Por unos ojos negros

Caliente was a stylish resort destination for the film community in the 1930's, and this film attempted to capitalize on that exotic fact for movie audiences. Very little of the film takes advantage of its sultry locale, however. The film is mainly concerned with Rita, a beautiful Mexican dancer, who is infuriated after Larry, a theater critic, savagely pans her dancing after failing to catch her act! She sets out to show him, and of course they fall in love. There is a good supporting cast, especially Edward Everett Horton as his usual nervous fussbudget. The two musical numbers were staged by Busby Berkeley. "The Lady in Red" is sung by a chorus of studio cuties and by the wonderful Wini Shaw (and a novelty chorus or two is sung by the delightful Judy Canova, doing her "country hayseed" character). The "Muchacha" number is one of Berkeley's typical sprawling numbers and makes good use of Dolores Del Rio's beauty and horses riding up a staircase! Pay attention to Del Rio in the scene at the pool. She wears what's believed to be the screen's first two-piece bathing suit. Just one look at her stunning beauty will make you long for the days when Hollywood was known for goddesses like Del Rio, Dietrich, Lamarr, Garbo, etc.

A typical fast paced Pat O'Brien movie that includes the alluring Deloris De Rio, the normally befuddled Edward Everett Horton, Leo Carrillo - popular 1930s talent, and much music and dancing. Watch for Judy Canova doing a great scene as "the Lady in Red" with Edward Everett Horton!!

One error that is repeated in both the IMDb cast listing and a number of viewer comments, is that the "Sally" De Marco in this film is actually "Renee" De Marco (Tony's second wife/dancing partner). Sally didn't start dancing with Tony until 1941, this film was made in 1935! Also, Sally and Renee had very different dancing styles, with Sally always having a most exciting and polished performance. I suspect because Sally had been a ballet dancer and had a very intense stage presence – plus she was quite beautiful. Renee was a good solid dancer, but typical smooth Ballroom dancer, not flashy but very, very smooth. Sally's performances, in comparison, would cause you to watch in awe.

All in all a very entertaining, albeit sort of "whacky", movie to watch!! Don't miss it!

What a nice little surprise this was, and great showcase for Dolores del Río. The premise of a magazine critic (Pat O'Brien) being taken to Mexico while drunk by his business partner (Edward Everett Horton) to avoid being married (to Glenda Farrell) is a little silly, not unlike other screwball comedies. It's made interesting by Horton trying to set O'Brien up with del Río in order that he forget Farrell, not remembering that O'Brien once panned del Río in a review and she'd like to get even with him. The little cat and mouse game she plays, assisted by her shrewd manager (Leo Carrillo) who regularly takes advantage of foreigners, is entertaining, and director Michael Curtiz moves things along well.

We also get the incomparable Busby Berkeley and a couple of entertaining musical numbers in the second half of the film. The first of these, 'The Lady in Red' includes wonderful vocals from Wini Shaw, sexy shimmying from the chorus, and an extended ballroom dance routine by Tony De Marco and Sally Craven (later his third wife), who were nearly as good as Fred Astaire and Ginger Rogers, if not on a par with them. It's definitely one to watch. The second, "Muchacha' is also pretty wild, with horses prancing up a staircase in addition to del Río singing and dancing.

del Río is charming throughout the film, and it's refreshing that her character is intelligent, erudite, and elegant. She's a beauty in her evening gowns and the two-piece bathing suit that she helped pioneer, which we see plenty of in a long scene at the pool. She was on her way out of Hollywood a few years later which is a shame, though it really makes me want to check out her Mexican films from the 1940's. I may be rounding up a bit because of her and Berkeley, but they made the film for me.

OK, if you haven't seen "42nd Street" or "Footlight Parade" or the first few Gold Diggers movies, this is probably not where to start. OTOH, if you have those virtually memorized (and many do), there is much here to enjoy.

The moguls of Old Hollywood were gambling men not only in their work, but at play as well. They had an abiding interest in horse racing, which accounts for the preposterous number of pictures set at the track which seldom made money but made the "suits" happy.

The horrified WASP establishment froze out any participation by movie folk in Los Angeles area race tracks, so the high rolling execs founded a track of their own across the border in Agua Caliente. So there's some documentary interest here in seeing where the Hollywood elite went to play and, more importantly, bet.

It's tough to put together a musical where She can barely sing or dance and He not at all, but this movie manages it. Plenty of crackling Julius Epstein dialog is kept moving briskly by Lloyd Bacon, one of the better straw bosses on the Warners prison farm.

Edward Everett Horton, more assertive here than with Fred Astaire, Glenda Farrell, Leo Carillo and Luis Alberni keep the proceedings airborne, and Hermann Bing hits a lifetime peak of sublimity trying to spell "rhododendron" through his gargling Austrian accent. How Judy Canova got into all this I don't know, but her cameo leaves quite an impression. I also brood about Dolores del Rio jumping off the high diving board in platform wedgies. Aren't you supposed to be barefoot for that?

There's only one musical hit, "The Lady In Red," and if you've ever seen Bugs Bunny in drag, you already know it. For those who OD'd on platinum blondes in other Busby Berkeley production numbers, they're all brunettes here. George Barnes and Sol Polito turn in some gorgeous camera work, and Orry-Kelly outdoes himself with some of the costumes.

This is a fun, feel-good picture that was made in a hurry and turned out a lot better than it had to be. It's good for smiles, and maybe a lot more.

"In Caliente" is more of a comedy than a full-blown Busby Berkeley musical but is entertaining regardless.From the glamour of Dolores Del Rio to hilarious Edward Everett Horton, Glenda Farrell and Pat O'Brien- "In Caliente" is very funny with an excellent cast. The highlight of the film was Edward Everett Horton and Busby Berkeley's three major musical numbers. "The Lady in Red" was the most memorable song-partially because it is nine minutes long, so how could you forget it? It's also good to see Wini Shaw briefly in the film. "In Caliente" also gets stuck in your head, because it's a running joke that a band plays it every time someone enters the Mexican hotel. The "Muchacha" number is one of Berkeley's typical sprawling numbers and makes good use of Dolores Del Rio's beauty and horses riding up a staircase! Pay attention to Del Rio in the scene at the pool. She wears what's believed to be the screen's first two-piece bathing suit. While "In Caliente" isn't a stand-out Warner Brothers musical, it's still a fun little escapism piece.

Judy Canova's first film appearance.-Dances choreographed and directed by Busby Berkeley-Costumes by Orry-Kelly -In the dance number "Lady in Red," each performer is wearing a blue costume, because it looks more like red in black-and-white, according to Buzz: The Life and Art of Busby Berkeley by Jeffrey Spivak.

Director:Lloyd Bacon, Busbey Starring:Dolores Del Rio , Pat O'Brien, Edward Everett Horton, Glenda Farrell, Leo Carrillo, Wini ShawThemselves: Tony De Marco, Sally De Marco, Judy Canova 8/10