Mares de China

A pretty good movie with an excellent cast and some decent special effects. Gable is at his best and the same can be said for Beery , Sir C. and Harlow. I haven't seen many Harlow films but I'm assuming that her stock character is the one she portrays here , a sort of bad girl with a heart of gold, a lovable moron who speaks first and thinks later. The kind of woman who (if she were your wife/girlfriend) would ruin a party and make a big scene if she became jealous. In other words the kind of woman most men might stupidly have casual sex with and then realizing what an idiot they were saddled with, run away from as fast as they could. I'm guessing many depression era women could identify with her low class stubborn pride but now she seems like an annoying , shrill, infantile idiot constantly seeking approval. As a portrait of this kind of woman , Harlow is magnificent. You might want to strangle her or throw her overboard but she's always watchable, the bra less gowns help.

Not just a routine trip from Hong Kong to Singapore for Captain Alan Gaskell(Clark Gable). There is a treasure trove of gold hidden on board. Among the passengers are two women of the captain's past: Dolly(Jean Harlow), the brash blonde bombshell and Lady Sybil(Rosalind Russell), the prim and proper socialite from England. Wallace Beery is a 'blow hard' gambler that is not to be trusted. Also in the cast are Lewis Stone and Hattie McDaniel.

Raiding pirates, one hell of a typhoon plus love on the high seas...a very good adventure film with tense action. Gable and Harlow are dynamic together. Tight direction from Tay Garnett. Special effects are superb.

A great story and a great cast. If you set aside all the early Hollywood traps about racism and sexism, this is a terrific and watchable romance/adventure.

The story is very similar to Gable's later film, "Mogambo." He's the adventurous cad who loves two women - a beautiful ice-queen who represents his link to civilization (Russell); and the cute but stubborn and uncouth "woman of the world" who has the capacity to betray him when it suits her (Harlow). This movie is very well acted. I've always said that if you give Gable an affectation to fall back on, he does extremely well. Here, he's a barking sea captain, which, almost by accident, gives his performance a better range than it otherwise would have. I don't really like Harlow, but she's good in her role.

The editing is a bit strange - many closeups are too obviously added in later, but I guess I can partially forgive this because of the time it was made. It really shows how Harlow was on a roll when she was with the rest of the cast, though. Because these individual shots do not fit in with the movie at all.

There's some amazing effects during the typhoon sequence, with a steam engine running loose on the deck - and you actually see people get run over and flattened. It's disconcerting even though you realize the camera tricks involved. Very inventive for its day.

It is funny, sexy, exciting, and every bit as resonant today as 1935- really saying something for a post-Code picture.

It's MGM of the period all the way. Bang bang bang, nonstop action, mile-a-minute dialogue. Basically a shameless retread of Red Dust, I actually like it a lot better than Red Dust. It's also got a dash of Shanghai Express, which is fine. Maybe it's the fact that I'm drawn to "souls at sea"" pictures and ensemble films about disparate groups thrown together by fate, their bizarre stories intertwining.

And what an ensemble this film boasts: There's Harlow, who by now could act, working her sex-clown routine with total confidence- fierceness to the Nth degree. Acing scene after scene, playing off Gable and Wallace Beery and Hattie MacDaniel (who has a rare good role, although not as substantial as it could be) just wonderfully. She should have gotten a Best Actress nomination for this.

Then there's Gable as Gable. Roz Russell is stuck playing one of the dour, humorless Brits MGM frequently cast her as in the thirties (see also Night Must Fall and The Citadel ). Donald Meek and Lewis Stone and Robert Benchley and plenty of others, all making the most out of their bits.

The stories are tight, every character compelling, and great dialogue all wonderfully pieced together. I don't often agree with Leonard Maltin or find his assessments of films too astute, but he is completely correct when he calls China Seas "impossible to dislike."

China Seas, a minor title in the classic film library, is the film to show to win people over to the "Black and White" side and show them how exciting and entertaining a classic movie can be.

It is a relief to see a vibrantly entertaining film that is well-crafted as a finely made chair. Like most chairs, this film is no classic like "Citizen Kane" or "Gone With The Wind" but it's exciting with charismatic leads like Clark Gable and Jean Harlow. The chemistry between the two is gripping, even if a lot of their encounters in this movie are rather repetitious of the "I love you but I shouldn't" variety. One can see why Gable and Harlow were cast together at every opportunity MGM had from "Red Dust" onward. The other supporting actors are quite good especially Wallace Beery as a slippery villain. While Robert Benchley is quite amusing, his drunk act starts getting really old after a while. Also, it's quite sobering to realize that Benchley would die in 1945 from the effects of long-term alcoholism. In sum, despite some unhappy reminders of Hollywood's racism of times past, this is a fine film that probably served as one source of inspiration for Spielberg's Indiana Jones series of films in the 1980s.