Top Flat

Thelma Todd and Patsy Kelly were a great comedy team. In this entry, they are poor (as usual) young women sharing a one room apartment. Instead of looking for a job, Thelma spends the day writing really awful poetry. Patsy's looks and comments while Thelma is reciting her poetry is priceless. Thelma insists that her poetry will make her rich and famous. Patsy disagrees and Thelma leaves in a huff. Patsy, while on her delivery girl job sees Thelma in a fur coat getting out of a limousine. She asks the driver where Thelma lives and he tells her that she lives in the penthouse at the Warwick Hotel. Patsy is amazed at how well Thema has done and decides to make a surprise visit on Thelma. When Patsy and two friends, Fuzzy and Gary, call on Thelma, she is highly dismayed for she is a maid at the penthouse not its owner. Thelma tries to get rid of them but they're having too much fun - the boys throwing paper water bombs at passersby and Patsy taking a bath in the fancy tub of the luxurious bathroom. Patsy is so pleased at this simple and unexpected pleasure that she gleefully calls a friend to tell her all about it - it's a great scene. Also very good was Fuzzy's rendition of a novelty song. I don't remember ever seeing Fuzzy Knight in anything but Westerns and his appearance here was refreshing. Plenty of laughs throughout and worthy of repeated viewings.

This is one of the better pairings of Todd and Kelly, although the script has them both straining to be funny under some barely believable comedy material. This time THELMA TODD lets PATSY KELLY think she's achieved wealth through her poetry, when all the time she's really the maid for a wealthy couple who are out for the evening.

When Kelly invites two of her obnoxious friends over to celebrate her friend's success, Todd goes along reluctantly with the ruse until it's almost time for the real owners of the swanky penthouse suite to return. The rest of the story has them running in and out of doors to hide from the wealthy couple who have no idea what's been going on.

It works up a few good laughs, particularly the "water bombs" thrown from the terrace onto unsuspecting passersby--but it's all very silly and a bit overdone. I'm not a fan of Patsy Kelly's comedy approach at playing a brass tomboy, but Todd handles her material with skill and good comic timing.

Very dated stuff, but occasionally good for a laugh.

Top Flat (1935)

** (out of 4)

Hal Roach comedy featuring the team of Thelma Todd and Patsy Kelly. This time, Todd moves out to make something out of her poetry and the next time Kelly sees her she is living in a big penthouse. There are a few laughs here scattered around but once again, I just can't laugh at Patsy Kelly. Todd on the other hand is her lovely self.

Air Fright (1933)

* 1/2 (out of 4)

Hal Roach short has Thelma Todd and Patsy Kelly playing stewardesses on an experimental flight, which quickly turns disastrous. Todd has proved to be a funny woman but Kelly is one of the most annoying comedians I've ever seen. There are a couple laughs here but not many.

TOP FLAT was the second-to-last comedy short in the successful series pairing Patsy Kelly and Thelma Todd. Todd had previously been paired with Zasu Pitts in a successful series of shorts, but Pitts demanded a raise in pay from Hal Roach, and since Roach had Pitts and Todd on staggered contracts (as he did with Laurel and Hardy), Pitts had little leverage since Todd was still under contract, so Roach simply replaced her with the much different Patsy Kelly. While the Pitts-Todd shorts are wonderful, I've always preferred the series with Patsy Kelly because their characters are so much different and because Kelly is such a comic dynamo. In this one, Kelly is a lady who is starving because no one wants to publish her Gertrude Stein-style avant-garde poetry (this is the second comedy short I've seen in the last few months to contain an explicit parody of Gertrude Stein's writings, the other was HAIL BROTHER). Patsy Kelly, also broke and unable to pay their rent, tells Todd to give up the writing and get a job, they argue, and Todd and Kelly separate, with Todd swearing she will be rich and life in an elegant penthouse. When the pair meet again, Todd's wish seems to have come true, but it didn't really, and the majority of the short takes that premise and runs with it. Todd's persona in these shorts is a lovely, somewhat idealistic yet scrappy young lady, while Patsy Kelly is an aggressive tomboy who is wild and manic. The chemistry works beautifully. This short has a lot of physical slapstick, involving virtually everyone in the cast, and also some musical sequences, featuring two of Kelly's friends who tag along when Kelly visits Todd's penthouse. One is Fuzzy Knight, whom I had never seen doing music before. Evidently he got his start in show business as a musician, and he plays a mean jazzy piano and delivers a novelty song very well. The entire short is well-paced and full of laughs. It's strange that these shorts are not really in circulation. They would play very well today and haven't dated much. It's a shame that Ms. Todd is better known for her tragic death than for her excellent body of work. While much of her work was in comedies for Hal Roach, she also did well in a number of b-movies in dramatic and serio-comic roles. Let's hope some legit company restores and releases both the Pitts-Todd and the Kelly-Todd shorts on DVD. I'm sure Leonard Maltin would be happy to provide some kind of introduction or commentary if asked. To me, this short is perfectly done and I give it a full 10 stars.

A TODD & KELLY comedy Short.

While disguised as a French maid & working in a luxurious Park Avenue penthouse, Thelma makes Patsy believe the place is really hers. So when Patsy shows up with rowdy friends, and the owners are about to return home, Thelma's in for some trouble in the TOP FLAT tonight...

This is a funny entry in Hal Roach's almost forgotten series, featuring elegant Thelma Todd & tomboy Patsy Kelly. Highlight: Patsy in the tub.