The Kid from Borneo

I remember seeing the original Our Gang Comedies (the silent films) on television in the Fifties. Joe Cobb, the little fat kid, was the leader at that time just as Spanky MacFarland became in the Thirties. Mary Kornman was a pretty little blonde girl who preceded Darla Hood as the sweetheart of the gang. Freckled faced Mickey Daniels was Alfalfa's predecessor and Farina was the only black child in the gang. Later would come Stymie and Buckwheat. The gang used to build soap box derby cars that would actually run and they had their own clubhouse. I think it was the inventiveness of the kids that actually appealed to the kids in the Fifties. How many of them had actually built a soapbox car with wheels that they took off the Irish Mail (Say What, it was an early scooter) or their sister's baby carriage. If their father was watching with them, perhaps he would recall building something like this as kids did back then. They had tree houses or club houses with signs that said "No Girls Allowed." Remember the Women Haters Club that Spanky started and Alfalfa couldn't join because Darla talked him out of it. That is what made the series cute and entertaining. The politically correct critics always look at everything in a modern sense. The stereotype was not meant to be mean, just a reflection of the times.

I can only assume this short's popularity has something to do with its political incorrectness; in itself it's rather lame. How funny is it really to see a grunting halfwit running around in circles after a bunch of little kids? The film does have its moments, especially with Spanky and Bumbo in the kitchen, but overall it reminded me a lot of that standard childhood nightmare of being chased by a gorilla, except not as exciting. I pass on this one.

If given the difficult task of choosing the very best of the Our Gang comedies "The Kid from Borneo" would certainly be in the running. In this short, Dickie, Dorothy, and Spanky mistake a wild-man from Borneo for their uncle George. This wild-man has a taste for candy, so when he sees Stymie snacking on candy he pursues the gang, shouting "Yum yum, eat 'em up" the whole way. Of course the gang thinks he wants to eat them. The highlight of this film has to be Spanky's kitchen encounter with the wild-man. The scene is proof that Spanky was a child actor of amazing comic ability. Some of his reactions are so subtle yet hilarious you would think he had spent years studying the great comic actors of the time.

An OUR GANG Comedy Short.

Uncle George comes to town, bringing the Wild Man he's brought with him from Borneo. When the Gang goes to visit, Stymie's candy awakens the savage within him (`Yum-Yum! Eat ‘em up!') and he chases them all back to and through Spanky's house.

A very funny film - lots of wild slapstick here - but the sight of the drunken fellow pursuing little kids with a big knife is a bit unsettling. Highlight: Spanky feeding the Wild Man. Query: why does the film treat Spanky's Mom so harshly at the end? That's John Lester Johnson as the Wild Man.

Millions of children howled with delight when they saw this film on television in the 50's, and its just as funny today! Although there is arguably a subtle anti-miscegenation message here-what would happen if white children actually had a black uncle?-you must understand that sex, not race, was the taboo topic then, and 1930's audiences would have thought this perfectly appropriate comic fare, but would have been shocked and offended by what we would regard as the mildest of sexual innuendo found in current comedies! Children, however, are impressed by the madcap frenetic pace of the film, and the musical score that matches the action so perfectly-it is a work of true artistry in this regard. Most of the best Our Gang comedies have a racial theme-check out "Little Sinner" or"A Lad and a Lamp", for example. The comedy is nonetheless excellent-it's a marvel that they did so well on such a small budget. Anyone who can't appreciate these films is wound a little too tightly.