Ben Hur

While it is now largely neglected in favor of the more familiar 1959 remake, the 1925 silent version of "Ben-Hur" is quite entertaining, and it is often impressive in its own right. Fred Niblo had a lot of good resources for this film, and he used them well. Although Niblo made some other enjoyable films, this one has to be by far his best. As Ben-Hur and Messala, Ramon Novarro and Francis X. Bushman work pretty well as the rivals whose complex relationship drives so much of the action. At an hour shorter than the 1950's version, this one moves at a good pace while keeping most of the best material.

The story lends itself easily to a large-scale production. The characters, the historical settings, and the themes all offer many possibilities to film-makers. The screenplay for this version does a good job of focusing on the parts of the story that are interesting to watch while also developing the story's key relationships and themes. Like the later version, it makes some changes from the novel, but it still contains most of the same best-known scenes.

The large-scale set piece sequences from the story work very well here. The naval battle sequence actually seems more realistic here than it is in the color and sound version. The chariot race scene is approached a little differently than it is in Wyler's version, so that direct comparisons may not be possible, but in any case Niblo's version is very good. The action is tense and exciting, and it is also fun to try to pick out the silent screen stars who appear in the audience.

There are certainly a number of reasons for the enduring popularity of the Wyler/Charlton Heston version. Fortunately, there is no need to choose one over the other. This adaptation of "Ben-Hur" deserves to be remembered in its own right, as a successful, entertaining movie that also captures the important ideas of the story.

Nice silent rendition that still stands as the all-time silent classic , including marvelously staged battle ships and overwhelming chariot races . It packs impressive scenes that still look nice , in spite of age . Childhood friends , Judah Ben-Hur (Ramon Novarro) and Messala (Francis X Bushman) meet again one time grown-up . Now as experienced adults , this time Messala is a Roman officer , a tough conqueror against the Jews and Judah as a rich noble , though conquered , Israelite . When in Jerusalem takes place a Roman parade , spontaneously falling a brick that causes Judah to be sent off as a galley slave , his ownership confiscated and his mother and sister Tirzah (Kathleen Key) imprisoned at an impregnable jail . But the brave Ben Hur goes on his determination to stay alive and saves the Roman general Quinto Arrio when they are attacked by a pirate galleon , and he , then , becomes his fostered son . Several years later Judah goes backs his homeland . Unable to locate his mummy and sister, and believing them dead , he can think of nothing else than vendetta against Messala . Meanwhile , Ben Hur falls for Esther (May McAvoy) , daughter of Simonides (Nigel Of Brulier) .

The second movie of the acclaimed novel , being lavishly produced , stars Ramón Novarro and Francis X. Buxman as Messala . Novarro is good in the known role as wealthy Palestinan battling the Roman Empire . The chariot race required thousands of extras on sets constructed on lots of acres of backlot at Metro Goldwyn Mayer Studios . The MGM production costs were massive millions of dollars , as a lot of chariots were built , with half being used for practice . The race took various weeks to film . The known chariot scene was shot at what is now the intersection of La Cienega and Venice Boulevards in Los Angeles . Although problems lingered on the production and at a cost of over 4.000.000 dollars . The initial Italian set was eventually torn down and a new one built in Culver City , California . Attractive images , majestic set design , glamorous photography in black and white , evocative as well as rousing musical score subsequently added by the great composer Carl Davis combine to cast a spellbinding movie . The motion picture was stunningly realized by director Fred Niblo helped by Second-unit director B. Reeves Eason and Cliff Lyons ; being a hit smash at the box office . In 1931 , a shortened version was released . Rating : 8 , extraordinary and awesome , it ranked as the most expensive movie of its time and took years to end ; it is one of the greatest films in the genre "Epic". Ben-Hur still stands as the all-time silent classic .

Other retellings based on this vintage novel written by Lewis Wallace are the followings : The classic version ¨Ben-Hur¨ won a record 11 Ocars , directed by William Wyler with Charlton Heston , Stephen Boyd , Haya Harareet , Jack Hawkins , Sam Jaffe , Finlay Currie , Martha Scott , Cathy O'Donnell , in which stuntman Cliff Lyons worked a Stuntman/chariot driver in both versions : 1925 and 1959 ; cartoon version (2003) by Bill Kowalchuck with prologue by Charlton Heston and ¨Ben-Hur¨ TV series by Steven Shrill with Joseph Morgan , Stephen Campbell Moore , Kristen Krouk , Simon Andreu and Lucia Jimenez

Since I was so impressed the the 1959 version of this film, I figured there was no way I could watch this 1925 version and not be let down by it. Not only is this original adaptation very good, but it stands very strongly next to the heralded remake. In some regards, I enjoyed this adaptation better than the remake. Romon Navarro makes an excellent title character. The highlight of this film for me is early on when the star of Bethlehem is formed. Eye-popping visuals especially considering the time they were produced. It blows away any CGI we have today.

The version I saw of this was the newly scored version by Carl Davis, who continues to impress me with his scores for silent films including those he has written for "Greed", "Safety Last", "The Crowd", "Intolerance", "The Phantom of the Opera", and "The Wind".

With the record number of Oscars won by the William Wyler 1959 version of BEN-HUR, there is a tendency to overlook the monumental 1925 production, which established MGM as a studio to be reckoned with. Well, if you've never seen the earlier version, you may be in for a surprise...it is superior in nearly every way!

Certainly, some of the performances (particularly Francis X. Bushman's scenery-chewing Messala) are cartoonish, the film lacks the widescreen splendor and scope of it's successor, and the 'Wyler Touch', the infinite care the legendary director poured over every detail, is sorely missed. But there is an energy and sense of intimacy in Fred Niblo's version that is sorely lacking in the later version; the film, as a whole, is far closer in spirit to General Lew Wallace's novel; and young leading man Ramon Novarro (with a sexy intensity reminiscent of Tyrone Power), makes a far more charismatic and sympathetic Ben-Hur than Charlton Heston.

The 1959 version is remembered today almost exclusively for the chariot race, one of the most spectacular action sequences ever filmed. But what of the other 'set piece', the gigantic sea battle between the Roman and pirate fleets? The scene is completely artificial, obviously comprised of models and rear projections (watch the toy seamen jiggle as ships collide!) The 1925 version's chariot race is equally as exciting, and the sea battle used full-sized ships and hundreds of extras (shot in Italy, where a fire broke out on the ships during the shooting...the extras' panic on screen was NOT acting!)

With two-strip Technicolor to emphasize key scenes (the Nativity, the new Roman Consul's arrival in Jerusalem...yes, those ARE topless women leading the procession!), and a wonderful, stirring new musical score by Carl Davis, Fred Niblo's BEN-HUR is a treasure, a film you'll want to see again and again...Can you honestly say THAT about the '59 version?

Subtitled "A Tale of the Christ", this mixture of piety & adventure was MGM's grandest silent picture. The story tells how a Hebrew prince defies his Roman masters by beating them at their own game, literally, while becoming increasingly aware that the young Carpenter he met in Nazareth is the very Son of God and how that knowledge changes his life.

Years in the making, with filming in Italy & California, and changes of script and leading man, BEN HUR could have been a disaster. Instead, it was a complete triumph, with the naval battle and chariot race scenes holding their own among the best ever filmed. This film should not be compared with the Heston remake; it stands completely on its own merits.

For decades, the only known prints of this film were 90 minutes long, in black & white. By great good fortune, in the 1980's an uncut version, over 2 hours and with the original tints and Technicolor scenes was discovered in Czechoslovakia. This is what we are able to enjoy today.

Ramon Novarro got the plum male role of the entire silent period . He was a very fine actor and is excellent as Ben Hur. Sadly, the rest of his film career, in which he was typecast in every sort of ethnic role, from Chinese to Polynesian to Arab to Navajo, is virtually forgotten today.