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TU PUNTUACIÓN
Minnie tiene que elegir entre dos parejas de baile: Mickey y Pete.Minnie tiene que elegir entre dos parejas de baile: Mickey y Pete.Minnie tiene que elegir entre dos parejas de baile: Mickey y Pete.
- Dirección
- Reparto principal
Walt Disney
- Mickey Mouse
- (voz)
- (sin acreditar)
- …
Argumento
¿Sabías que...?
- CuriosidadesIt's the fourth animation film produced with Mickey Mouse.
- Versiones alternativasAlso available in a computer-colorized version.
- ConexionesEdited into Totally Minnie (1988)
- Banda sonoraOld Gray Mare
Reseña destacada
A Walt Disney MICKEY MOUSE Cartoon.
Mickey & Pete both vie for fickle Minnie's attentions at THE BARN DANCE.
This humorous little black & white film is propelled largely by the soundtrack; music mavens will recognize 'The Old Grey Mare,' 'Mendelssohn's Spring Song' & 'Pop! Goes The Weasel' among the tunes played. This very early Mouse cartoon shows one of the rare instances in which Mickey loses to Pete in the game of romance.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
Mickey & Pete both vie for fickle Minnie's attentions at THE BARN DANCE.
This humorous little black & white film is propelled largely by the soundtrack; music mavens will recognize 'The Old Grey Mare,' 'Mendelssohn's Spring Song' & 'Pop! Goes The Weasel' among the tunes played. This very early Mouse cartoon shows one of the rare instances in which Mickey loses to Pete in the game of romance.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
- Ron Oliver
- 19 ene 2003
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Detalles
Taquilla
- Presupuesto
- 5121 US$ (estimación)
- Duración7 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
By what name was Mickey el galán (1929) officially released in Canada in English?
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