PUNTUACIÓN EN IMDb
7,1/10
4,5 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaJames Cagney helped jump-start the gangster genre as The Public Enemy. Outcries against movies that glorified underworld criminals put Cagney on the side of the law in 'G' Men.James Cagney helped jump-start the gangster genre as The Public Enemy. Outcries against movies that glorified underworld criminals put Cagney on the side of the law in 'G' Men.James Cagney helped jump-start the gangster genre as The Public Enemy. Outcries against movies that glorified underworld criminals put Cagney on the side of the law in 'G' Men.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 2 premios y 1 nominación en total
Marie Astaire
- Gerard's Moll
- (sin acreditar)
Brooks Benedict
- Man
- (sin acreditar)
Stanley Blystone
- Cop
- (sin acreditar)
Reseñas destacadas
Can't find a flaw or an objection to "G-Men", a depression-era gangster picture which hits all the right notes. The screenplay, acting, direction and photography are all outstanding. The picture centers around James Cagney, a lawyer-turned G-man who rises quickly through the ranks to become a hero, much to the grudging admiration of Robert Armstrong, Chief of the Department, as he captures or exterminates several dangerous gangsters.
It sounds like a lot of similar 'shoot-em-ups', but Director Keighley does it with style here, and with the help of a first-rate cast. Besides Cagney and Armstrong are such stalwart supporters as Lloyd Nolan, Ann Dvorak and Barton McLane. He keeps the action moving so that there is very little down time or prolonged stretches of dull dialogue - come to think of it, there are no breaks in the action as it is nearly continuous and helps to make "G-Men" one of the best of its genre regardless of the era.
It sounds like a lot of similar 'shoot-em-ups', but Director Keighley does it with style here, and with the help of a first-rate cast. Besides Cagney and Armstrong are such stalwart supporters as Lloyd Nolan, Ann Dvorak and Barton McLane. He keeps the action moving so that there is very little down time or prolonged stretches of dull dialogue - come to think of it, there are no breaks in the action as it is nearly continuous and helps to make "G-Men" one of the best of its genre regardless of the era.
In 1935 people paid to watch the physical, strutting, smart-mouthed James Cagney, and even in this film about FBI agents in the production code era of the 1930's Cagney gives them that. This time, though, Cagney is one of the guys trying to apprehend gangsters like Tom Powers of "The Public Enemy", rather than playing one.
Cagney is Brick Davis, a guy who came up from the slums of New York, a man whose personal benefactor is in the rackets himself, but he never wanted anything for or from Brick other than for him to make good. The opening scene shows Cagney giving a legal summation - something about a poor man fighting the big corporations. As the camera pans back we see that there is no jury, and in fact Brick is getting nowhere with his law practice.
An old friend, now a G-Man himself, visits Brick and suggests he join the FBI. After that old friend is shot in the line of duty by a gangster, Brick does just that. This film is pretty much a conventional, paint-by-numbers cops and robbers picture made exceptional by exceptional performers. Robert Armstrong, who comes across as more of a mug than Cagney, is supervising agent Jeff McCord who doesn't like Cagney from the start for really no good reason that I could surmise. Ann Dvorak is the "tarnished angel" - a chorus girl without a chorus who does what she has to do to survive but also wants to do the right thing and seems to harbor a bit of a thing for Cagney's character. Margaret Lindsay is Jeff's sister, a nurse no less, who doesn't like Brick either - at first. Then there are a host of bad guys the worst of which is Barton McLane in the kind of "so mean he's terrific" role at which he excelled in the 1930's and beyond.
For people who love Cagney in action with lots of shoot outs and fighting an uphill battle to get the girl of his dreams, this one fits the bill.
One thing that you may find puzzling if you watch the DVD release of this film, which is actually from a 1949 re-release, is the presence of a prologue. That prologue has Warner Brothers contract player David Brian playing an FBI instructor talking to a class of FBI men about the history of the agency and how it was before the agents could even carry guns. Apparently, the FBI offered no cooperation in the making of "G Men" in 1935, but by 1949 the agency really liked this picture and so this prologue was tacked on. Just don't get too confused about the time warp.
Cagney is Brick Davis, a guy who came up from the slums of New York, a man whose personal benefactor is in the rackets himself, but he never wanted anything for or from Brick other than for him to make good. The opening scene shows Cagney giving a legal summation - something about a poor man fighting the big corporations. As the camera pans back we see that there is no jury, and in fact Brick is getting nowhere with his law practice.
An old friend, now a G-Man himself, visits Brick and suggests he join the FBI. After that old friend is shot in the line of duty by a gangster, Brick does just that. This film is pretty much a conventional, paint-by-numbers cops and robbers picture made exceptional by exceptional performers. Robert Armstrong, who comes across as more of a mug than Cagney, is supervising agent Jeff McCord who doesn't like Cagney from the start for really no good reason that I could surmise. Ann Dvorak is the "tarnished angel" - a chorus girl without a chorus who does what she has to do to survive but also wants to do the right thing and seems to harbor a bit of a thing for Cagney's character. Margaret Lindsay is Jeff's sister, a nurse no less, who doesn't like Brick either - at first. Then there are a host of bad guys the worst of which is Barton McLane in the kind of "so mean he's terrific" role at which he excelled in the 1930's and beyond.
For people who love Cagney in action with lots of shoot outs and fighting an uphill battle to get the girl of his dreams, this one fits the bill.
One thing that you may find puzzling if you watch the DVD release of this film, which is actually from a 1949 re-release, is the presence of a prologue. That prologue has Warner Brothers contract player David Brian playing an FBI instructor talking to a class of FBI men about the history of the agency and how it was before the agents could even carry guns. Apparently, the FBI offered no cooperation in the making of "G Men" in 1935, but by 1949 the agency really liked this picture and so this prologue was tacked on. Just don't get too confused about the time warp.
"G-Men" is a 1935 film that was reissued in 1949. At that time, the FBI was 25 years old, and a scene was added where David Brian, as an FBI head honcho, tells his rookies that they are about to see an early film about the FBI. He then starts the movie.
"G-Men" is directed by William Keighley and stars James Cagney as Brick Davis, an attorney whose college friend Eddie (Regis Toomey) is murdered by a mobster (Barton MacLane) while working for the Department of Justice. Brick quits lawyering and joins the FBI. When the fact that he was close friends with a mobster (who put him through law school) turns up, Brick is able to supply a lot of information to the bureau.
The action in this film is non-stop, with car chases, kidnappings, lots of shooting, and scenes at a lodge, reminiscent of a well-known real-life happening in Wisconsin.
Cagney is excellent as usual, and Barton MacLane gives a strong performance as the enemy. Lloyd Nolan, as a fellow recruit, makes his film debut. The supporting actors are all good.
Warner Brothers again proves why they were King of the Crime Flicks with this film. If you like Cagney and action, don't miss this one.
"G-Men" is directed by William Keighley and stars James Cagney as Brick Davis, an attorney whose college friend Eddie (Regis Toomey) is murdered by a mobster (Barton MacLane) while working for the Department of Justice. Brick quits lawyering and joins the FBI. When the fact that he was close friends with a mobster (who put him through law school) turns up, Brick is able to supply a lot of information to the bureau.
The action in this film is non-stop, with car chases, kidnappings, lots of shooting, and scenes at a lodge, reminiscent of a well-known real-life happening in Wisconsin.
Cagney is excellent as usual, and Barton MacLane gives a strong performance as the enemy. Lloyd Nolan, as a fellow recruit, makes his film debut. The supporting actors are all good.
Warner Brothers again proves why they were King of the Crime Flicks with this film. If you like Cagney and action, don't miss this one.
In the 1930s Warner Bros was the unrivaled home of the gangster picture. These films were so much fun, filled with action and drama with a heaping dose of social commentary on the side. Despite the criminals usually dying in the end of these movies, WB was accused by some of glorifying hoodlums. So, in answer to that, they made this little gem that was designed to glorify the "good guys" instead. How did they do that? They took their main tough guy star, James Cagney, and made him a fed (or G-Man). In this movie, Cagney plays a lawyer who joins the Department of Justice after his federal agent friend is killed.
This is a first-rate gangster picture, directed by William Keighley and written by Seton I. Miller. No matter which side of the law he's on, Cagney is his usual charismatic self, not too far removed from his other gangster roles. He's still the tough runt who would sooner break your jaw or plug you with his gat before he would place you under arrest, but he's got a badge this time and he does follow the rules...for the most part. Fantastic cast backing Cagney up. William Harrigan is a scene stealer as the soft-hearted gangster who helps Jimmy out and pays for it in the end. Perennial heavy Barton MacLane gets plenty of scenery to chew as the main villain. Robert Armstrong is the agent that rides Cagney hard but eventually decides he's a good egg. Margaret Lindsay is Armstrong's sister and one of two dames that fall for Jimmy in this picture. The other being the lovely Ann Dvorak, who shines as she almost always did. She is really one of the more underrated actresses of her time. Despite her appealing performance, though, her first scene is a bit cringeworthy as she's badly lip-syncing and awkwardly dancing around like a wounded chicken. She was a fine dramatic actress but not a great singer or dancer. Others rounding out the cast include Lloyd Nolan, Regis Toomey, Harold Huber, Jonathan Hale, and Edward Pawley as a vicious hood named Leggett.
It's a beautiful-looking picture, courtesy of cinematographer Sol Polito. The big shootout between the feds and the gangsters is one of the film's highlights. The scene where Cagney gets a jujitsu lesson is also a real treat. There's an amusing FBI 'crime does not pay' type of prologue that was tacked on for the 1949 re-release that is present on most prints today. Definitely a must-see for fans of Cagney and WB gangster movies. If you aren't one of those already, you should be.
This is a first-rate gangster picture, directed by William Keighley and written by Seton I. Miller. No matter which side of the law he's on, Cagney is his usual charismatic self, not too far removed from his other gangster roles. He's still the tough runt who would sooner break your jaw or plug you with his gat before he would place you under arrest, but he's got a badge this time and he does follow the rules...for the most part. Fantastic cast backing Cagney up. William Harrigan is a scene stealer as the soft-hearted gangster who helps Jimmy out and pays for it in the end. Perennial heavy Barton MacLane gets plenty of scenery to chew as the main villain. Robert Armstrong is the agent that rides Cagney hard but eventually decides he's a good egg. Margaret Lindsay is Armstrong's sister and one of two dames that fall for Jimmy in this picture. The other being the lovely Ann Dvorak, who shines as she almost always did. She is really one of the more underrated actresses of her time. Despite her appealing performance, though, her first scene is a bit cringeworthy as she's badly lip-syncing and awkwardly dancing around like a wounded chicken. She was a fine dramatic actress but not a great singer or dancer. Others rounding out the cast include Lloyd Nolan, Regis Toomey, Harold Huber, Jonathan Hale, and Edward Pawley as a vicious hood named Leggett.
It's a beautiful-looking picture, courtesy of cinematographer Sol Polito. The big shootout between the feds and the gangsters is one of the film's highlights. The scene where Cagney gets a jujitsu lesson is also a real treat. There's an amusing FBI 'crime does not pay' type of prologue that was tacked on for the 1949 re-release that is present on most prints today. Definitely a must-see for fans of Cagney and WB gangster movies. If you aren't one of those already, you should be.
Recently, I've watched a lot of James Cagney's gangster movies. Usually, he plays the gangster. He is always the mafia leader. But in this one Cagney is a FBI agent. That's right. This time, James Cagney is fighting against the gangsters. At first, it sounded weird, but it works quite well.
The movie tells the story of Brick Davis, a lawyer related to the mafia that decides to join the FBI force, known as 'G-Men' after his friend, also a 'G-Men', is killed.
As usual, James Cagney gives a fine performance as Brick Davis, regardless his better works, like in 'White Heat' and 'Public Enemy'. The other members of the cast do a normal job, just like William Keighley's direction. A supporting member of the cast that did a great job was Barton MacLane, as the villain.
The movie sounds more like a propaganda to the FBI force, but this isn't a bad thing. For 1935's, the movie has great action scenes, with car chases, shooting, kidnapping, robbery, etc, and they are all very well filmed for its period. Even though I prefer the action sequences in 'Scarface', they are great here also.
In resume, another great gangster movie from the 1930's.
8 out of 10.
The movie tells the story of Brick Davis, a lawyer related to the mafia that decides to join the FBI force, known as 'G-Men' after his friend, also a 'G-Men', is killed.
As usual, James Cagney gives a fine performance as Brick Davis, regardless his better works, like in 'White Heat' and 'Public Enemy'. The other members of the cast do a normal job, just like William Keighley's direction. A supporting member of the cast that did a great job was Barton MacLane, as the villain.
The movie sounds more like a propaganda to the FBI force, but this isn't a bad thing. For 1935's, the movie has great action scenes, with car chases, shooting, kidnapping, robbery, etc, and they are all very well filmed for its period. Even though I prefer the action sequences in 'Scarface', they are great here also.
In resume, another great gangster movie from the 1930's.
8 out of 10.
¿Sabías que...?
- CuriosidadesWhen Warner Brothers re-released this movie to theaters in 1948, a new opening scene was added to explain that the 1935 movie did not reflect the FBI of the late 1940s. David Brian plays an FBI official addressing a group of new agent-recruits (among them Douglas Kennedy), for whom the old movie will be a history lesson.
- PifiasA crashing automobile knocks over a street lamp just before it runs into a building. The lamp falls away from the camera, so that its bottom is exposed. Clearly the lamp is a prop with no electrical wiring.
- Citas
Jeff McCord: They're in that circle somewhere.
James 'Brick' Davis: Only six states. We've got them cornered.
- Versiones alternativasFor the movie's 1949 re-release, a new scene was shot and stuck at the beginning of the movie. That scene is still in the picture every time it's shown on TV; it's also on the home video release, etc. In this added-14-years-later, pre-credits sequence, David Brian plays The Chief, and Douglas Kennedy plays an Agent.
- ConexionesFeatured in Dirty Harry's Way (1971)
- Banda sonoraGo Into Your Dance
(1935) (uncredited)
Music by Harry Warren
Danced by the dance troupe at the nightclub
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is 'G' Men?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- G men contra el imperio del crimen
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 450.000 US$ (estimación)
- Duración1 hora 25 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
What is the Spanish language plot outline for Contra el imperio del crimen (1935)?
Responde