PUNTUACIÓN EN IMDb
6,4/10
561
TU PUNTUACIÓN
Un médico conocido como Sócrates, amargado desde la muerte de su novia, un día recibe la visita de una peligrosa banda que le obliga a partir con ella para curar a sus miembros, en caso de q... Leer todoUn médico conocido como Sócrates, amargado desde la muerte de su novia, un día recibe la visita de una peligrosa banda que le obliga a partir con ella para curar a sus miembros, en caso de que alguna vez resulten heridos en sus atracos.Un médico conocido como Sócrates, amargado desde la muerte de su novia, un día recibe la visita de una peligrosa banda que le obliga a partir con ella para curar a sus miembros, en caso de que alguna vez resulten heridos en sus atracos.
- Dirección
- Guión
- Reparto principal
Samuel S. Hinds
- Dr. McClintick
- (as Samuel Hinds)
Joe Downing
- Cinq Laval
- (as Joseph Downing)
Marie Astaire
- Moll
- (sin acreditar)
Vangie Beilby
- Effie
- (sin acreditar)
William Burress
- George S. Harris - Grocery Proprietor
- (sin acreditar)
Reseñas destacadas
Of course, a movie starring Paul Muni is always interesting, worth the watch for any movie buff. And here William Dieterle - Paul Muni's fetish film maker - is another reason not to miss it. Solid Warner Bros. Production, no one can deny it. But, concerning me, I will never see it again. Never. Paul Muni's character is so predictable, a character that we have seen many times before ; same scheme I mean. I don't even speak of the lousy ending. I am ready to watch I WAS A FUGITIVE FROM A CHAIN GANG - also starring Paul Muni - dozens of times, instead of this feature. The main flaw for me is the topic. Good doctor vs villains gangsters...Not for me any more. I am just over aged.
Dr. Socrates (1935)
*** (out of 4)
Fast moving and tense film from Warner features Paul Muni in the title role of Dr. Socrates, a doctor who becomes the outcast in a small town after he helps a woman (Ann Dvorak) who accidentally got caught up with a gangster (Barton MacLane). Soon the doc and the girl begin to have feelings for one another and he must figure a way to get her away from the gangster. In an interesting bit of trivia, Muni didn't want to have anything to do with this film but agreed to do it if Warner would allow him to make THE STORY OF LOUIS PASTEUR, which would eventually be released the same year and earn Muni the Oscar. There's also a funny joke here where Muni is talking about a book on the life of Pasteur. With that out of the way, the rest of the film is a pretty tense little gem that manages to feature some great performances and a pretty smart story. The movie might not be as respectable as some of Muni's bigger films but I thought there was enough here to easily recommend it. For starters we have Muni delivering an exceptional performance as he perfectly can play the kindness of the doctor but also show off his brains. The doctor being able to think fast on his feet plays an important part in the film and Muni makes us easily believe that he is smart enough to do what happens at the end. He also has a dry, sarcastic humor that comes off very well and he even delivers a few laughs. Dvorak isn't one of my favorites but she makes an interesting mix with Muni. MacLane isn't one you'd expect to see playing a gangster but he actually does a very good job and makes the character quite memorable with his humor and style of toughness. Fans of Humphrey Bogart will know that he and Kay Francis would remake this four years later in the bizarre KING OF THE UNDERWORLD. Bogart has another connection to this film as his first wife, Mayo Methot, plays the gangster's mole here. While this film is a lot smarter than many of the dramas from the studio, it also contain enough gunplay to please fans of their gangster pictures. The ending has one machine gun after another making for quite a big bang to go out on.
*** (out of 4)
Fast moving and tense film from Warner features Paul Muni in the title role of Dr. Socrates, a doctor who becomes the outcast in a small town after he helps a woman (Ann Dvorak) who accidentally got caught up with a gangster (Barton MacLane). Soon the doc and the girl begin to have feelings for one another and he must figure a way to get her away from the gangster. In an interesting bit of trivia, Muni didn't want to have anything to do with this film but agreed to do it if Warner would allow him to make THE STORY OF LOUIS PASTEUR, which would eventually be released the same year and earn Muni the Oscar. There's also a funny joke here where Muni is talking about a book on the life of Pasteur. With that out of the way, the rest of the film is a pretty tense little gem that manages to feature some great performances and a pretty smart story. The movie might not be as respectable as some of Muni's bigger films but I thought there was enough here to easily recommend it. For starters we have Muni delivering an exceptional performance as he perfectly can play the kindness of the doctor but also show off his brains. The doctor being able to think fast on his feet plays an important part in the film and Muni makes us easily believe that he is smart enough to do what happens at the end. He also has a dry, sarcastic humor that comes off very well and he even delivers a few laughs. Dvorak isn't one of my favorites but she makes an interesting mix with Muni. MacLane isn't one you'd expect to see playing a gangster but he actually does a very good job and makes the character quite memorable with his humor and style of toughness. Fans of Humphrey Bogart will know that he and Kay Francis would remake this four years later in the bizarre KING OF THE UNDERWORLD. Bogart has another connection to this film as his first wife, Mayo Methot, plays the gangster's mole here. While this film is a lot smarter than many of the dramas from the studio, it also contain enough gunplay to please fans of their gangster pictures. The ending has one machine gun after another making for quite a big bang to go out on.
Paul Muni has never made a bad movie or given a poor performance. He didn't crank out movie after movie like so many stars in that era, he carefully picked his roles. This is a terrific picture, Muni plays a doctor who has become a gangster's physician, but not by choice. The gangster is played with gusto by Barton MacLane. A woman who is kidnapped by the gang (Ann Dvorak) is injured and brought to Muni. She and the doctor soon fall in love. But, the gangster wants her, because she could testify against him since she knows what he looks like. Great cinematography but it's Muni's picture all the way. Helen Lowell provides fine support as "Ma".
1930's stars Paul Muni and Ann Dvorak star in this small town drama from Warner Brothers. Doctor Cardwell (Muni) had lost his wife in a car accident, and because he felt responsible, it has affected his practice, and his state of mind. and when rough tough crime boss Red Bastian comes to him for help, Cardwell has some decisions to make. Mayo Metho is in here as Red's moll... she was Humphrey Bogart's wife for a time; didn't end well for her.. she died of alcoholism at 47. only made 28 films, acc to imdb. the awesome Grady Sutton is in here as (uncredited) grocery store clerk. Sutton made "Flying Trapeze" with WC Fields the same year, and would go on to make a bunch more with him. good career move! this one has the usual bank robbery, the getaways, and even a couple boy meets girl, boy chases girl stories. unfortunately, Doc wants to be the good guy, but keeps getting in deeper with the wrong sort of folks. no big surprises, but it's pretty good. Muni only made 30 films, and this was early on in his career.
With Paul Muni in the lead, I was expecting something out of the ordinary. However, Dr. Socrates is ordinary. It is a run-of-the-mill 1930's crime drama with Muni's range wasted in a part better suited to Chester Morris or Ricardo Cortez. Barton MacLane and Mayo Methot, on the other hand, are perfect playing parts similar to what they played throughout their entire careers. It's watchable, but not special.
¿Sabías que...?
- CuriosidadesAt one point Muni's character is seen buying a second hand book titled "The Life of Pasteur", the role he would play in his next film, La tragedia de Louis Pasteur (1936), which premiered a month after Dr. Socrates opened.
- PifiasAt the end, Jo "fixes" Paul Muni's breast pocket handkerchief and has it with two ends sticking out of his pocket. When he and Jo come out of the room to go downstairs, the handkerchief is showing neatly as a triangle exposed in the pocket.
- ConexionesEdited into Bullet Scars (1942)
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Detalles
- Duración
- 1h 10min(70 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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