La horda

I am watching it right now on TCM. It has been digitally restored and a new soundtrack added. The music is excellent. I was sure it was 'period' until I saw the credits, which are rolling as I type.

Marie Prevost is amazing, she dominates every scene in which she appears. Her expressions and body language are astounding. It helps you understand what silent movie acting is all about.

This was a Howard Hughes production. I believe the picture is longer than 60 minutes, though.

The University of Nevada at Las Vegas is credited with this restoration project. They did a great job. I love this movie.

Lewis Milestone performed one of his best directing jobs with "The Racket." He had a superior cast in what, in a later talkie, might be just a mediocre script, but taken in context, "The Racket" is a great movie. Watch the byplay during the funeral, for example.

Milestone and his editors and special effects people create some excellent visual effects to complement a cast that charms even in the role of slimy bad guy. Minor characters still got their chances to shine in the spotlight and even the non-speaking -- well, of course all the characters were non-speaking in one sense -- the un-named characters whose job was to look menacing or even just interested in the goings-on, all stood out.

Frankly this film was a surprise to me -- not that it was so good, but that I had had no knowledge of it beforehand.

To come so early in the career of so many of the people connected with it, notably Howard Hughes, who had the (to me) strange title of "presenter," this film is a stand-out. Robert Israel, who wrote the music for this revival, is fast becoming one of the great composers of the modern era.

All the people who are responsible for this film's recent revival deserve the thanks of film lovers as well as film historians. "The Racket" is one to see again.

As it has just been recovered and digitized by University of Nevada at Las Vegas and Turner Classic Movies along with the rest of Howard Hughes' classic silent movies, the people of today will finally get to see this great movie. A movie about prohibition and the mafia, made at the same time it was all going on. Idealizing the mafia before the Godfather was even thought of. Although it may be silent, it shows detail on the corruption of the mob with the police force and government officials, and not to mention the costumes of the film were obviously fitting for the time period, and used common "gangster" themes, such as the pinstriped suit with fedora and the cigar. The production quality is very good for the time, with what equipment they had to work with. The stereotypical choppiness of the frames from 20's movies rarely occurs, except when there is much fast action. Turner also did a good job digitizing this, as the film quality is still high. I recommend that people see this, albeit short, it gives a good idea about the movies of the times. Along with "Two Arabian Nights", also produced by Howard Hughes.

Like TWO ARABIAN KNIGHTS and THE MATING CALL, this film has now been restored by UNLV (which found the prints of these films once thought lost in an archive of producer Howard Hughes' possessions) in cooperation with Flicker Alley.

Lewis Milestone, who had just directed TWO ARABIAN KNIGHTS for Hughes, brought much of the same sense of friendly rivalry between the two leads to this picture, as well as the same co-star, Louis Wolheim. All the elements of many a subsequent gangster picture are here: The close personal relationship between the antagonists (gang boss Wolheim and cop Thomas Meighan); the kid brother whom the gangster wants to shelter from the rackets (George E. Stone, soon to appear in LITTLE CAESAR and many another gangster flick), but who runs afoul of a tough little chanteuse (Marie Prevost). Mob bosses cavorting in lavish nightclubs, overwrought gangland funerals, crooked politicians, a wet-behind-the-ears reporter with two old pros as a chorus: it's all here.

Enough of the action takes place in a run-down precinct house to belie the story's stage origins, but there's plenty of action, including a shootout between two rival gangs, to keep things hopping.

This has been resurrected courtesy of Turner Classic Movies, the University of Nevada, et al. (in pretty good shape, too) in a nicely done digital restoration, complete with a good score. If you get a chance to see it, you might want to take a chance: in spite of it being a silent (I consider that a handicap), it's an entertaining film, with a lot to like.

There's fine acting, especially by Louis Wolheim as the main gangster, whose face is so expressive you don't miss the sound as long as he's on screen. Marie Prevost and 'Skeets' Gallagher turn in solid supporting performances. There's clever dialogue: very good given the constraints silent films inherently have.

Personally, I thought the best feature is the wonderful cinematography. Rarely does the camera technique look dated or technically primitive, and many scenes are as well done as any since. The use of dissolves and interesting angles was delightful, and there are even a couple (surprising, to me) attempts at zooms that come off alright. Obviously a good director/cinematographer team. The overall look of the film is fresh and clear.

The story is pretty entertaining and the characters are brought to life, making me glad this film was brought back to life as well.