PUNTUACIÓN EN IMDb
7,2/10
1,3 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaThe vacationing head of a successful shoe company is placed as his rival's trustee, unbeknownst to them.The vacationing head of a successful shoe company is placed as his rival's trustee, unbeknownst to them.The vacationing head of a successful shoe company is placed as his rival's trustee, unbeknownst to them.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios en total
Charles E. Evans
- Mr. Haslitt
- (as Charles Evans)
Harry C. Bradley
- Reeves Company Board Member
- (sin acreditar)
Don Brodie
- Hartland Company Salesman
- (sin acreditar)
James Bush
- Tommy's Bridge Opponent
- (sin acreditar)
Wallis Clark
- Mike - the Auditor
- (sin acreditar)
Clay Clement
- Atkinson - Hartland Company Salesman
- (sin acreditar)
Edward Cooper
- Jackson - Hartland's Butler
- (sin acreditar)
Reseñas destacadas
THE WORKING MAN appointed to watch over the inheritance of a couple of young wastrels, unbeknownst to them, is actually the old tycoon once in love with their late mother.
This is a very well produced little comedy from Vitaphone/Warner Bros., featuring another splendid performance from the old master of character acting, Mr. George Arliss. This was an actor who could fascinate an audience merely by sitting still, letting his face act for him. Here, playing a great shoe manufacturer, Arliss is tremendous fun, whether haranguing his salesmen, or, switching sides, working for his own biggest competitor with equal gusto. It is doubtful that Arliss ever gave anything less than an entertaining cinematic performance. It is a shame that this wonderful actor is nearly forgotten today.
Arliss is given good support by a trio of young actors: Hardie Albright as his stuffy, conceited nephew - The Young Napoleon of Shoes;' as well as Theodore Newton and a very pert & pretty Bette Davis as the spendthrift offspring of his late rival. Miss Davis always credited Mr. Arliss for giving her an important hands-up at this early stage in her screen career.
J. Farrell MacDonald is very down-to-earth as Arliss' fishing buddy in Maine; Edward Van Sloan appears briefly, but effectively, as Arliss' company auditor.
This is a very well produced little comedy from Vitaphone/Warner Bros., featuring another splendid performance from the old master of character acting, Mr. George Arliss. This was an actor who could fascinate an audience merely by sitting still, letting his face act for him. Here, playing a great shoe manufacturer, Arliss is tremendous fun, whether haranguing his salesmen, or, switching sides, working for his own biggest competitor with equal gusto. It is doubtful that Arliss ever gave anything less than an entertaining cinematic performance. It is a shame that this wonderful actor is nearly forgotten today.
Arliss is given good support by a trio of young actors: Hardie Albright as his stuffy, conceited nephew - The Young Napoleon of Shoes;' as well as Theodore Newton and a very pert & pretty Bette Davis as the spendthrift offspring of his late rival. Miss Davis always credited Mr. Arliss for giving her an important hands-up at this early stage in her screen career.
J. Farrell MacDonald is very down-to-earth as Arliss' fishing buddy in Maine; Edward Van Sloan appears briefly, but effectively, as Arliss' company auditor.
Starring a great actor, George Arliss, whose talents are on display throughout this film, The Working Man also features a young Bette Davis, Hardie Albright, and Theodore Newton, all of whom should have become major star vehicles for Warner. In a plot that is unusual, but easy to follow, the best of human nature is brought to the surface and that is always a winner with an audience. This film feels "right" from beginning to end, and all of the people involved in its production deserve credit for an early lighthearted masterpiece. This should be considered a classic in that vein. A must see for any film aficionado or just an entertaining evening watching a movie for the family. This is worthy of the highest ratings.
I've always immensely enjoyed comedies involving deception of sorts, where the audience is in on who a person really is, while most of the cast in the movie are not (The Devil and Miss Jones (1941) comes to mind as an example). This film is one of the best of that type, with wealthy shoe manufacturer George Arliss overhearing his nephew (Hardie Albright) saying he should retire so he can run the business and do it better. A little angry, Arliss goes on a fishing vacation to Maine where his old buddy J. Farrell MacDonald lives, and quite by accident meets up with the heirs (Bette Davis and Theodore Newton) of his chief competitor, who had just died. Arliss uses an alias, and they think he is somewhat of a bum when they take him back to New York with them because of a minor injury to his hand. There Arliss sees the sorry state their finances are in and how their shoe plant is purposely being run down by Gordon Westcott, who wants to buy it at a cheap price. Arliss somehow convinces the trustees of the estate to make him Davis' and Newton's guardian, and the fireworks begin as he takes charge of his competitor's shoe plant. Only MacDonald knows who he really is, and he keeps Arliss informed about any mail sent by Albright, who thinks he still is on vacation in Maine. So Arliss plays both ends against the middle, so to speak, and in the process teaches Davis, Newton and Albright a thing or two about life and business.
The real joy in the film is the very clever screenplay, but George Arliss is also terrific in the lead, with Davis and Newton not far behind. Arliss knew the role well having done it in the 1924 silent called "$20 a Week." And Gordon Westcott makes a good heavy. This is a very underrated gem of a comedy.
The real joy in the film is the very clever screenplay, but George Arliss is also terrific in the lead, with Davis and Newton not far behind. Arliss knew the role well having done it in the 1924 silent called "$20 a Week." And Gordon Westcott makes a good heavy. This is a very underrated gem of a comedy.
New York shoe tycoon George Arliss (as John Reeves) clashes with nephew Hardie Albright (as Benjamin Burnett) over managing the family business. To show how the company will do without him, Mr. Arliss goes off on an extended vacation. While fishing, Arliss meets young swimmers Bette Davis and Theodore Newton (as Jenny and Tommy Hartland), inheritors of his deceased rival's shoe company. Arliss is immediately taken with Ms. Davis and Mr. Newton; he once courted their mother, also now deceased...
But the young duo party while manager Gordon Westcott (as Fred Pettison) runs their business into the ground...
Arliss decides to teach all the youngsters a lesson by assuming the identity of "John Walton" and taking over the rival shoe company. With a typically masterful performance, Arliss makes this lightweight story work beautifully. The younger players glow in his presence; this was acknowledged by Davis, who would eventually possess a similar magical screen presence. Arliss and director John G. Adolfi obviously work very well together, and with the cast. An Arliss picture had to be great experience for the actor.
******** The Working Man (4/20/33) John G. Adolfi ~ George Arliss, Bette Davis, Theodore Newton, Hardie Albright
But the young duo party while manager Gordon Westcott (as Fred Pettison) runs their business into the ground...
Arliss decides to teach all the youngsters a lesson by assuming the identity of "John Walton" and taking over the rival shoe company. With a typically masterful performance, Arliss makes this lightweight story work beautifully. The younger players glow in his presence; this was acknowledged by Davis, who would eventually possess a similar magical screen presence. Arliss and director John G. Adolfi obviously work very well together, and with the cast. An Arliss picture had to be great experience for the actor.
******** The Working Man (4/20/33) John G. Adolfi ~ George Arliss, Bette Davis, Theodore Newton, Hardie Albright
This obscure "Bette Davis" film is obscure enough that I had never seen it. I had heard that this was another of the minor programmers Davis made towards the beginning of the Warner Brothers career. I had also seen a number of George Arliss films and while I enjoyed them, I always thought Alriss' style of theatrical acting was quite out of date in 1933.
What a pleasant surprise! This was shown on TCM today, and is a cleverly written story about a man helps a rival company out of his problems due to his prior love for the late rival's late wife, and the fact that he met and like her children! This is not a typical Warner Brothers programmer....in many ways it's one of the brightest, most enjoyable Warner Brothers films of the period.
Gee, it would be swell to see Warners put it out on DVD.
What a pleasant surprise! This was shown on TCM today, and is a cleverly written story about a man helps a rival company out of his problems due to his prior love for the late rival's late wife, and the fact that he met and like her children! This is not a typical Warner Brothers programmer....in many ways it's one of the brightest, most enjoyable Warner Brothers films of the period.
Gee, it would be swell to see Warners put it out on DVD.
¿Sabías que...?
- CuriosidadesShot in only 18 days.
- PifiasWhen Reeves is going over the books with Jenny and Tommy, a column of figures is shown, depicting the firm's losses, and the total shown is $208,000. The actual sum should be $200,000.
- ConexionesRemade as Everybody's Old Man (1936)
- Banda sonoraYoung and Healthy
(1933) (uncredited)
Music by Harry Warren
Played during the opening credits and at the end
Also played during the Hartland party
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Detalles
Taquilla
- Presupuesto
- 193.000 US$ (estimación)
- Duración
- 1h 18min(78 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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