Trípoli

"Old Ironsides" (1926) is a lavished production from the glory days of American silent cinema, helmed by director James Cruze. This is a two-hour historical epic, that takes place in the late 18th century, when Unites States was still a very young country. Pirates are terrorizing the Mediterranean, and U.S. politicians decide that they can no longer sit idly as this also affects their citizens. The opening is a tad questionable from today's perspective. The film demonizes the inhabitants of northern Africa, because they take white Americans as slaves. There is a bit of truth, historically. Muslim people were not allowed to take other Muslims as slaves, so in distant centuries slaves were found elsewhere. Yet this film's condemnation of African slave-merchants is a bit problematic, as the film glosses over America's own, similar history. If the film-makers would have wanted to be progressive, this film could have easily denounced all forms of slavery.

Yet, if one can get over these historical difficulties, this is a well-made adventure narrative with a big budget. There is a proper amount of action and also a romance between Charles Farrell and Esther Ralston. The real stars of the film, however, are the charismatic Wallace Beery and George Bancroft, who do a fine job here. However it is worth pointing out, that Bancroft's introductory scene shows him having a tattoo, which says "G. Bancroft", as it was the habit of silent films to also introduce the actors while the film was going on. Interesting curiosity. The film also included Gary Cooper and Boris Karloff as extras, though I didn't really spot either of them.

This film is well worth a watch for fans of naval adventures, as well as the fans of Wallace Beery.

This picture is absolutely fantastic. I just saw it two nights ago when I was clearing out my room and felt in the mood for a sea epic. It's funny how someone like me, who doesn't even know how to swim (and doesn't plan to), indulges himself with every sea picture he sees. Chuck Farrell proves a worthy choice for the lead; a dreamer, seeking adventure on the high seas. Esther Ralston, even though I'm anti-blonde, is gorgeous as his supporting heroine. The portion of the cast that MADE the picture however was Wallace Beery and George Bancroft. They were awesome characters and the fight scenes between them were hilarious. I will NOT reveal anymore important plot elements, see the picture for yourself and enjoy. Just make sure to bring a towel, you're bound to get drenched with excitement.

Like Orson Welles with Citizen Kane, James Cruze spent the rest of his directorial career trying to top the success of the epic western The Covered Wagon. The sea serves as the prairie landscape for this film, Old Ironsides the story of the first days of that valiant ship of the line in our new US Navy for Dr. Oliver Wendell Holmes penned his immortal poem.

In this film the Constitution is a new ship and it's off to fight in the war against the Barbary pirates of Tripoli. In what I think is a rather unnecessary prologue we're shown scenes of the debates in the 5th Congress as to whether we should have a navy at all.

When the meat of the story gets served it's a slice of action and romance. Young Charles Farrell goes off to sea in search of adventure and gets recruited in a grog shop by boatswain Wallace Beery. Also recruited that way is George Bancroft who is a gunner on the new Constitution. Bancroft ain't happy on the way he was drafted and he and Beery have a running feud going.

As for Farrell, he's got eyes for passenger Esther Ralston, but she's out of his league. But they all get into the same fix when the Barbary pirates capture them and the ship. After that it's the US Navy and the as yet to be named Old Ironsides to the rescue. Most important for Ralston as the pirates have a choice place in the sultan's harem for her.

The Constitution was as yet to be named Old Ironsides. That would occur later on in the era before the War of 1812 when she battled the British ship of the line Guerriere. The battle scenes are well staged, the recently departed from Paramount Cecil B. DeMille couldn't have done better than Cruze.

The film holds up very well and if it isn't history it's good entertainment.

Charles Farrell, an enterprising young lad, becomes a member of the crew of the Esther, a merchant ship bound to Naples. On the way, he makes friends with bos'n Wallace Beery, George Bancroft, a gunner who deserted from the Constitution, cook George Godfrey, and pretty passenger Esther Ralston. However, the ship is captured by Barbary Pirates, Miss Ralston is scheduled to be taken, along wih the ship, as a gift to an emir, and the men thrown into a slave quarry. Our Hero and his three pals escape and make their way to the Consiution, which finally shows up nearly an hour into the movie, where Johnny Walker as Stephen Decatur is already engaging in heroics. This goes on and it is in the final twenty minutes that we actually get the Battle of Tripoli and everyone is rescued.

It's a bit leisurely in getting down to what everyone is waiting for, but when it finally happens, it's a well conducted reenactment, with director James Cruze doing a lot of beautiful model work, thanks to Farciot Edouart and his special effects team. Bancroft is a lot of fun in a terrible wig, and Beery gets a big shove from the villains he had been playing towards the big-hearted lout he would portray at MGM. It's a rousing Yankee Doodle of a movie, and the script offers a lot of nice touches, thanks to a writing team that included Laurence Stallings, Rupert Hughes, and Dorothy Arzner. Some sequences were shot and presented in Magnascope, but the copy I looked at lacked the effect.

With plenty of action, an interesting story, and a cast headed by Wallace Beery and George Bancroft, this works well as an adventure movie. It adds good shipboard atmosphere, and it also includes the re-enactment of some of the history that is used as background to the story. Although the historical setting is stylized to some degree, it seems to give a pretty good feel for what it was like in the days when ships from the young USA did battle with the coastal pirates of the Mediterranean.

Beery and Bancroft work quite well together, and they are entertaining, too. Beery's boisterous style can work particularly well in silent movies, since the personality of a character is more prominent than the dialogue. Charles Farrell, as the young man who sails with Beery and Bancroft, is usually rather bland, but then again his innocent, reserved character serves as a contrast to the other two. Esther Ralston is an appealing heroine, and a few of the other characters also get some good moments.

The story is interesting, with most of it following characters on "Old Ironsides" and other ships as they sail, maneuver, and battle. The shipboard atmosphere is convincing, showing the crews both in tense times and in lighter moments. It's enjoyable to see the recreation of the old sailing ships and the ways they worked. Between the details of the ships, and the interesting crew members, there are times when you almost feel as if you're aboard with them.

"Old Ironsides" is one of the many silent movies that deserve to be better known and remembered. It's worthwhile both for the story and for its recreation of the age of the great sailing ships.