexander
    Katharine Alexander
    • Claire Lodge
    Priscilla Lawson
    Priscilla Lawson
    • Felice
    Bert Roach
    Bert Roach
    • Shrank
    Ernie Alexander
    • Drunk Singing "For He's a Jolly Good Fellow"
    • (sin acreditar)
    Jack Baxley
    • First Bartender
    • (sin acreditar)
    Margaret Bert
    • Waitress in Crowd at Wedding
    • (sin acreditar)
    Billy Bletcher
    Billy Bletcher
    • Wedding Guest
    • (sin acreditar)
    G. Pat Collins
    G. Pat Collins
    • Mounted Policeman
    • (sin acreditar)
    Heinie Conklin
    Heinie Conklin
    • Hot Dog Vender
    • (sin acreditar)
    • Dirección
      • Richard Thorpe
    • Guión
      • Jo Swerling
      • Ferenc Molnár
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios43

    6,92.6K
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    Reseñas destacadas

    6moonspinner55

    Mostly amusing free-for-all...

    A screwball romantic comedy...but somebody forgot to tighten the screws. Confusion reigns after a ne'er-do-well man becomes involved with both a would-be actress and her domineering, humorless sister. Funny cast (including the "Thin Man" couple, Myrna Loy and William Powell) have a high time with their eccentric characters and fast, witty dialogue, but the plot is extremely thin, taking everyone around in circles. Too bad this didn't have firmer handling, the potential was here for a comedy classic. Loy's continuous bad temper gets the biggest laughs, however the wild slapstick climax boasts some very amusing sight-gags. **1/2 from ****
    8masonfisk

    HECK W/THE WEDDING, THE LEAD UP IS PURE HILARITY...!

    Another William Powell/Myrna Loy pairing from the 1930's. Powell plays an eccentric artist who has convinced an 'about to be married' couple to invest in a film he wants to make w/them but standing in their way is Loy, the bride's sister, who is of the overly controlling sort who wants no part of his scheme. As always, the verbal & comedic fireworks are on full blast as soon as the bickering couple meet & somehow fall in love by film's end. The final scene's in Powell's motor-home rivals the famous Marx Brothers sequence from A Night of the Opera as friends & hanger-on's keep popping into the crammed space as the hilarity comes to a boil.
    9petyank

    Not a Masterpiece, Just Delightfully Cracked

    Watching this movie was like looking through a beautiful, whimsical kaleidoscope. So many facets are perfect: Loy at her peak of gorgeous, wry sophistication; the Deco sets; Powell's gentle irony; the relationships of various characters and the consistency of dialog; even the physical pranks were great--and I don't like slapstick all that much! This film reminded me of Shop Around the Corner. It wasn't as good, that's a tall order, but there was something bigger going on in this movie than just the usual romantic farce. I have to admire the writer's and director's ability to pull off a romantic comedy between two such diametrically opposed people. The heroine is the quintessential control freak; the hero, as laid back and tolerant as a hippie of the sixties. No one apologizes for their quirks, which is refreshing, and neither of them had to change all that much to make the ending work. And as far as acting goes, Loy and Powell don't hold back any punches (literally!) whenever the two characters collide. It is amazing to watch them knowing how they were reacting to Harlow's death during shooting. I love finding old movies, and this one is buried treasure.
    7LaDonnaKeskes

    Worth watching for John Beal's scene stealing

    For the most part Double Wedding is a standard rom-com about opposites attracting, with Myrna Loy and William Powell carrying most of the screenplay weight. But it's John Beal's delightfully clueless literal- minded suitor to Loy's sister (ably but forgettably played by Florence Rice) that makes this film work. Scenes he shares with Powell as a hopeless actor and would-be man of the world are laugh-out-loud funny. His style of understated flat-affect comedy wouldn't become popular until the Coen brothers. Powell and Loy are capable as always, and the sets and costumes have a high sheen, but this film is Beal's steal. There's lots of misunderstandings and misapprehensions, all of which don't add much to the genre, but it's an amusing way to spend a few hours in the company of experts.
    7AlsExGal

    A bit too "Three Stooges" for the likes of Loy and Powell..

    ... with all of its chaotic slapstick, that and the fact that some of this film was shot shortly after Jean Harlow's sudden untimely death makes what probably would have been an 8/10 screwball comedy lose a star. William Powell was involved with Harlow and she and Myrna Loy had been close friends, so her death naturally cast a pall over the production.

    It has a cute premise. Charlie Lodge (William Powell) is an avantgarde artist who lives in a trailer outside of a local nightspot - Spike's. He has made the acquaintance of Irene Agnew (Florence Rice) and her passive fiance Waldo Beaver (John Beal). It seems that Charlie has written a movie script and he has Irene and Waldo acting out the leads for him, although this entire matter just gets dropped about 15 minutes in. Irene and Waldo are very afraid of Irene's older sister Margit (Myrna Loy), as she would disapprove of the two - adults mind you - associating with and befriending Charlie.

    When Margit does hear of it and goes to retrieve them, she walks in on Charlie reenacting a scene from his movie script where he passionately embraces Irene. Margit thinks it's a real embrace, but in a way it is. Irene has become smitten with Charlie as a result, and Margit goes to Charlie to tell him to stop seeing her sister. However, Charlie is actually smitten with Margit, and so he makes excuses to see her. Initially that excuse is a portrait he says he wants to paint of her, but like the movie script, that too gets dropped shortly thereafter. Charlie pushes things to the edge to get Waldo to show some spine to Irene so as to win her back, and also to get Margit to fall for him. How does this work out? Watch and find out.

    If you appreciate the magic of Loy and Powell then I think you'll like this one too, but I've seen better from the pair made before this and I've seen better films starring them that were made afterwards.

    Más del estilo

    Te quiero otra vez
    7,4
    Te quiero otra vez
    Mi marido está loco
    7,4
    Mi marido está loco
    El enemigo público número 1
    7,1
    El enemigo público número 1
    La tela de araña
    6,9
    La tela de araña
    Otra reunión de acusados
    7,3
    Otra reunión de acusados
    La sombra del acusado
    7,2
    La sombra del acusado
    El regreso de aquel hombre
    7,3
    El regreso de aquel hombre
    Una mujer difamada
    7,8
    Una mujer difamada
    Ella, él y Asta
    7,6
    Ella, él y Asta
    La canción de los acusados
    6,9
    La canción de los acusados
    Mi ex-mujer y yo
    6,9
    Mi ex-mujer y yo
    Código secreto
    6,6
    Código secreto

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Production was halted because of the June 7, 1937 death of William Powell's fiancée Jean Harlow. Powell later described finishing the movie as "very difficult under the circumstances". Myrna Loy, a good friend of Harlow's, disliked the film because of her death, stating in her autobiography it was "the scapegoat for concurrent despair".
    • Pifias
      Near the end in Charlie's trailer, an Oscar statuette is visible in the background standing on a white shelf. In the next shot, the statuette is on top of a black box that is on the white shelf. The following shot has the Oscar back on the white shelf. A few moments later, the statuette is knocked over and is seen toppling from on top of the black box again.
    • Citas

      Margit Agnew: Do you take dope?

    • Conexiones
      Featured in The Romance of Celluloid (1937)
    • Banda sonora
      Bridal Chorus (Here Comes the Bride)
      (1850) (uncredited)

      from "Lohengrin"

      Written by Richard Wagner

      In the score when Irene tries on a wedding dress

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    Preguntas frecuentes

    • How long is Double Wedding?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de octubre de 1937 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Double Wedding
    • Localizaciones del rodaje
      • Carmel-by-the-Sea, California, Estados Unidos
    • Empresa productora
      • Metro-Goldwyn-Mayer (MGM)
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 27 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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