Back in Circulation

This film is packed full of unique characters, complex arch's, and is a treasure for anyone who likes 1930s comedies. Lead actress Joan Blondell displays a flair for comedic touch while also providing excellent dramatic expressions and reactions. Her character is tomboyish, yet, very attractive and feminine. One characteristic I thought made her most interesting is she didn't care about how her hair looked. At that time in history most female movie stars had their hair strictly cared for by a makeup department or they themselves would maintain it like most people do. This made every scene look unauthentic to real life. But I was surprised to see it wasn't perfectly in place all the the time, but often falling in her face in an unflattering way. Hard to tell if that was on purpose or due to quick shooting. Whatever the case, it is unique and memorable. The world that we see on screen seems to have enormous depth. I would recommend this film to anyone who enjoys a balance of comedy and drama, while also being open to "black and white". This movie single handedly turned me into a Joan Blondell fan.

... even when you figure in that given the decade, the studio, and the stars - Pat O'Brien and Joan Blondell - that you know exactly what kind of film that this is going to be - that being a film with lots of snappy dialogue, akin to the precodes of five years before, but with the rough edges removed to pass the censors.

Timmy Blake (Joan Blondell) is a reporter for the New York Express, a paper run by Bill Morgan (Pat O'Brien), who also is Timmy's boyfriend, and the audience does need to be told that a few times, as these two show zero affection for each other, but do show lots of anger, more like a divorced couple still working together. They are both completely amoral in regards to their profession, in pursuit of a story, regardless of who it hurts.

One night Morgan gets an anonymous note saying that prominent automobile manufacturer Vernon Wade did not die of a heart attack, but instead was murdered by poison. His funeral is planned the next day and he is scheduled to be cremated immediately afterward. Head scratching moment number one - Morgan and Blake go to the town where the funeral is being held and, on the strength of nothing but their fast talking, get the coroner to agree to call off the funeral and perform an autopsy on Wade. The autopsy does turn up that Wade was indeed poisoned using a poison that the Wades did have around the house.

Next is the search for the murderer which, oddly enough, is being headed up by Blake and Morgan rather than the police. The widow is being strangely enigmatic about all of this, and slowly clues arise that point to the widow (Margaret Lindsay) as the murderer. She is arrested and tried for the murder, but this is where things get weird. Suddenly Timmy Blake, ace reporter, grows a heart and a conscience and becomes convinced that the widow is innocent when the clues she dug up were what indicted her in the first place. But for some reason the widow, although she says she is innocent, refuses to assist in her own defense. Complications ensue.

This one was better than I expected precisely because it takes such an odd turn during its last one third, and the mystery is compelling. This was made during the two year period that James Cagney was absent Warner Brothers while they were locked in a contract dispute. And although O'Brien was very good in his role, his seemed like the kind of part that would have gone to Cagney had he been available at the time.

Ace reporter Joan Blondell drives through the night and breaks some rules to get the story on the big train wreck. Back at the paper, she expects kudos--but boss Pat O'Brien does nothing but complain. Blondell is insulted, O'Brien insists that he appreciates her work, and they get all lovey-dovey for about two seconds...and then O'Brien tells her that she looks tired and she stomps out of his office, slamming the door and breaking the glass.

Both stars are energetic and talk fast but the characterizations are not subtle in this noisy newspaper drama. O'Brien is exceedingly bossy and unpleasant as the demanding editor; Blondell is just not believable as the hardboiled reporter who for some reason has a soft spot for her crabby boss.

The plot involves a murder investigation by Blondell and the paper. Having received an anonymous tip, Blondell stops a funeral and convinces the coroner to do an autopsy. Sure enough, the guy was poisoned. Could the murderer have been Margaret Lindsay, the beautiful widow? John Litel, the doctor who attributed the death to a heart attack? The paper pushes hard for Lindsay's indictment for the murder but just when it's almost too late, Blondell starts feeling guilty and wonders if Lindsay is innocent after all....

An interesting cast includes Regis Toomey, Eddie Acuff, and George E. Stone as various newspaper employees. Ben Welden plays a casino owner who, in one of the picture's many ridiculous sequences, visits O'Brien's office to help identify a suspect and then is held at gunpoint by O'Brien to prevent him leaving and talking to other papers' reporters.

A fast paced newspaper drama with these stars sounds like great fun. Unfortunately, the obnoxious characters and poor plot pretty much sink it.

Although reporters are barred from the scene, a deadly train wreck doesn't stop enterprising Joan Blondell (as Timothea "Timmy" Blake) from covering the story. Pretending to be a doctor, Ms. Blondell gets the scoop. Her editor and love interest Pat O'Brien (as William "Bill" Morgan) gets an anonymous tip stating that an automobile manufacturer did not die of heart failure, but was poisoned. He assigns Blondell the story and she suspects beautiful widow Margaret Lindsay (as Arline Vivian). We wonder why Blondell is interested in Mr. O'Brien and, even more, why he seems so uninterested in Blondell. The plot unravels between two dubious letters. The main reason to watch is Blondell. She is strong and sexy in this film. And, although second-billed, Blondell is the star.

**** Back in Circulation (9/25/37) Ray Enright ~ Joan Blondell, Pat O'Brien, Margaret Lindsay, John Litel

This is a quite unpleasant picture which paints the newspaper industry in a particularly bad light. Joan Blondell plays a character different to the usual bubbly screen persona we're used to. Along with Pat O'Brien, she's a gutter journalist working at a muck-raking scandal rag ruining people's lives without any cares.

If you've seen Mervyn LeRoy's excellent FIVE STAR FINAL made in 1931 this will make you a little depressed. That film was a scathing attack on the disgusting and disreputable practices of the gutter press but six years later it looks like its message was ignored. It's not just the fact that nothing seems to have changed, this picture presents its protagonists as nice, fun-loving regular guys and even tries to inject some elements of comedy. There's no condemnation of these unpleasant people, they don't change, they're the same scumbags at the end as they are at the beginning. The unfunny comedy relief doesn't help - it actually feels quite out of place and a little disrespectful.

After destroying someone's life, Joan Blondell's character does try to make amends but not because she thinks it's the right thing to do, she does this just to make herself feel better about herself. She and Pat O'Brien do put in what feel like authentic performances which does let you engage with them - although you don't really want to.

It's a reasonably well made picture but there's an undercurrent of sourness to this.