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Those who enjoyed the 1992 Michael Mann/Daniel Day-Lewis version of this American classic might also like to take a look at this older Hollywood production and contrast the two. Randolph Scott plays Hawkeye as a much more affable, almost happy-go-lucky character than does the famously intense Mr. Day-Lewis. The Indian roles are played by palefaces here, but at least they're not egregiously insulting to native Americans.

It still surprises me from time to time when I see how well movies were made so long ago, when the art form didn't have that long of a tradition behind it. Techniques and temperaments change over the years, but the world is big enough for more than one good version of 'The Last of the Mohicans.'

Although I am a committed movie buff of many decades experience now, I had somehow never seen this famous old adventure flick until I acquired the excellent Hen's Tooth DVD of it for Christmas.

It proved to be a delightful surprise and far better than I was expecting. As an independent production, it may have lacked the big budget production values of a Warner or MGM film, but it still managed to look impressive, with some clever use of glass shots, hanging miniatures and other film tricks.

It is only 92 minutes long yet packs an astonishing amount of incident for its length, all helped along by a throbbing music score that relies heavily on judicious borrowings from Max Steiner's famous score for KING KONG, which surprisingly fits the action rather well.

An excellent cast of 1930s favourites is led by a young Randolph Scott who makes a terrific Hawkeye and clearly enjoys himself in the role.

1936 was an interesting year for him. Not yet typecast in "oaters", he made, in rapid succession, a big musical (Follow the Fleet with Astaire and Rogers) a sexy comedy (Go West Young Man with Mae West)and this, which was a logical follow-up to the previous year's SHE. He was a much better actor and more versatile than he is usually given credit for and in this role, he may well have found his career best.

The DVD offers what is probably the best surviving print of this old movie and it is rather variable in quality, though it does get better after the 3rd reel. I would love to have seen a restored print but I am guessing this would be impossible now unless an original nitrate can be found.

George B. Seitz directs the whole show with flair and keeps things moving at a considerable pace. The film easily bears comparison to better known films in the genre, such as BEAU GESTE, GUNGA DIN and THE FOUR FEATHERS.

In short, it's a grand old fashioned adventure film, the kind Hollywood turned out with ease and great skill and long before the inflated budgets, running times and CGi of today.

The kids back in 1936 must have been on the edge of their seats....I know I was, in 2017!

James Fenimore Cooper's Last of the Mohicans has been an American classic for several years. It's still considered to have set the standard for writing about the French and Indian war period. More people get their knowledge from that novel as opposed to a serious historical study like Francis Parkman's.

Major Duncan Heyward played by Henry Wilcoxon is charged with escorting the two daughters of his commanding officer to their father at Fort William Henry. The daughters are a pair of beauties, Binnie Barnes and Heather Angel. Along to blaze the trail are white scout Hawkeye and a father and son team of Mohican Indians, Robert Barrat and Phillip Reed as Chingachgook and Uncas.

The trip might better never been made because when they get there the fort is under siege from the French army under General Montcalm and from the Huron Indians as well.

The reason why The Last of the Mohicans holds up so well even today is that Cooper invests his Indian characters with dignity and strength. Even the villainous Magua played by Bruce Cabot makes it plain he's an equal ally of the French not a retainer. Of course he shows his independence of them in a most savage way.

Randolph Scott has one of his best early roles as Hawkeye as does Henry Wilcoxon in one of his few non-DeMille screen appearances of note.

Also the theme of interracial love was daring in its time to be written. Phillip Reed and Heather Angel are a pair of frontier Romeo and Juliet types, we really feel for their tragedy.

Though a big budget version with Daniel Day-Lewis is out there and more people are familiar with it, this version of The Last of the Mohicans still holds up well today.

I will admit that I knew James Fenimore Cooper wrote the classic book, but I never read it. And I knew and loved the excitement of the 1992 film version starring Daniel-Day Lewis, but didn't know that it did not follow the book. And I knew about the Statler Bros song "Whatever happened to Randolph Scott?", but I had never seen one of his movies.

So I decided to watch this version starring Randolph Scott in B/W and of course not as much special effects as today's movies. The acting is really quite well, except for the fake dying when actors are shot.

This version is equally exciting and keeps you on the edge of your seat. And if you, like me, liked the 1992 version, you will like this knowing an idea of the story, but with a different ending.

Colonel Munro's (Hugh Buckler) 2 daughters, Alice (Binnie Barnes) and Cora (Heather Angel) are led to the fort where their father is fighting for the British against the French. During the journey, a Huron Indian scout, Magua (Bruce Cabot) leads Alice, Cora and Major Heyward (Henry Wilcoxon) through a short cut but it is a trap. An American frontiersman, Hawkeye (Randolph Scott) and two Mohican Indians, Chingachgook (Robert Barrat) and Uncas (Phillip Reed) rescue the party and deliver them safely to Colonel Munro. However, the girls are then captured and taken to the Huron tribe and it is up to Hawkeye, the Major and the two Mohicans to rescue them from their fates as determined by the Huron leader.

I have seen the recent re-make of this film and I wanted to like this film better. Unfortunately, I didn't. It's still a good film - it's just not as engrossing. The relationships between the characters are not as deeply portrayed and poignant moments are not dwelt upon to give the film as much depth as occurs in the re-make, eg, the love between Uncas and Cora. The character of Magua is also far more scary in the re-make although I prefer Randolph Scott's "Hawkeye" to the extremely wooden Daniel Day Lewis. Speaking of wooden, the two Mohicans are exactly that. Their "me Tarzan, you Jane" style of dialogue is laughably bad and reminiscent of Daniel Day Lewis's attempts in the re-make.

A couple of other moments weren't as good as the re-make. In that film, the story ends with the line "......Last of the Mohicans" - a far more poignant ending to the film.

There are good moments, eg, the canoe chase and the sparring between the Major and Hawkeye, and it's still an engaging film. But the re-make is better on many levels, including, scenery, music, and romantic development

Although I prefer the Daniel Day Lewis version of this film (as does my daughter, Elise), the one with Randolph Scott is no slouch. My father's favorite actor, Scott, plays this role to perfection. He is the equal of Lewis in almost every scene. However, the Magua in the modern version is untouchable as the best ever. The music in the modern version is better as well. But do not let that deter you from seeing this version, which easily beats most of the other competition from the era.

As a kid, I read all of the JF Cooper's Leatherstocking series, as well as dang near anything else I could get my hands on about Red Indians. I saw this film, which was made and released the year before I was born, while in grammar school. It was revived from time to time as it was already on its way to being a classic. It is just a great film. Randolph Scott whose presentations tended to be a bit wooden seemed to fit the character of Natty Bummpo, AKA Hawkeye quite well. The delightful Bruce Cabot is a villainous Magua and Philip Reed is a romantic Uncus and Robert Barrat, a studio character actor plays the revenging Chingachgook. Henry Wilcoxson who plays the British officer rival is also well known to us buffs as a frequent anti-hero, villain or rival. Binnie Barnes and Heather Angel were studio starlets who were likewise convincing. While this version largely remains truer to the original than the '95 version with Daniel Day-Lewis, it is a very different film. After seeing the later version, I rented this one and saw it again. I plan to watch it again and again. The final scene where Philip Reed crawls to grasp the hand of Heather Angel to die together, gets to me as much today as it did when I was a kid. Randolph Scott's Hawkeye is closer than Day-Lewis's to the original but that shouldn't detract. Both films are wonderful. Anyway, comparisons are not always fruitful. But this film made and released during the final years of the great depression has it all: action, romance and hope.

For fans of the Daniel Day Lewis version of this story this will seem like a rough draft of that film.

It's obvious that the makers of the later version relied on this as a springboard and to be fair to this one it's limited by both budgetary and film making techniques of the time. The addition of color, location filming and advanced techniques lend a kinetic edge to the newer version that this one can't match.

On it's own it's got some pleasures but many of the performances are stiff, especially Randolph Scott who seems flat particularly when held up against Day Lewis's work. That may be an unfair comparison since few are as skillful as he and Scott was hardly the most naturalistic actor.

It's not a bad blueprint but the Michael Mann remake is superior in every way.

I always pictured Randolph Scott as a really rustic type, like Gabby Hayes or Chill Wills. He's actually very good looking and sophisticated with the ladies, more like Errol Flynn than John Wayne!

There are a lot of good things about this version of the classic story. Alice and Cora are more playful and more talkative than they are in the 1992 version. They're more like Carole Lombard in MY MAN GODFREY! The only problem is, in this scavenger hunt the prize is their scalps.

Bruce Cabot is great as Magua, but he's still not as good as Wes Studi in the 1992 version. Magua is better played by an older actor who can depict the rage that is building up over a period of years. Bruce Cabot just comes across as full of energy and ambition, without any real personal sense of injury.

But the main problem with this old fashioned version is way everything is shot in daylight, and the woods never seem menacing, and the music sounds downright silly. The 1992 version actually feels "older," if not timeless, because so much of the story is told by music and by images, and by looks rather than words.

For those of us immune to the charms of James Fenimore Cooper's novels this movie is a godsend. I've never understood Cooper's plots, his characters, his appeal, his (apparent) greatness. He strikes me as nearly unreadable. The 1936 movie of Last Of the Mohicans, however, is quite good, though none of it makes much sense. It is set on the American frontier of the 18th century, which then meant upper New York state. Two sisters are involved; as are several British officers; a tribe or so of Indians, some virtuous, others not; and a chap named Hawkeye, who is exceedingly brave and an excellent shot with a long rifle. There are magnificently photographed scenes featuring forests, lakes, rivers and waterfalls. The birch-bark canoes, the costumes, the way the Indians look and act, the fort, the feeling of excitement, alternating with fear, and with it the sense that the Native Americans are quite as proficient at killing one another as the white man is of killing the whole lot of them, and maybe even better, are all conveyed with admirable realism. There is also an air of tragedy in the film, for white and red alike, though this is not dwelt on for long. The entire movie feels like a product of the period in which it is set, not the twentieth century. Many of the Indians are played by white actors, all of whom do an excellent job. Bruce Cabot's performance as Magua is the stuff of nightmares, and one's image of him lingers in the mind long after the film is over.

I thought this was decent storytelling. I haven't read the book and I don't know how accurate the portrayal of Native Americans is. The main character is fictional but the general history and people are fairly accurate, from what I read.

Wikipedia said the producers dumbed down the original script to make it more like a generic Western, which is tragic.

I love the newer Daniel Day Lewis version. This 1936 version is merely "good" compared to that. This will appeal mostly to classic movie fans, or people who like a simple straightforward story.

Your new format is cluttered and user unfriendly. You "fixed" someone that wasn't broken. Suggest you return to prior format.

I have to say that being an English major and having taught for many years, I always found these James Fenimore Cooper books incredibly dull. They were so talky an descriptive. I would imagine creating a screenplay for one wasn't so hard because most of the setup was there. So what gets pulled out is a sort of generic pioneer guy (Daniel Boone like) and the adventures he had. At his side was his Indian buddy and his adversaries were usually other tribal characters. He had the long rifle which had to reloaded time after time. He was feared by his enemies because he managed to be pretty much alone. Women were there but they were silly (some say Cooper never met one) and pretty much to be rescued. This is probably the most entertaining book and the one movies seem to latch on to. Randolph Scott does an adequate job as Hawkeye (for some reason the same guy had different name in the books). The non Native American actors are also adequate.

The best part of this movie was how much Randolph Scott looked like Errol Flynn. The rest? Well, let's cut them some slack. After all, it was only 1936, the beginning of time as far as film making is concerned. The book is only a rough guideline for the movie. I won't get into spoilers, but if you've read the book, the plot line here will have you scratching your head saying, "What gives?!" This is typical Hollywood sentiment. The main thrust here is romance, not the strength of character of the novel's protagonists. Little, if any attention is paid to the ways of the Indian. While Cooper went to great lengths to describe their customs and living conditions, the movie just ignores that in favor of a couple of dreamed up romances. Typical of the times, there are no real Indians, either. While the same prejudice was shown in Charlie Chan movies, at least Warner Oland and Sidney Toler were enjoyable to watch. The ersatz Indians here just bring the proceedings down. I'm gonna watch the 1992 version next and I sure hope its a more authentic account of the time of the French & Indian War.

Delightful 1930's film about a period of history (The French and Indian War) in North America which I don't really have much knowledge of. Hell, I've at the time of watching this version not watched the 1992 version starring Daniel Day-Lewis.

No what attracted me to this film was its being a Randolph Scott vehicle, Scott playing the character of Hawkeye, a colonial scout. As the film progresses we learn a bit about Hawkeye's motives, his history and by the end he enlists in the British army where as at the beginning of the film he is pretty anti-British.

The film cast mainly English speaking white actors in the Indian roles of which their are quite a few.

It's a film that doesn't take a great deal seriously in my opinion. Perhaps it was the period it was filmed (1936) or its low budget.

My review title refers to a scene in the film which reminded me of the I'm Spartacus scene in Spartacus (1960). This film has nothing to do with Spartacus but that one scene!

Made right after the Full Implementation of the Hays Code that Limited the Portraying of Certain types of Violence and Behavior, this Film shows Signs of Capitulation and Adherence but not Complete Surrender.

There is Interracial Love making, Scalping, Torture, and other Displays of Nastiness that give this Movie a Real Feel for the Frontier Days and the Conflicts of Cultures and Countries.

Quite Impressive, the Film Holds Up really well and Modern Audiences will be Surprised that this Early Hollywood effort is a Testament at how Good they could be at their Craft when everything was Clicking. It has very Little that is Dated or Embarrassing Today. Especially the Reverence and Tolerance given All Points of View from All Points of View.

A good companion piece to the Michael Mann remake, this is a film that could be offered as one of the best of the early "period" films of the slowly evolving studio movie machine that would peak just a few years later.

There have been many films/TV shows made from the Cooper novel, but only 2 really stand out as movies I never tire of watching. This 1936 version, starring Randolph Scott, is one of them. While lacking the majestic beauty of panoramic cinematography that the 1992 version has, it tells the story straight out, with great acting from Randy Scott & his supporting cast. Scott, always the stalwart hero, was never better than as Hawkeye. The director cut no corners, giving the actors whatever they required to make their characters living, breathing, people rather than just cardboard stereotypes as many Hollywood productions did in those early days of sound film. The B/W photography, rather than detracting, actually gives the film a certain historical aspect, as if we are watching a real event through the binoculars of time. I whole-heartedly encourage anyone who hasn't suffered terminal "brain-rot" from the modern crop of "hack-em & slash-em", drugs, sex & rock music, movies, to add this one to their collection of really excellent films!

Although I have never read the book, I have seen several movies about "The Last of the Mohicans" including those that starred Harry Carey, Michael O'Shea (Buster Crabbe as Magua), Steve Forest, Daniel Day-Lewis, and Randolph Scott as Hawkeye (Nathaniel). Also the TV program starring ex-Lone Ranger, John Hart. For me the number one is Randolph Scott. I'm not saying that the others aren't good, but he is my idea of a clean cut, all American hero whom I'd like to have as a friend especially in time of danger. Actor for actor, the 1936 version has the best cast. Nobody is better than Bruce Cabot as Magua and Robert Barrat is the greatest Chingachgook of all, even though neither one is a real Indian. The final fight to the death between the two of them is far superior than that of any other version and Barrat's homage to his dead son Uncas (Phillip Reed) brings me to tears. There is room for all of these versions, and if you can, watch all of them and pick your own favorite.

This is an early retelling of the classic novel by James Fenimore Cooper. Randolph Scott is a consummate professional and generally I am a very big fan...but I almost think he was too pretty for this role as the famously rugged scout and trapper Hawkeye.

I also thought it would help to have read the novel or at least be familiar with the material, as this film leaves a lot of the original source material out.

It is interesting that there seems to have been no attempt to find native Americans to play these classic native roles, but I understand that was common during the time period.

I must say I prefer the 1990's film starring Daniel Day Lewis and Madeline Stowe. So it will not come as a surprise when I recommend it over this film.

The one scene I did enjoy is the river rafting scene, in which a bullet hole is made in their canoe.

Although I am a committed movie buff of many decades experience now, I had somehow never seen this famous old adventure flick until I acquired the excellent Hen's Tooth DVD of it for Christmas.

It proved to be a delightful surprise and far better than I was expecting. As an independent production, it may have lacked the big budget production values of a Warner or MGM film, but it still managed to look impressive, with some clever use of glass shots, hanging miniatures and other film tricks.

It is only 92 minutes long yet packs an astonishing amount of incident for its length, all helped along by a throbbing music score that relies heavily on judicious borrowings from Max Steiner's famous score for KING KONG, which surprisingly fits the action rather well.

An excellent cast of 1930s favourites is led by a young Randolph Scott who makes a terrific Hawkeye and clearly enjoys himself in the role.

1936 was an interesting year for him. Not yet typecast in "oaters", he made, in rapid succession, a big musical (Follow the Fleet with Astaire and Rogers) a sexy comedy (Go West Young Man with Mae West)and this, which was a logical follow-up to the previous year's SHE. He was a much better actor and more versatile than he is usually given credit for and in this role, he may well have found his career best.

The DVD offers what is probably the best surviving print of this old movie and it is rather variable in quality, though it does get better after the 3rd reel. I would love to have seen a restored print but I am guessing this would be impossible now unless an original nitrate can be found.

George B. Seitz directs the whole show with flair and keeps things moving at a considerable pace. The film easily bears comparison to better known films in the genre, such as BEAU GESTE, GUNGA DIN and THE FOUR FEATHERS.

In short, it's a grand old fashioned adventure film, the kind Hollywood turned out with ease and great skill and long before the inflated budgets, running times and CGi of today.

The kids back in 1936 must have been on the edge of their seats....I know I was, in 2017!