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"Bullets or Ballots" was affected by the new motion picture Production Code introduced in 1934. The Code stipulated, among other things, that gangsters could no longer be glorified in films as had been done with "Little Caesar" (1930) and "The Public Enemy" (1931). That meant that Warners resident gangsters Edward G. Robinson and James Cagney had to come over to the right side of the law.

Cagney had done so in 1935 with "G-Men" but in 1936 was embroiled in a contract dispute with Warners and had left the lot. That left Robinson. You can just hear the brain trusts at Warners saying, "Let's put Eddie Robinson in a new crime picture only this time we'll have him go undercover so that he can ACT like a gangster while satisfying the Code by really working on the side of the law". "Bullets or Ballots" was the result.

Gangster Al Kruger (Barton MacLane) is a new order of corporate type gangster that shuns the old violent ways of the 20s. He is controlled by unseen bosses well placed in the business community. His second in command Nick "Bugs" Fenner is of the old school. When crusading newspaper reporter Ward Bryant (Henry O'Neill) is murdered by Fenner, it sets off a cry for justice. Police Captain McLaren is appointed Special Commissioner charged with cleaning up the rackets.

Detective Johnny Blake (Robinson) is a down on his luck policeman who has been exiled to an outer precinct. One day he learns that McLaren has fired him as part of his cleanup. But as we learn, Blake is really working undercover informing McLaren of the mob's plans. Blake then joins up with Kruger and rises quickly through the ranks. Fenner, meanwhile doesn't trust Blake and the two compete against each other.

As the result of the crime crackdown, the mob's earnings have dropped. Blake suggests that they move into the numbers racket which was being run successfully on a small scale by Blake's girlfriend Lee Morgan (Joan Blondell) with the aid her pick-up man Herman (Frank McHugh) and Harlem contact Nellie (Louise Beavers).

With the success of the numbers game, Fenner sees that Kruger has gone soft and is neglecting the mob's other businesses. Fenner murders Kruger and vies with Blake to take over. Blake succeeds and continues to inform McLaren of the mob's intentions. Fenner decides on a showdown and................

Robinson, who was a well educated and classically trained actor wanted to get away from gangster roles and did so whenever he could. But in spite of that, he will always be best remembered for these types of roles. Barton MacLane for once doesn't play the brutish gangster. He plays Kruger as a businessman and not a thug. Bogey on the other hand, had just made his mark in "The Petrified Forest" (1936) and was typecast for the most part as a gangster for the next five years. Joan Blondell is wasted in her superficial role as Robinson's love interest and McHugh is just along for comedy relief.

Still, "Bullets or Ballots" remains one of the all-time gangster classics.

The ridiculous title aside, this is an OK gangster film with more gab then guns, although there is an edge to the execution and display.

The script is interesting in a behind the scenes kind of way that lets us in on the money machines and political corruption that is Warners trademark of message movies. The attraction here is the two stars and the modern fascination with these actors and their tough guy personas and they don't disappoint.

This film is more sanitized and sterile then the best of the gangster films (as the newly defined Hays Code forced tricky gymnastic presentations of the seedy and the sultry). But the studio professionals were up to the task and a "new" type of underworld uncovering emerged on the screen. For better or worse.

Edward G. Robinson stars in yet another classic gangster film from the folks who did them best at Warner Brothers. This time his character of John Blake is based on real life NYPD detective John Broderick.

Back in the day you would not have given much chance for Broderick to grow old and die in bed. Yet in 1966 that's what he did do. Back in the day too many of New York's noted underworld figures felt his knuckles in various parts of the anatomy.

Broderick was independent, fearless, and honest, the last being a rather rare commodity in the days of and just after Prohibition. Good thing he retired before the Miranda decision. He didn't think that hoodlums had any civil rights.

Because Broderick was so open and known to all undercover work was impossible. But in Bullets or Ballots Robinson is kicked off the force for excessive brutality and joins the hoods he's been beating on.

But it's all an act. It's a deal worked out by Broderick and the Police Commissioner so he can go undercover and get the goods on the numbers racket. The ostensible heads, Barton MacLane and Humphrey Bogart and the respectable types they're fronting for.

Though the ending is melodramatic, Bullets or Ballots holds up pretty well today. And who knows, Broderick's real life might yet rate a good biographical picture today.

This turned out to be a decent '30s gangster movie, not a lot different from a few others I've seen where Humphrey Bogart plays the bad guy and is the main adversary of the hero. Several films had James Cagney up against him; here it was Edward G Robinson.

Robinson plays policeman "Det. Johnny Blake," who goes underground, so to speak, by posing as a gang member to get the goods on them. (It's based on a real-life character.) Robinson, as usual, is very interesting to watch and is a tough guy BUT with a soft heart. In fact, he even feels bad about betraying the head crook because he has such principles of being a "straight shooter" that he doesn't feel right lying to anybody, even the gang leader "Al Krueger" (Barton MacLane).

Bogart plays "Nick Fenner," Al's number-one guy and is more of the villain than his boss. Joan Blondell gets second billing but that's not right because she's at least fourth in the amount of screen time and lines. There really is no real love interest in this movie; it's strictly a crime story.

When I first saw this movie, a little over a decade ago on VHS, I wasn't that impressed but last week, watching this on DVD, not only was the story better than I remembered but the picture was excellent. The blacks, whites and grays in here are beautiful. This was part of the "Tough Guys" DVD package and they did a wonderful job on the transfer.

Bogart, Blondell, and Robinson! and comedian Frank McHugh. all star cast! it's 1936, and mobster Al Kruger is running the local rackets, dark activities, many illegal. when the leader of the crime fighting task force is knocked off, Johnny Blake thinks he ought to get involved and try to fix things. but it's complicated. when the cops nose around, the muckity mucks in the syndicate lean on Kruger. to counter the stepped up crime activity, the cops also step up their crime fighting. interesting turn... in this one, Joan Blondell is also running some numbers game. unusual role for her. and some "twists", which aren't really surprises at all. we've seen some of these tricks so often, that we've come to expect them. Some of the story is actually based on the history of rackets in the various sections of NYC, as you will see in the Trivia section. it's pretty good. directed by william keighley, who had directed some great films: Man who Came to Dinner, Bride Came COD, Robin Hood.