El adivino

This early film is rarely seen these days. Thanks to TCM, we had the opportunity to watch it. As directed by Roy Del Ruth, the film tackles the problem of the itinerant con men running wild all over the country peddling home remedies and even serving as dentists to a naive public that were easily swindled.

At the center of the story, we see a man that discovers how to make a fast buck by giving readings to unsuspecting folks for a dollar. It's the cruelest of the scams because unsuspecting people put faith in the predictions these charlatans have to offer. We get to know the fate of one woman who comes back to tell Chandra how his reading turned to be a tragedy for her.

Warren William plays the great Chandra with charm. He is totally convincing as the person who has the solution for every problem, for a price. Constance Cummings is Sylvia, the young girl whose life is changed by Chandra. Allen Jenkins plays Chandra's assistant in one of his best roles. We get to see briefly Mayo Methot in the pivotal role of Jenny.

What makes this especially entertaining is how it pretends to take itself ever so seriously, but subtly and deliberately, not quite convincingly enough. Humour is often funnier when it's not that obvious and you have to discover it hidden in a serious drama like this.

In this fairly short picture, Warren William has tremendous fun hamming up his moustache twiddling loveable rogue character to a hundred and ten percent. You can't be certain whether it's because you can really sense his own personal enjoyment at playing this role or whether you're being fooled by some good acting but whatever it is, that ninety year old enjoyment is infectious. Although you'll probably forget you've seen this in a few weeks (to be honest, it's not that memorable), you can't help but enjoy watching it.

Since this is a First National B-feature, without the constraints of conforming to the Warner's 'A-picture' conventions, Roy Del Ruth, possibly WB's top director at the time also enjoys this lack of restriction by experimenting with clever shots, wacky camera angles and atmospheric lighting. This makes the result both fun and interesting to watch but it's not just the direction and Warren William which make this picture worth seeing ninety years after it was made. It's actually a good little story with a great snappy script so and if you like 1930s, blue-collar, American speak, you'll find this just swell! Its script benefits from one of the writers being Wilson Mizner. Who? - he was one of America's most celebrated writers having had what might be described as a very eventful life (and yes, movies have been made about him) or as one of his contemporaries said: America's most fascinating outlaw. His street-level wit, nurtured by his own plentiful life experiences add a certain spice to this story which although fairly engaging anyway is made much tastier by the magic of his wordweaving.

Overall, although this is nothing that special with no deep message or even very shallow message, it is reasonably entertaining .

Mind Reader, The (1933)

*** (out of 4)

Excellent performances highlight this Warner drama about a con man (Warren William) and his assistant (Allen Jenkins) who travel town to town with a circus doing various acts to bring in money. They then notice that the mind reader gag will bring in the most and soon the alias "Chandra" starts pulling people in but there's going to be a price to pay. I had heard so many positive things about this movie that it quickly became one that I searched out and thankfully got to see due to a recent TCM showing. Fans of classic cinema should certainly keep their eyes open for this one as it lives up to its reputation and also delivers some incredible performances. The film is pretty much divided into two halves with the first one dealing with various cons being performed by William. I found all of these games to be incredibly entertaining due in large part to William being able to push them over. It's very important that we believe these cons could actually be pushed over on people and William is so good here that it's never a problem. He slides into this role and never looks back and there's no a single frame in the film where we don't believe what he's doing and saying. Constance Cummings plays the woman he eventually falls in love with and the two share some great moments together and really make their love story believable. The underrated Jenkins does a very good job as well as he has several nice comic moments. The biggest surprise comes from future Bogart wife Mayo Methot who nearly steals the film as a young woman who is given bad advice and comes to let William know about it. I won't spoil what happens but it's pretty unforgettable and she really nails the part. I think the film begins to lose some of its power during the final twenty-five minutes with the last scam starts to be too big and of course there's going to be a moral lesson to pay. Up until then the film is extremely fast, fun and most important features some terrific acting. This film certainly deserves to be better known and hopefully TCM will start to show it more often.

Warren William turns in a superb performance. Allen Jenkins, always fun if a bit tedious in later comic gangster tales, does fine. The fine black actor Clarence Muse is given a meaty role and does beautifully by it. And Constance Cummings, whom I saw several decades after this in a magnificent performance on Broadway, is excellent.

This is a dark, twisting tale. William is a grifter who's tried a few rackets before he hits on mind reading. He and Jenkins pull some shady business in Cummings's hometown (emphasis on town) but she falls for him. She thinks he's the real thing, for a while, and he tries hard to go straight for her.

There is no wrong move. It's taut and disturbing. Roy del Ruth was a sensationally good director at this time, though this is darker than what he generally worked with.

No happy Hollywood ending is slapped on. William is seen about to pay for his evil ways but it sure doesn't look as if he is going to get a last-minute reprieve, nor does he seem particularly changed in his soul.

Keep an eye out for this one!

Warren William's character is traveling around the country doing various cons - painless dentistry, miracle hair tonic, the world's longest flagpole sitter (don't ask). Then he notices that a self described mentalist is cleaning up. He researches the trade some and comes up with an act as a mind reader and christens himself Chandra the Great. He asks the audience to write down their questions about the future or just the unknown parts of the present such as where did they misplace their keys and to sign their names to the paper. He then seems to burn the pieces of paper. In fact he sends them down a chute to his assistant Frank (Allen Jenkins) below, who then tells Chandra through a microphone what questions are asked and who wrote it. Chandra repeats what Frank says and then comes up with a bogus answer. The key to his success is dramatic and believable delivery, and with years of experience as a conman, he has delivery down pat. But then one day he meets a beautiful woman, Sylvia (Constance Cumming) who lost this month's rent money - his partner Frank stole it - and he falls in love. Complications ensue as Chandra must appear legitimate to Sylvia if he is going to win her love.

This is another great Warren William performance where, yes, he is doing hideous callous things trading on Depression era audiences who want to believe that somebody has answers to their problems, but you also empathize with him as a man who really has no skills other than being a conman whose motivation changes from merely wanting the easy life for himself to wanting nice things for his wife in an economic time that is extremely unforgiving. Of course if you tell enough lies to enough people who act on what you told them as though it was gospel, there are going to be some victims and they are not going to be happy about it and may hunt you down.

There is some wry social commentary going on here such as rich people having hundreds of dollars to blow on mind readers during the Depression, where average people had to scrape to come up with a dollar for the same thing. Also note that there is a smidgeon of racial equality here as Chandra has an African American partner (Clarence Muse) as well as Frank, and shakes hands with him when he says goodbye. That doesn't seem like much, but it was a lot even for the precode years.

With Allen Jenkins as Chandra's larcenous friend and assistant, Natalie Moorhead as one of Chandra's rich clients, and Constance Cumming in a rare Warner Brothers appearance.