Los tres mosqueteros ciegos

The concept of this short film is a mix between the literary work The Three Musketeers and the children's song Three Blind Mice. The result is a good, quite entertaining short film, with good animation and good character designs. One thing that can be credited is that it seems that this short film had served as inspiration for the animated version of The Three Musketeers, which starred Mickey, Donald and Goofy. It is because of the similarity that the title of the short film has with the movie and the cat that tries to catch the mice resembles Pete. That makes this short film also something interesting to watch because it is in some way comparable to the animated feature film of Mickey and his companions. The truth is another interesting piece of animation that is worth watching out of curiosity. My final rating for this short film is an 8/10.

True it is predictable, but this is so entertaining that I don't care. The music is terrific, the characters are at least likable- although Captain Katt is evil, there are times when you do feel sorry for him. The silly symphony is beautifully drawn, with excellent character animation and nice backgrounds. There are some truly hilarious bits, my favourite bit has always been the one when Captain Katt is looking for the mousketeers under the three bowls. Considering when it was made, this is an enormously entertaining and beautifully done silly symphony. It is not the best one out there, but it is well worth watching for entertainment value.

All for one, and one for all! 10/10 Bethany Cox

Not really much to spoil. Old school Disney short revolving around three blind Mouseketeers, who walk into Captain Cat's many booby traps, but somehow come out on top, and outsmart that wily fat cat. For 1936, it's as much fun as a short can be, and it certainly entertains! The animation is great for its time, and I wouldn't have picked it for being in the 30s. More like the 40s, or at least, that was my initial impression. Enjoyable! There is not much more I can say about this short animated piece, other than I watched it via 'The Rescuers' DVD, so if you are interested in old school Disney shorts, it's worth a look.

***1/2 out of *****

THE THREE MOUSKETEERS gives a cartoon spin to the Alexander Dumas tale of "all for one" as they have to use their combative skills with sword and derring-do to defeat a fat cat bent on their destruction. "My traps are set in every room, those cats are munchin' to their doom." Predictably, the mousketeers outmaneuver the traps either by remarkable luck or skill (or both) and the sleeping cat (who dreams about victory) is soon awakened by the rather boisterous musketeers as they congratulate each other on escaping his booby traps.

The rest of the cartoon is strictly a series of cat-and-mouse chases with the mice winning at every turn. The scene where one of them is hiding under a teacup is reminiscent of the later gag used for Lucifer in Disney's full-length "Cinderella".

Nothing really extraordinary here, although it's clear to see that the animation techniques were undergoing vast improvement by 1936.

A Walt Disney SILLY SYMPHONY Cartoon Short.

The THREE BLIND MOUSEKETEERS set about getting their cheesy meal, despite the best efforts of villainous Captain Katt to destroy them.

An enjoyable, though unremarkable, spoof of swashbuckling movies. Disney would revive the term `Mouseketeer' two decades later for use in the Mickey Mouse Club TV show. Katt seems to owe a lot to the personality of character actor Noah Beery; and is that Walt vocalizing the skinny mouse?

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.