PUNTUACIÓN EN IMDb
6,3/10
417
TU PUNTUACIÓN
La maestra Hildegarde Withers y el policía Oscar Piper, tratarán de averiguar la verdad sobre la aparición del cadáver de un millonario asesinado en su mansión. Las sospechas recaen en una j... Leer todoLa maestra Hildegarde Withers y el policía Oscar Piper, tratarán de averiguar la verdad sobre la aparición del cadáver de un millonario asesinado en su mansión. Las sospechas recaen en una joven pareja de enamorados.La maestra Hildegarde Withers y el policía Oscar Piper, tratarán de averiguar la verdad sobre la aparición del cadáver de un millonario asesinado en su mansión. Las sospechas recaen en una joven pareja de enamorados.
- Dirección
- Guión
- Reparto principal
Alyce Ardell
- Josephine, Hildegarde's Maid
- (sin acreditar)
John T. Bambury
- Midget
- (sin acreditar)
Billy Dooley
- Gas Station Attendant
- (sin acreditar)
Frank Fanning
- Detective Fanning
- (sin acreditar)
Mary Gordon
- Woman with Bag
- (sin acreditar)
Reed Howes
- Museum Guard in Egyptian Room
- (sin acreditar)
John Indrisano
- Man in Line for Inspection
- (sin acreditar)
Reseñas destacadas
I saw this movie for the first and only time in the late '80's on AMC and have been searching for it to purchase ever since. My son, who was then 6 years old, and I laughed and chuckled throughout the movie at the dry wit, sarcasm and humor. You have to pay attention, because like many other movies of this era, there is a plot (!!) and a true storyline and you have to be listening to catch the sometimes subtle humor, particularly between Gleason's and Pitts' characters. My kids grew up on these old B&W's and can't understand why their friends don't find them entertaining. Since it's not a "splash & gash" movie of today, with no storyline and only loud music and special effects, most young people (and many adults) today would no doubt find it boring. It's not "Arsenic & Old Lace" or "The Maltese Falcon", but it's a very funny old B&W and I have every intention of purchasing it ASAP!
We did not know that Hildegarde Withers plays golf, but our first view of Zasu Pitts in the role shows her practicing her swing (indoors, no less). It seems she had a golf date with her good friend, Inspector Oscar Piper, which he has unfortunately broken: a case has come up, and Miss Withers—quickly recovering from her irritation at being stood up—hastens to the scene to assist in the investigation.
James Gleason is Inspector Piper once again, and gives his usual entertaining performance as the irascible detective with a soft spot for the school teacher who follows him around offering unsolicited crime-solving advice. Zasu Pitts as Withers delivers the usual dry Withers comments and is true to the character in her impatience with fools. (A policeman mistakenly arrests and handcuffs her, then tells her anything she says may be used against her, to which she replies, "Anything I say may be used against YOU—and that'll be plenty if you don't unshackle me at once!") Pitts looks good in the role, and she and Gleason make a snappy team. Considering that this was Gleason's fifth film in his role but Pitts was brand new to hers, the interaction between the two is impressively smooth.
The plot involves the murder of one John Carter, who is shot dead in a parked roadster a mere moment after attempting to kiss a girl who didn't want to be kissed and then laughing at her. Suspects abound, of course; complicating the plot is a possible case of mistaken identity, as various characters were out and about, tailing and being tailed, at the time of the murder. Why again was the body dragged from the roadster and (eventually) deposited in the murdered man's own library? --The plot does indeed thicken.
A solid supporting cast includes James Donlan as a goofy cop with an interest in astrology; Paul Fix as a nervous chauffeur; and Louise Latimer, who had just played a different role (but a similar character) in the Withers mystery immediately preceding this one.
No classic, but certainly an entertaining hour for those of us who enjoy this kind of thing: great character actors, some good dialog, and a plot that's a bit more complicated than really necessary.
James Gleason is Inspector Piper once again, and gives his usual entertaining performance as the irascible detective with a soft spot for the school teacher who follows him around offering unsolicited crime-solving advice. Zasu Pitts as Withers delivers the usual dry Withers comments and is true to the character in her impatience with fools. (A policeman mistakenly arrests and handcuffs her, then tells her anything she says may be used against her, to which she replies, "Anything I say may be used against YOU—and that'll be plenty if you don't unshackle me at once!") Pitts looks good in the role, and she and Gleason make a snappy team. Considering that this was Gleason's fifth film in his role but Pitts was brand new to hers, the interaction between the two is impressively smooth.
The plot involves the murder of one John Carter, who is shot dead in a parked roadster a mere moment after attempting to kiss a girl who didn't want to be kissed and then laughing at her. Suspects abound, of course; complicating the plot is a possible case of mistaken identity, as various characters were out and about, tailing and being tailed, at the time of the murder. Why again was the body dragged from the roadster and (eventually) deposited in the murdered man's own library? --The plot does indeed thicken.
A solid supporting cast includes James Donlan as a goofy cop with an interest in astrology; Paul Fix as a nervous chauffeur; and Louise Latimer, who had just played a different role (but a similar character) in the Withers mystery immediately preceding this one.
No classic, but certainly an entertaining hour for those of us who enjoy this kind of thing: great character actors, some good dialog, and a plot that's a bit more complicated than really necessary.
A man is shot in his car and a young couple is entangled with the murder. Next, the dead body is found in his library at home. Inspector Oscar Piper (James Gleason) investigates the apparent murder. He calls to cancel a golf outing with Hildegarde Withers (ZaSu Pitts). She's intrigue with the case and invites herself into the investigation.
The start is a bit messy but I like the young couple's dilemma. This is a new Hildegarde. She has a few fun scenes but it's generally a downgrade. I do like the handcuff scene. The mystery would work better if the young couple is forced to go on the run with Hildegarde by their side. They could solve the case together. Oscar would be in pursuit and join them later in the story. I just don't like the second half that much. The movie degenerates. The series is also degenerating into a secondary B-movie franchise. The original series would have one more movie before fading away.
The start is a bit messy but I like the young couple's dilemma. This is a new Hildegarde. She has a few fun scenes but it's generally a downgrade. I do like the handcuff scene. The mystery would work better if the young couple is forced to go on the run with Hildegarde by their side. They could solve the case together. Oscar would be in pursuit and join them later in the story. I just don't like the second half that much. The movie degenerates. The series is also degenerating into a secondary B-movie franchise. The original series would have one more movie before fading away.
Back in the 1930s, Edna May Oliver played amateur detective Hildegarde Withers in several very successful films. Unfortunately, when Miss Oliver went to MGM to work, this left a vacancy. RKO/Radio Pictures didn't want to discontinue the series and they tried a couple actresses in the role...though none were as good as Oliver. In "The Plot Thickens", they tried out Zazu Pitts in the lead...and they apparently liked her enough to have her appear once more time as the detective.
Soon after the story begins, a man is shot. Was he the victim of a jealous boyfriend? It appears this way. However, through the course of the picture, it becomes obvious that the victim was a jerk...and had something to do with the theft of a valuable piece of art, the Cellini Cup.
I liked this film for many reasons. Much of it was because the film had lots of false leads that kept you guessing. And, much was because the detective (James Gleason) investigating the case was NOT an idiot and often made smart moves. So, instead of Hildegarde saving the day and constantly out-thinking the cops, she was more an assistant to an already capable guy...which made this much unlike the average B-mystery. Well worth seeing...even without Oliver.
Soon after the story begins, a man is shot. Was he the victim of a jealous boyfriend? It appears this way. However, through the course of the picture, it becomes obvious that the victim was a jerk...and had something to do with the theft of a valuable piece of art, the Cellini Cup.
I liked this film for many reasons. Much of it was because the film had lots of false leads that kept you guessing. And, much was because the detective (James Gleason) investigating the case was NOT an idiot and often made smart moves. So, instead of Hildegarde saving the day and constantly out-thinking the cops, she was more an assistant to an already capable guy...which made this much unlike the average B-mystery. Well worth seeing...even without Oliver.
I very much wanted to like this movie. I've always liked James Gleason and Zazu Pitts. But the script was uninteresting, and the direction lackluster. It wasn't funny, and it didn't move, even though it's a short movie.
There's really no reason to watch this movie.
There's really no reason to watch this movie.
¿Sabías que...?
- CuriosidadesOn July 21, 1936, the Los Angeles Evening Citizen News (aka Hollywood Citizen-News) listed RKO films in production or preparation, including "The Riddle of the Dangling Pearl," based on a Stuart Palmer novella. James Gleason and Helen Broderick were indicated as the principal actors. They had appeared in RKO's previous Hildegarde Withers production, Muerte en el sendero nupcial (1936). However, on Aug. 17, the paper reported that Broderick would not be appearing in the film, as she had too many other assignments. (She appeared in five RKO releases in 1936.) The article indicated that James Gleason's wife Lucille was negotiating to take over the role of Hildegarde Withers, but on Sept. 4 an L.A. Times story indicated that James would be teamed with Zasu Pitts for the film, which was released in December as El detective y su compañera (1936).
- PifiasThe Italian couple that Officer Cassidy talks to near the beginning of the movie say "good night" to him in Spanish.
- Citas
Hildegarde Withers: Now don't behave more stupid than is natural, Oscar.
- ConexionesFollowed by Forty Naughty Girls (1937)
- Banda sonoraPretty Baby
Music by Egbert Van Alstyne and Tony Jackson
Lyrics by Gus Kahn
Played by the organ grinder in the park
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Misterio en el museo
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 9min(69 min)
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta