El rey de reyes

King of Kings is an extraordinary movie. I was so caught up in it if they had said in the credits "Jesus as played by himself" I would have believed it. The scenes of the little blind boy finding his way to Jesus, and the interaction between Jesus and the little children stand out as the high points of the movie. There is a "healing" while with the little children that stands out as one of the finest movie moments ever.

It is a silent movie, but if you get caught up like me, you will swear there was talking as you look back on it.

I saw it in May of 1977 at the 50th anniversary of the Graumanns Chinese theater in Hollywood. It had opened 50 years ago that night with its first movie being King of Kings. Interesting, the next night was the premier of the first Star Wars movie.

Mr. DeMille's daughter or niece shared anecdotes about the filming after the movie. For example, there is a seen during the last supper, where, after everyone gets up and walks away a dove comes and lands on the table by the holy grail and gets lost in the lighting special effect. She informed us it was not planned.

She told us the movie played somewhere in the world every night for 46 years. And in South America, people would get on their knees in the theaters after the performance.

Powerful movie and very moving.

This Cecil B. DeMille silent classic is still well worth seeing. It is creative and interesting, while remaining respectful to its subject, and thus it is among the best of the many movies made about Jesus. Unlike most directors (especially today), DeMille did not think that he was bigger than his subject, and thus he uses his skills to illustrate the well-known story and to make it memorable, rather than expending time and energy in trying to push some trivial perspective of his own. He makes it lavish when it should be lavish, and keeps it simple when it should be simple.

The opening scene, with Mary Magdalene and her admirers hearing bits of news regarding Jesus and Judas Iscariot, is a good introduction to the rest of the story, and also sets the tone for what follows. While it is a fictionalized scene not found in the Bible, it seems natural and works well. The rest of the movie likewise does not always follow the biblical narratives exactly, but the added material is always in keeping with the main themes. The cast is pretty good, although given the nature of the story, most of them have limited screen time. H.B. Warner looks just a little too old to be fully convincing as Jesus, but otherwise he is good enough in a difficult role. Probably the best performance is given by Joseph Schildkraut as Judas. He is quite believable, and is especially good in the Last Supper scene. His father Rudolph is also good in a smaller role as the high priest Caiaphas.

With the vast number of movies that are always being made about religious subjects, no doubt it will only be silent movie fans who will seek out this version of "The King of Kings", but that's unfortunate because it is nicely made and has many positives that make it worth seeing.

What a masterpiece! Visually stunning and deeply moving, even for the non-religious. DeMille was at his best in the silent era, and I have never seen the story of Christ told so beautifully. With more than a passing nod to nineteenth century Biblical painting, DeMille recreates the last days of Jesus' life in painstaking detail. He takes some liberty with chronolgy, and there is his trademark combination of religious fervour and delicious decadence. But the passion and sincerity are so strong that I'll be surprised if you don't shed a tear once or twice. And Joseph Schildkraut is stunning as Judas.

Eye-popping sets and superb photography combine with huge crowds of extras and excellent costumes to create one of the great epic films. And dig that opening orgy scene involving a scantily clad Mary Magdalene, a couple of old men, a leopard and a hunky charioteer leading a team of zebra! Wow! The first shot of Jesus is also cinema magic, an unforgettable moment. This film is superb.

I'm not a religious man. Nevertheless, I found this to be a very moving picture.

Or series of pictures. So many of the shots are very clearly carefully set up, often to evoke famous paintings.

The use of light, though simple given the techniques of the day, is often very effective.

The story is told to include all the well-known episodes in the story of Christ. The pace is leisurely, but never too slow. Each scene is developed to its fullest.

And the acting - which is to say the faces - are sometimes remarkable.

If you're used to action movies, you'll never get through this. But if you can adopt yourself to its pace, you'll be amazed how effective this movie is.

I first experienced Cecil B. DeMille's beautiful telling of the Life of Christ, his 1927 THE KING OF KINGS, in a local theatre in the late 1950s. It impressed me then as a teenager and it impresses me even more now, having just experienced a special viewing of the double disc DVD that is being released on December 7, 2004 under The Criterion Collection label.

I purchased a 16mm print of this film many years ago as well as buying the Criterion Laser Dics release a few years back, so I am well versed in this classic. Until now, everything shown theatrically, on 16mm, VHS tape and Laser Discs has been of the re-edited version that DeMille prepared in 1928, a year after the film played its roadshow engagements. Millions of people the world over have seen the shorter 112 minute cut, which is included on the Criterion disc with both the original Hugo Riesenfeld score (and sound effects) as issued in 1928, and an outstanding newly recorded pipe organ score by Timothy J. Tikker, done especially for this release.

For years I have been aware that the roadshow version as shown at the Grauman's Chinese Theatre in LA and at the Gaiety in NY, ran 155 minutes, some 37 minutes longer then I had ever seen it. From James D'Arc at the Brigham Young University Archives (which houses the DeMille collection) I learned that the full length version still existed and was in the possession of the DeMille family. That complete version is now the highlight of the Criterion DVD release and it is MARVELOUS!

I've always thought highly of DeMille's THE KING OF KINGS -- but now seeing it in this wonderfully preserved full-length print, complete with an outstanding original orchestra score by Donald Sosin, I can say without hesitation that it is a more spiritually uplifting experience in this version then it ever was in the fine shorter cut. This is a MASTERPIECE, not only of the silent cinema, but of all-time!

And that's not all -- the EXTRA's included on the two DVD's are also a marvel. There is almost 15 minutes of priceless behind-the-scenes footage on the set of the film. You'll see DeMille directing a huge cast and at times view three cameras being hand-cranked. There are shots of D.W. Griffith and Douglas Fairbanks visiting with DeMille on set. There are production and costume sketches by renowned artist Dan Sayre Groesbeck as well as a stills gallery of rare production and publicity photos. The original illustrated theatre program and press book are pictured also -- and there's more. In short this is the finest DVD ever released on a film from the silent era, even surpassing Fox's marvelous job on F.W. Murnau's SUNRISE (also a 1927 release).

In my opinion, DeMille's THE KING OF KINGS in this full version is the finest rendering of the Life of Christ ever put on film! Criterion, known as the leader of fine DVD's, has done it again. Don't hesitate on picking up a copy of this if you love great movies and want a spiritual experience!