Un enano concede al rey el deseo de que todo lo que toque se convierta en oro. Cuando el rey se da cuenta de que ya no puede comer, no está contento con el regalo. Al renunciar a sus bienes,... Leer todoUn enano concede al rey el deseo de que todo lo que toque se convierta en oro. Cuando el rey se da cuenta de que ya no puede comer, no está contento con el regalo. Al renunciar a sus bienes, encuentra la felicidad.Un enano concede al rey el deseo de que todo lo que toque se convierta en oro. Cuando el rey se da cuenta de que ya no puede comer, no está contento con el regalo. Al renunciar a sus bienes, encuentra la felicidad.
- King Midas
- (voz)
- (sin acreditar)
- Goldie
- (voz)
- (sin acreditar)
- Grim Reaper
- (voz)
- (sin acreditar)
- Birds
- (voz)
- (sin acreditar)
Reseñas destacadas
I get why Walt Disney was embarrassed by this short. Midas is an absolutely unappealing protagonist-- too unsympathetic to earn pathos and not funny enough to be entertaining in spite of that. The music is unmemorable, the lyrics witless. The gags aren't much good either-- they mostly feel lame and obvious-- and the horror of Midas' situation isn't played up much either (BABES IN THE WOODS is a great Silly Symphony that does a much better job at blending humor with horror). Overall, just a misfire.
Jolly monarch King Midas is gold mad and nothing seems to satisfy his avarice. Then one day a strange little elf grants him THE GOLDEN TOUCH...
An enjoyable retelling of the tale from Greek Mythology, competently animated.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
It features King Midas, the greedy ruler of legend who craved gold and wishes for everything he touches to turn shiny and priceless. An elf called Goldie (gee, that's imaginative) appears and offers to make that wish come true. Midas enjoys it at first but soon comes to realize that the best things are life are those that you can touch and hold close to you. Or at least he would if the cartoon didn't just have him grow frustrated at not being able to eat dinner.
There is some nice animation in here, but overall it's forgettable. Respect Walt's wishes and skip it.
¿Sabías que...?
- CuriosidadesWalt Disney hated this short and refused to talk about it to his workers.
- PifiasMidas cape apparently does not turn into gold.
- Citas
Goldie: [laughs] Ah, is this the great man who bellowed, "Give me gold, not advice"?
King Midas: Goldie, Goldie. Help me, Goldie! Take away this golden curse. Don't let me starve. Take everything. My gold, my kingdom for a hamburger sandwich!
Goldie: With or without onions?
King Midas: Hamburger! Just plain old hamburger!
Goldie: Ha ha ha! Now thou art a wise and humble king. I will take back the golden touch in exchange for everything you possess. Toodle-oo.
- ConexionesEdited into Walt Disney Cartoon Classics Volume 12: Tall Tales (1985)
Selecciones populares
Detalles
- Duración10 minutos
- Relación de aspecto
- 1.37 : 1