Nacida para la danza

Eleanor Powell has come to New York to make it, and make it she does in "Born to Dance," a 1936 musical also starring James Stewart, Virginia Bruce, Buddy Ebsen, Una Merkel, and Sid Silvers.

There's not much of a story, and not much of one is needed. Newcomer to the big city Nora Paige (Powell) meets sailor Ted (Stewart). They fall in love; meanwhile, she gets into a show understudying the lead, the great Lucy James (Bruce).

Ted saves Lucy's Pekinese when it jumps into the water, and the producers use that for publicity, cooking up a romance between Ted and Lucy. Nora is heartbroken, believing that Ted is cheating on her. They fight. Lucy ends up walking out of the show; Powell then becomes the star - you can guess the rest.

Certainly this is a wonderful score, one of the best, with the wonderful "Easy to Love," "I've Got You Under My Skin," "Rolling Home," "Rap-Tap on Wood," and others. The surprise of the cast is James Stewart, singing in a Fred Astaire sort of way - he's delightful, very musical, with a sweet voice that goes well with his boyish demeanor.

Eleanor Powell is one of the great film tap dancers, and she gets to do a lot of numbers. She's a very pretty woman with a wide smile. I find her non-tap work a little odd, as her choreography always seems to include a front kick which looks awkward. It's the kind of move that non-dancers like Raquel Welch do in nightclub acts and it doesn't really suit Powell. She is a very likable presence and it's really fireworks when she gets a-tappin'!

Una Merkel, Sid Silvers, et al. Provide excellent support and good comedy, which is abundant in the script that makes the most of dialogue even if the story is thin. Virginia Bruce is great as the glamorous Broadway star. She performs "I've Got You Under My Skin," beautifully.

Stewart sings "Easy to Love," and I can still remember the look on Carol Burnett's face when he sang it to her many years ago, I believe on her TV show. She spoke of going to the movies with her grandmother and watching him on the screen. To have him sing that song to her was an overwhelming moment. It's one of the nicest scenes in the film, too, to see this tremendous star when he was so young and fresh.

This is simply a wonderful walk - or should I say tap - down memory lane. Don't miss it.

This is one of the all-time corny movies ever made, especially since it features Jimmy Stewart singing. How often have you seen/heard that? Actually, the "corn" is the fun of this film, and I enjoyed watching this more the second time knowing it was going to be so corny. Some of the lines in here are legitimately funny, particularly by cute Una Merkel, who could zing 'em with the best. She was fun, as was her husband in here, "Gunny Sacks," played by Sid Silvers. Those two, plus Buddy Ebsen and Eleanor Powell make for a likable cast. Both Powell and Ebsen were great dancers, too, with Powell, of course, being the more famous. This is just a nice, old- fashioned film, probably more for older folks, but who knows?

With Born to Dance MGM succeeded in combining two musical types, the sailor story with the Broadway opening night story. Although the plot is down right silly, that hardly makes Born to Dance unique back in its day. What you take from it is the wonderful singing and dancing and the glossy production values of an MGM musical.

And of course Cole Porter's score. It contains two of his most beloved standards, Easy to Love and I've Got You Under My Skin. The rest of the score is serviceable for the plot. I particularly like Hey Babe Hey in which all the principals of the plot participate. How they got James Stewart to dance must have been a challenge.

Of course Born to Dance is famous for Easy to Love being introduced by James Stewart. Stewart had always maintained that the proof of Easy to Love being a great song is that it survived his singing of it to become a great popular standard. His singing is adequate, but for the life of me, I'll never understand why Allan Jones who was up for the part wasn't picked. Especially since I've heard Allan Jones's contemporary recording of Easy to Love. Stewart is all right, but the part isn't exactly a stretch for his thespian talents and for cryin' out loud, Jones was one of the best movie singers ever.

The other standard is introduced by Virginia Bruce, spoiled mantrap of a Broadway musical star who takes a shine to Stewart after he saves her Pekingese from drowning while Bruce is visiting his ship at the Brooklyn Navy Yard. Bruce sings I've Got You Under My Skin directly to Stewart with a come hither glance to lure him from Eleanor Powell who is her show's understudy.

Borrowing from Hit the Deck with a plot of three sailors and three civilian women, Born to Dance pairs off Stewart with Powell, Buddy Ebsen with Frances Langford, and Sid Silvers with Una Merkel. Raymond Walburn is at his avuncular best as the ship's captain who keeps entrusting Silvers and Ebsen to deliver a message to the Admiral and they keep getting sidetracked by their women.

With Powell as the understudy to Bruce and them both vying for Stewart, you can readily guess how this story will resolve itself. Eleanor dances divinely, especially in the finale number Swinging the Jinx Away which Frances Langford sings and Buddy Ebsen also dances.

With all the talent involved and a plot which is a walking cliché, but easy to take, it's easy to love Born to Dance as I do.

If ever a person was truly "born to dance," it was Eleanor Powell--the first of MGM's great dancing stars and a performer still considered by many to be the single finest tap dancer to emerge from Hollywood. And with the 1936 film BORN TO DANCE, MGM offered Powell the single finest film of her entire career. Although extremely lightweight, the story of three sailors and their romantic complications has a very playful tone and witty script--which forms the perfect frame for a memorable score by the celebrated Cole Porter. The musical numbers are staged with a more subtle flash than one normally finds in 1930s musicals, and there are several complex ensemble numbers and the memorable "Easy to Love" and "I've Got You Under My Skin."

Not only was Powell a greatly gifted dancer, she was a clever comedian with a pleasing singing voice, and her playful performing style is particularly charming in such numbers as "Rap-Tap on Wood" and "Swinging the Jinx Away." Her leading man, somewhat surprisingly, is none other than James Stewart--and although he wasn't really a singer or a dancer he does extremely well with both, and he and Powell make a very entertaining couple. The entire cast is their equal, with Phil Silvers and Una Merkle amusing as bickering lovers, Buddy Ebsen demonstrating his remarkable talents as both eccentric dancer and clever comic, and Virginia Bruce the perfect femme fatale. Everything about the film sparkles and shines, right down from the sets to the polished performances. If you enjoy classic musicals of the 1930s, BORN TO DANCE is a must have! Strongly recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

Even though they look like brother and sister, Jimmy Stewart and Eleanor Powell ease into one of the most endearing and uplifting love affairs in musical film. If you've ever tap danced, even a little bit, you'll want to put on those old taps and chew up the kitchen linoleum when Eleanor effortlessly goes at it. And who cares if long after a song keeps humming in your head, as long as it's "Easy To Love" or "I've Got You Under My Skin". Wouldn't this film have been so much less in color?