Chicago

Phyllis Haver stars here as Roxie Hart in a story based on a hit Broadway play from 1927. Just about everyone is familiar with the story. Roxie plugs her lover and tries to pin it on her sap of a husband Amos. But while in jail she becomes a tabloid queen, especially after lawyer Billy Flynn enters the picture. He's an expert on law and headlines, especially after he gets his $5,000.

Haver, who looks a lot like Laura La Plante here) is terrific as the hard-boiled Roxie as she learns the ropes in prison and in the court room. Haver never misses a comic or ironic beat. Victor Varconi plays the hapless Amos, but he has a whole subplot here that's not in the famous musical versions of this play. Billy is played by Robert Edeson, the matron is played by May Robson, and Casley is played by Eugene Palette. There is no Velma Kelly in this story but Roxie's rival in prison, who is unnamed, is played by Julia Faye.

The film was produced by Cecil B. DeMille and although Frank Urson gets credit for direction, many think the film was directed by DeMille.

This new DVD release by Flicker Alley is a gorgeous print with solid music by the Mont Alto Orchestra. The sound effects are amusing.

Phyllis Haver plays the sexy but fickle and material-minded wife of shopworker Victor Varconi, who seems a nice but dullish fellow. While at he's at work, Haver invites 'sugar-daddy' Eugene Pallette upstairs, not realizing that he is intending to dump her, owing to her extravagance. When Pallette refuses to cough up anymore cash, she shoots and kills him, leading to a spectacular and amusing trial.

Along the way, we have a wonderful prison scene with inmates being presided over by matron May Robson, a vindictive D. A. splendidly played by Warner Richmond, and a crooked lawyer in the form of Robert Edeson. Further amusement is provided when Varconi has scraped up $2,500 (rather a lot for a chap who works in a tobacco shop) for the defense and has to cough up the same again. He then decides to rob the fellow to get the remainder, finding it is in fact crooked money as well, having been delivered by thug Walter Long in an all-too-brief cameo, before the climactic trial. Oh, and the nice, pretty cleaning lady (Virginia Bradford) has a yen for Varconi...

The direction of CHICAGO is credited to Frank Urson, who was unknown to me, possibly due to his career being cut short by his death the following year. Other notable credits are Peverell Marley, Mitchell Leisen and Leonore Coffee, and the whole thing is very handsomely presented, with a nice score from Rodney Sauer.

"Those who forget History are condemned to repeat it" is the famous quote and perhaps that explains the current movie climate where remakes predominate. As we continue to evolve into a culture of short term gratification and long term memory loss, it's important to rediscover forgotten parts of our cinematic history especially when it's presented in such a way as this. David Shepard and Flicker Alley are to be congratulated yet again for their fine work in bringing to us another film previously thought to be lost.

For those of you not familiar with the award winning Broadway musical or 2002 film version, CHICAGO is based on a 1926 play which tells the story of the trial of Roxie Hart, an adulterous wife who shot her lover after he tried to ditch her. The play isn't about the verdict but how the trial is used to promote almost everyone involved except the long suffering husband. Although played for all its melodramatic possibilities with elements of humor, it sadly shows us that little has changed in 80 years when it comes to sensational journalism.

The film rights were quickly snapped up by Cecil B. De Mille who had his own movie company at this time. It's essentially his movie all the way but he allowed Frank Urson (an assistant director) to take credit because of De Mille's involvement with THE KING OF KINGS which was already in theaters. Phyllis Haver gives a wonderfully manic and comic performance as Roxie Hart while Victor Varconi excels as the betrayed husband, Amos Hart and yes that's gravelly voiced Eugene Pallette minus his voice and later girth as the murdered lover. The print looks as if it were processed yesterday and Rodney Sauer's score is up to his usual fine standards. With the usual Flicker Alley extras, CHICAGO is a must for silent film fans and is an ideal introduction to those who are not...For more reviews visit The Capsule Critic.

I really liked this film, viewed from the UCLA print. Phyllis Haver, now all but forgotten, shines as Roxie Hart, a good time girl who despises her husband and seeks sugar daddies for fun. As soon as you see her pretending to sleep, having discarded her garter with bells attached, you know she's trouble.

So Roxie kills, and goes to jail, and because she's blonde and pretty, she's taken up by the media in this wild world of flappers and jazz. Those familiar with the musical film with Renee Zellweger and Catherine Zeta-Jones will be wondering 'where's Velma?' but that character isn't in the forefront at all. This film is all about Roxie, and, more than the musical version, to some extent about her cuckolded husband Amos. Here we see his point of view on several occasions, and even follow him in scenes where Roxie doesn't appear. Victor Varconi puts in a lovely performance as Amos in this film.

Haver might dominate the proceedings, and lights up what is already a fast-moving and effective bit of jazz fluff, but there's a good, if brief performance from Eugene Palette as well. As Casely he is very watchable indeed.

As this was a late silent, the acting styles are mainly naturalistic, and the fact that it does not have sound, only titles, doesn't matter a bit when it comes to following the story. Miss Haver acts her heart out anyway and you can feel her contempt, her fear, her desperation, just as you would if you could hear it.

A superior film, and one which occasionally makes it out for public showings. A great pity it isn't on DVD as it is extremely enjoyable and deserves a wider potential audience.

Chicago in the mid 20's of the last century.

In this modern Amerikan city reside the Hart's, a young married couple, who adapt to the spirit of the big city. Herr Amos Hart works in a tobacco store and Frau Roxie Hart does absolute nothing but to be unfaithful to her husband with an old man. The old-timer accommodates her whims although this is coming nearly to an end. So when Frau Roxie hears this news; she, who is a bad, bad girl ( besides a peroxide blonde with no brains ... excuse this Herr Graf for such obvious remark ) kills her lover in her apartment.

Desperate over what she has done, she calls for help to her husband telling him that the old man tried to get advantage of her. Herr Hart who is a good man but not stupid at all, discovers what really happened in there. But his love for Roxie is so important to him that he decides to help her by taking the services of a famous, greedy and unscrupulous advocate ( excuse again this Herr Graf for such an obvious remark ); this in order to defend his wife from the death penalty. However, such favour has an expensive price – 5.000 grand that obviously Herr Hart doesn't have.

During a visit to his greedy advocate, he finds out where he hides a lot of money in his bureau and during the night steals the money ( an honourable deed indeed, to rob an advocate ). Meanwhile Frau Roxie Hart's famous trial is nearly begun.

"Chicago", a film directed by Herr Frank Urson in the silent year of 1927, was based in a Broadway play which in turn was based on a true story ( occurring in a real city! ). Reminiscences of the original stage play in its primal concept can be seen in the film, when the director uses a few sets ( the Hart's apartment, the jail or the trial court ) in order to develop the story as it were different acts of a play. This is especially during the first part of the film during the dramatic development at the Hart's apartment and at the end of the movie during the trial. However, Herr Urson makes fairly good use of the proper characteristics of the cinema film narrative in "Chicago" by, constructing excellent visual metaphors ( the jury's feet responding Frau Roxie charms, the tabloid paper going down the gutter ). There are also important and sibylline sexual remarks that are present during the whole film (ah, that garter bell belt). And let's not forget the social realism that can be seen in the film ( Chicago daily life or the Hart's apartment ). Especially outstanding is the power of the yellow press in those old days ( and unfortunately in these modern days too ); the sensationalist journals build up stories on innocent celebrities that certainly have few merits. Naturally this happened with the madcap Roxie, a situation depicted in "Chicago" in a raw and effective way.

Another merit of "Chicago" is the combination of comedy and drama in equal terms highlighting Frau Roxie's stupidity, selfishness and easy living in contrast with her self-sacrificing husband who suffers the acts and nonsense of his wife. He's a man who honestly cares about and loves his wife enough to steal and lie for her although this affection and emotion is not returned.

Starring as the couple are two excellent and not well-known actors who handle their roles considerably well. Herr Victor Varconi as Herr Amos Hart is the lovingly and humiliated husband. Frau Phyllis Haver shines and takes all the credit in the picture thanks to her brilliant performance as Roxie Hart, a madcap, simple and selfish modern girl who has no scruples combined with no brains ... who will have a moment of glory as a famous killer thanks to the help of the yellow press ... who will meet her end on the end of a rope … a woman who lives her own life caring for no one except the money.

"Chicago" is an excellent silent movie for all those reasons mentioned above by this German count. Don't forget also a modern one added recently featuring a superb musical score compiled by Herr Rodney Sauer and "The Mont Alto Motion Picture Orchestra". They capture the spirit and mood of the roaring twenties of the last century.

And now, if you'll allow me, I must temporarily take my leave because this German Count must to return to the Schloss from the Windy City.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com