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IMDbPro

Sueño de amor eterno

Título original: Peter Ibbetson
  • 1935
  • Approved
  • 1h 25min
PUNTUACIÓN EN IMDb
6,9/10
2,8 mil
TU PUNTUACIÓN
Gary Cooper, John Halliday, Ann Harding, and Ida Lupino in Sueño de amor eterno (1935)
A Victorian-era architect, commissioned by the Duke of Towers to design his stables, falls in love with the Duchess.
Reproducir trailer1:55
1 vídeo
14 imágenes
DramaFantasíaRomance

Un arquitecto de la época victoriana, encargado por el duque de Towers para diseñar sus establos, se enamora de la duquesa.Un arquitecto de la época victoriana, encargado por el duque de Towers para diseñar sus establos, se enamora de la duquesa.Un arquitecto de la época victoriana, encargado por el duque de Towers para diseñar sus establos, se enamora de la duquesa.

  • Dirección
    • Henry Hathaway
  • Guión
    • Vincent Lawrence
    • Waldemar Young
    • John Meehan
  • Reparto principal
    • Gary Cooper
    • Ann Harding
    • John Halliday
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,9/10
    2,8 mil
    TU PUNTUACIÓN
    • Dirección
      • Henry Hathaway
    • Guión
      • Vincent Lawrence
      • Waldemar Young
      • John Meehan
    • Reparto principal
      • Gary Cooper
      • Ann Harding
      • John Halliday
    • 43Reseñas de usuarios
    • 28Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Óscar
      • 1 nominación en total

    Vídeos1

    Trailer
    Trailer 1:55
    Trailer

    Imágenes14

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    Reparto principal34

    Editar
    Gary Cooper
    Gary Cooper
    • Peter Ibbetson
    Ann Harding
    Ann Harding
    • Mary - Duchess of Towers
    John Halliday
    John Halliday
    • The Duke of Towers
    Ida Lupino
    Ida Lupino
    • Agnes
    Douglass Dumbrille
    Douglass Dumbrille
    • Col. Forsythe
    Virginia Weidler
    Virginia Weidler
    • Mimsey - Mary Age 6
    Dickie Moore
    Dickie Moore
    • Gogo - Peter Age 8
    Doris Lloyd
    Doris Lloyd
    • Mrs. Dorian
    Gilbert Emery
    Gilbert Emery
    • Wilkins
    Donald Meek
    Donald Meek
    • Mr. Slade
    Christian Rub
    Christian Rub
    • Maj. Duquesnois
    Elsa Buchanan
    Elsa Buchanan
    • Madame Pasquier
    Herbert Evans
    Herbert Evans
    • Undetermined Secondary Role
    • (escenas eliminadas)
    Ferdinand Gottschalk
    Ferdinand Gottschalk
    • Undetermined Secondary Role
    • (escenas eliminadas)
    Bodil Rosing
    Bodil Rosing
    • Undetermined Supporting Role
    • (escenas eliminadas)
    Jack Adair
    • Guard
    • (sin acreditar)
    Robert Adair
    Robert Adair
    • Prisoner
    • (sin acreditar)
    Stanley Andrews
    Stanley Andrews
    • Judge
    • (sin acreditar)
    • Dirección
      • Henry Hathaway
    • Guión
      • Vincent Lawrence
      • Waldemar Young
      • John Meehan
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios43

    6,92.8K
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    Reseñas destacadas

    DrLenera

    Extraordinary,highly original romantic fantasy which deserves to be far better known

    Sometimes you watch a film which is so good that you wonder why it isn't better known. Peter Ibbetson is such a film. It takes a concept which is highly original but undoubtedly 'out there' and makes you believe in it for just under an hour and a half. It also manages to be a truly moving love story whose basic concept,a man and a woman who are apart for most of their lives meet in their dreams,and it's message,that love does indeed conquer all, should warm the hearts {and shed the tears}of die hard romantics everywhere.

    It's a bit stilted as many 30s films are,especially at first,but Charles Lang's expressionistic photography immediately creates a fairy tale feeling. The growing love between the young boy and girl is extremely touching. When they meet again as adults,it seems like the film is going to settle down into being a conventional love triangle tale {she's married}. Then the film suddenly changes,and although separated the two lovers carry out their relationship in their dreams. The film is quite subtle is depicting the dream world,although there are wonderful touches,such as the fairy tale castle that she creates with her imagination,only for it to crumble when he fails to believe in it. As for the ending,well,you would have to be very strong not to shed a tear. Like much of the film,it's almost underplayed,and is all the more moving for not being over the top.

    Gary Cooper shows once again what a great actor he was in his early days {as in A Farewell To Arms},really making us feel his character's pain and joy,although Ann Harding is perhaps a bit too earthy for her role. Director Henry Hathaway was generally a solid craftsman,but here he shows real engagement in his story.A great deal of attention is paid to set design,look at the way for instance the pair are often separated by bars of some sort in the 'real'world. Also notable is the music score by Ernest Toch,suitably romantic,but quite low key and sparse-Max Steiner would have plastered the film with music,but would it have really been as effective?

    Peter Ibbetson is a wonderful movie, and deserves to be ranked with some of the more better known fantasy romances of Hollywood's Golden Age. I'd actually like to see a remake of this,as it's such an amazing idea. But before that let's have a DVD release,please!
    7jjnxn-1

    Confused fantasy

    Odd semi fantasy film has a good performance from a dashing Gary Cooper to recommend it but the pacing is off. The mood is too earthbound to make it haunting and too celestial for a standard telling. Part of the problem is in the female lead. Ann Harding while a fine actress is miscast as the object of Gary's lifelong desire, a more ethereal performer was required, Merle Oberon would have been perfect. The film drags in parts and feels stilted in others, a defect in the direction more than in the story. The appearance of an almost unrecognizable Ida Lupino as a bit of Cockney baggage is a treat but she's in and out of the film in under fifteen minutes.
    malvernp

    A Rare Gem from the Golden Age of Hollywood

    If you are at this site and reading about "Peter Ibbetson"-----congratulations on having an exotic taste in films coupled with a deep-seated fascination with romance, fantasy, destiny and the power of love to conquer the most formidable of difficulties! We have seen a number of films from Hollywood's Golden Age that touched upon similar themes. From "Death Takes a Holiday" (1934) to "Here Comes Mr. Jordan" (1941), we suffered along with sympathetic lovers whose path to true fulfillment was strewn with seemingly insurmountable obstacles. But in the end---somehow-----the force of love overcame every problem to ultimately allow for what was meant to be.

    These stories are ageless and have appeared as recently as "Somewhere In Time" (1980) and "Meet Joe Black" (1998)---itself a reworking of "Death Takes a Holiday." "Peter Ibbetson" may be one of the very best films to explore the force of destiny on young lovers linked from childhood to be together "forever." The beauty of this film is in its design, execution and performances.

    Henry Hathaway, the director, worked with Gary Cooper earlier in 1935 in the rousing action adventure "Lives of a Bengal Lancer." Are there two more dissimilar films than these? It is a tribute to Hathaway's skill and artistry that he could make both stories work so well when they were completed almost at the same time.

    Cooper excelled in portraying sensitive characters ("Pride of the Yankees" (1942), "Sergeant York" (1941), etc.) and Peter Ibbetson was well within his range of projecting an introspective romantic hero whose great love must be found in the world of dreams. It is a fine, deeply felt performance.

    Ann Harding, not well known today as a romantic actress, captures the complexity and subtlety of the story. Her ability to will the Cooper character into believing that their love must persist even if it exists only in their own imagination is both powerful and enduring.

    When contemporary critics take shots at the old Hollywood Studio System as nothing more than a glorified factory grinding out entertainment fodder for the masses, they ought to take a look at this strange, moving and truly unusual film. Its creators probably knew going in that it was not likely to be a box office hit given the nature of the subject matter. The fact that it was made at all and in such a sumptuous manner is an excellent tribute to the taste of the powers that be at Paramount.

    Seek out "Peter Ibbetson," You will be transported to a world that no longer exists---and into a story that requires the viewer to be a real romantic with great imagination. It will reward you with a deeply touching tale where true love finally wins out under the most extraordinary of circumstances. What more need be said?
    simon_crbrewer71

    Review - Very good film

    A very sensitive and beautifully photographed film, with some strong performances. I had looked forward to seeing it for quite a time, as I had seen it recommended in print a few times. Last Christmas I missed it, but I caught it this time round (even though - again - it was put on at a very early time by the BBC). Basically it's a romance - but one which has a great deal of feeling to it. It's aesthetic appeal reminds me of Letter From An Unknown Woman. Yet when I viewed that one again recently it disappointed me. This one though had even more of an emotional impact (like when I saw La Strada a few years ago). It isn't really surrealistic, but it does have a power and is likely to linger in your memory. The ending is actually positive as well. It has a remarkable ability to make you believe in it, and to therebye become involved.
    9larry41onEbay

    Haunting romance, sweet, sad and hopeful. A classic!

    I watched this dreamy romantic film decades ago on TV and it has haunted me ever since. When I tell friends about the plot line we both get misty eyed thinking of the sweet, sad ideology behind this forgotten romantic film. This film does what movie do best. It takes a good book and play and transports them beyond into a world of fantasy that can only be brought about through the magic of Hollywood. This is another example of a film that was not a blockbuster when originally released so it's not available today on video or DVD. But if it was released thousands maybe millions of folks could turn it into a classic like IT'S A WONDERFUL LIFE!

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Gary Cooper considered himself miscast in this film.
    • Pifias
      In the film's first scene, as Gogo is leaving his mother's bedroom he passes a mirror in which the reflection of a crew member is briefly visible.
    • Citas

      Mary - Duchess of Towers: But you needn't be afraid, Peter. The strangest things are true and the truest things are strange.

    • Conexiones
      Featured in Visions of Light (1992)

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    Preguntas frecuentes16

    • How long is Peter Ibbetson?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 7 de noviembre de 1935 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
    • Títulos en diferentes países
      • Peter Ibbetson
    • Localizaciones del rodaje
      • Big Bear Lake, Big Bear Valley, San Bernardino National Forest, California, Estados Unidos
    • Empresa productora
      • Paramount Pictures
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 25min(85 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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