Una tarde de lluvia

Philippe Martin (Francis Lederer) is a struggling actor who accidentally kisses Monique (Ida Lupino) in a darkened cinema thinking that she is someone else. This incident causes a scandal which goes to court. In the meantime, Philippe's stage career takes off and we end with a theatre performance where the story depicts the recent events and we even have a song about it.

This film isn't very good despite having 2 good main actors in the lead roles. I expected more from Lederer and Lupino but there just wasn't anything in the script to deliver. The film is about an incident which is not capable of carrying a whole film. It also contains a very annoying Hugh Herbert as "Toto" who is given comedy music when he appears, which is all the way through the film. His character helps ruin the film. But it is a film with a nothing story to begin with. Shame the two main actors wasted their time with this.

"One Rainy Afternoon" is an American remake of the French film "Monsieur Sans-Gêne". I have no idea if the French film is any good or not, all I know is that "One Rainy Afternoon" became VERY tiresome almost as soon as it started! This is due to a terrible miscasting of Francis Lederer in a comedy--and his abilities with comedy were nonexistent. A fine actor, yes, but a comedian, no way! In addition, there is a lot of Hugh Herbert in the film and my theory about his films is that the more of him in a movie, the less I'll enjoy it. High laugh just pierces my brain and makes me want to scream.

As for the plot, it's VERY contrived and not enough to support an entire full-length film. Lederer is going to meet a married woman at the theater but instead of sitting there and kissing her in the dark, he accidentally kisses a stranger (Ida Lupino). What makes this so unendurable is everyone's reaction to this--like the world is about to end or something! To base an entire film on such a faux pas--what a mistake and the film comes off as very forced and unfunny.

UPDATE: I saw this film again recently and think the original review a bit too severe. I now admit that the film, while seemingly endorsing sexual harassment, has some charm nevertheless.

It's a darkened theatre where Phillipe leans over to kiss his philandering girlfriend Yvonne. But it's not her he mistakenly kisses; instead, it's an uptight young Monique who's instantly insulted and causes a commotion. From there events spiral away in Hollywood fashion, such that Phillipe may lose his acting job, go to jail, and get a "monster" reputation. Talk about a mountain out of a molehill: it's that in spades. Good thing for Phillipe that Monique eventually takes a shine to the handsome actor.

It's a hard movie to rate, since it mixes so much cuteness with so much silliness. Too bad comic actor Herbert does his silliness bit in about every scene. It's like pouring sugary gravy on more flavorful soup. Still, lead actor Lederer as Phillipe manages an upbeat charm; at the same time, a youthful Lupino gets a dewy-eyed ingenue role as Monique, a long way from a hardened Road House (1948). And get a load of Eidy Malyon, President of the Purity League, who may make you rethink the notion of kindly old ladies that amounts to the movie's masterstroke. Also, Roland Young gets an amusing role as a theatre owner driven to frazzle. And I especially like that courtroom sequence where the Judge, Donald Meek, slowly comes unglued

Anyway, the comedy's a difficult mix of the silly and the cute. Nonetheless, you may find the 81-minutes a worthwhile gamble.

Picture quality is pretty rough at the beginning, but this thing is already 85 years old, so i guess we should just appreciate still having it around. Produced by Mary Pickford, it stars Francis Lederer as Philippe, who is planning on meeting his (married) girlfriend in a Paris Theater. He mistakenly kisses the wrong girl, Monique, played by Ida Lupino. this starts a huge uproar in Paris, as the President of the Purity League was also in the theater. and no comedy would be complete without Donald Meek. and Erik Rhodes and Hugh Herbert. Roland Young (Topper!) this one is just loaded up with the best comedians. and we sit through the whole court case as they demand to know why Philippe kissed a girl. kind of like Much Ado about Nothing! a kissing caper. fun. moves right along. ice skating. Directed by Rowland Lee, who had directed some biggies, Count of Monte Cristo and Three Musketeers. Pickford played such a HUGE role in all aspects of films over her career, although it seems to have stopped when she divorced Fairbanks in 1936. THIS film was one of the last ones she produced. looks like she mostly retired from the biz when she married Buddy Rogers. Definitely catch One Rainy Afternoon if you can find it... Roland Young does a really FUN version of "Rainy Afternoon"!

When a European setting was considered necessary for a "sophisticated" romantic comedy and a "prestige" production, "One Rainy Night" delivered not only the setting, but also the European screenwriters and even the European lead -- Francis Lederer doing a passable Maurice Chevalier-like singing turn. The main plot is a trifle, as is appropriate for romantic comedy. Lederer plays a stage actor who accidentally kisses a stranger (Ida Lupino) in a darkened movie theater, when he thought he was kissing his married lover (billed as Countess Liev de Maigret). Lederer is prosecuted as a masher at the insistence of a public morality committee. At trial, he can't tell the true reason he kissed Lupino, so he says he was overcome by her beauty; the trial makes him a popular celebrity and his stage play a hit, and it starts a romance between Lederer and Lupino.

Lederer is a charming romantic lead and Lupino is radiant in an uncharacteristic early role as a sweet, innocent girl. Unfortunately, they have little chemistry between them, which is the weak point of the movie. But the supporting cast, including the always reliable Roland Young, Hugh Herbert, Donald Meek, Eric Rhodes, and Mischa Auer playing their usual characters, are all given either extended scenes or bits of business that keep the movie light, sparkling, and enjoyable. And Rowland Lee's direction is up to his usual high standard.