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I have to agree with those who consider Karloff an underrated actor. Given the nature of this film and its fantastic premise, he brings a real subtlety to the role. After each of his antagonists meet their untimely demise, there is just a hint of remorse and sadness. Who else in the horror genre would have underplayed it like that? Karloff becomes the walking conscience of his tormentors and apart from the films failings regarding plot, effects etc., I think it works quite nicely on the level of allegory.

This movie is enjoyable escapism. Karloff is framed and dies in the electric chair even as the Governor is trying to reach the warden to stop the execution because two witnesses have finally come forward who can prove Karloff's innocence. Edmund Gwenn plays a doctor who is able to immediately bring Karloff back to life (I told you it was escapism). Throughout the remainder of the film Karloff quietly confronts the men who framed him, including his crooked attorney. The manner in which the "bad-guys" get what's coming to them makes for an interesting story. Karloff plays his character as basically a gentle, soft spoken individual who seems more interested in finding out why he was framed than in extracting revenge. My only real criticism is that the classical music selection used throughout the film is overdone and tends to get on the nerves after awhile. It's a very dreary piece to start with and not the type of music to heighten the films' enjoyment. The point was made at least twice that it was the Karloff character's favorite musical piece. I promise that, after hearing it throughout the run of this film, it will not be yours'.

This is a one of a kind--combination horror/gangster! Karloff (who's just incredible) is bought back from the dead after being wrongfully executed and takes revenge on those who set him up. It's basically a gangster film until the last half hour--then the scary stuff kicks in. The film is VERY short (70 minutes) and moves quickly. It's intelligent (although bringing a person back from the dead after they've been electrocuted is a stretch!), very well-directed (effective use of shadows and camera angles) but the main reason to watch is Karloff. He never received the attention he deserved because he made horror films, which are still looked down upon. He was a wonderful actor and in this movie gives one of his best performances ("The Black Room" is probably THE best he ever gave). Just check out his expression after he "kills" the men he goes after. Excellent job. A perfect "B" movie. Don't miss it! I don't believe this is on video (I saw it on TCM), so if you get a chance, SEE IT! You won't be disappointed!

Dispersed throughout the Universal reign of horror in the thirties came several remarkably well-made MGM and Warner Brother horror films. The Walking Dead is one such film produced by Warner Bros. that mixes their predominant genre of expertise, the gangster film, with the horror film. You might say in a way that it is a blend of reality and the supernatural. This film has stood the test of time well, and is a nice, taut story of a man wrongly accused of a crime, miraculously brought back to life, and eventually seeking vindication and justice from those that did him wrong. Karloff is a masterful lead in that he is able to frighten us and exact from us a tremendous amount of pity and understanding. In point of fact, his characterization of Ellman is one of his most powerful and sympathetic, a true tragic hero toyed with by crime bosses and a corrupt lawyer. Most of the acting beyond Karloff is rather pedestrian, with Edmund Gwenn turning in a nice portrayal of a questioning scientist and Ricardo Cortez wonderfully playing the stereotypical slimy lawyer. Curtiz does a good job of direction and lighting and shading are used to almost perfect results. A must see for the classic horror buff!

Michael Curtiz directed this odd combination of gangster and horror films for Warner Bros. Karloff is a minor gangster released from prison who is framed and executed for murder. He's brought back to life when his name is cleared and confronts each of the men who framed him with his knowledge from beyond the grave. The execution scene is absolutely excruciating, as the only witnesses to the crime try to get the corrupt governor to call in a pardon while the music-loving Karloff walks to the electric chair, accompanied by a cello.