The sensation is numbness
A tawdry, mundane unsexy demonstration of why you should avoid poverty row pictures. The randy young men of 1933, to whom this was clearly marketed, would have been so disappointed to find that the only saucy thing about this was the very misleading posters of a semi naked Arline Judge.
Charles Vidor, in his first picture certainly doesn't show any promise that he'll eventually become a talented director. He fails completely to engage you with this tired formulaic story populated with clichéd stereotypes. The peppering with so-called comedy is cringingly un-funny and the inclusion of musical numbers serves simply to sabotage the flow. Those musical sections are actually pretty dire - don't expect Busby Berkley here! OK, Monogram might not have had much of a budget but it looks like like they only had one camera available when filming those lifeless numbers. They're presented almost in the style of a 1929 early talkie; no imaginative cinematography, no close ups of the pretty ladies (I assume they're pretty ladies but they might be blokes in wigs - you can't tell!) and the songs are hardly memorable either.
After her superb performance in Gregory La Cava's excellent AGE OF CONSENT, it's so disappointing to see how appalling Arline Judge's acting is in this. What is meant to be a brassy, ballsy personality comes across as an amateurish and crass cartoon caricature. Of course, it goes without saying that she wasn't in the same class as say Joan Blondell but even so, she was better than this. Also sad is seeing poor old Juanita Hansen, the former beauty of the silent screen attempting a career comeback with an embarrassingly poorly written character. With a few exceptions, what's needed to be a successful 1920s screen goddess is not what's needed to be a successful actress. She had significant personal problems so it seems cruel to be critical about her but it's not a good performance.
Like those unsuspecting sensation hunters lured into the cinemas under false pretences back in 1933, you also might be tempted to watch what you might think is a racy, sexy pre-code movie. Spare yourself the disappointment, the boredom and the futility of this and just be grateful that this first incarnation of Monogram went bust shortly after making this saving the world from any more of this type of garbage.
Charles Vidor, in his first picture certainly doesn't show any promise that he'll eventually become a talented director. He fails completely to engage you with this tired formulaic story populated with clichéd stereotypes. The peppering with so-called comedy is cringingly un-funny and the inclusion of musical numbers serves simply to sabotage the flow. Those musical sections are actually pretty dire - don't expect Busby Berkley here! OK, Monogram might not have had much of a budget but it looks like like they only had one camera available when filming those lifeless numbers. They're presented almost in the style of a 1929 early talkie; no imaginative cinematography, no close ups of the pretty ladies (I assume they're pretty ladies but they might be blokes in wigs - you can't tell!) and the songs are hardly memorable either.
After her superb performance in Gregory La Cava's excellent AGE OF CONSENT, it's so disappointing to see how appalling Arline Judge's acting is in this. What is meant to be a brassy, ballsy personality comes across as an amateurish and crass cartoon caricature. Of course, it goes without saying that she wasn't in the same class as say Joan Blondell but even so, she was better than this. Also sad is seeing poor old Juanita Hansen, the former beauty of the silent screen attempting a career comeback with an embarrassingly poorly written character. With a few exceptions, what's needed to be a successful 1920s screen goddess is not what's needed to be a successful actress. She had significant personal problems so it seems cruel to be critical about her but it's not a good performance.
Like those unsuspecting sensation hunters lured into the cinemas under false pretences back in 1933, you also might be tempted to watch what you might think is a racy, sexy pre-code movie. Spare yourself the disappointment, the boredom and the futility of this and just be grateful that this first incarnation of Monogram went bust shortly after making this saving the world from any more of this type of garbage.
- 1930s_Time_Machine
- 10 feb 2025