PUNTUACIÓN EN IMDb
4,9/10
1,9 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaDorothy, heir to the Oz throne, must take it back from the wicked Prime Minister Kruel with the help of three farmhands.Dorothy, heir to the Oz throne, must take it back from the wicked Prime Minister Kruel with the help of three farmhands.Dorothy, heir to the Oz throne, must take it back from the wicked Prime Minister Kruel with the help of three farmhands.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio en total
Oliver Hardy
- Woodsman
- (as Oliver N. Hardy)
- …
Curtis 'Snowball' McHenry
- Snowball
- (as G. Howe Black)
- …
Rosalind Byrne
- Herald Trumpeter
- (sin acreditar)
Chester Conklin
- Undetermined Role
- (sin confirmar)
- (sin acreditar)
Wanda Hawley
- Undetermined Role
- (sin confirmar)
- (sin acreditar)
Jean Johnston
- Little Girl in open & close
- (sin acreditar)
Reseñas destacadas
Even in it's day, I think that this movie would have been looked on as rather average. It just isn't a patch on the classic 1939 version. The scarecrow, the tin man and the cowardly lion are not characters, but rather disguises that three of the characters "put on". And there is no witch at all. [Margaret Hamilton, we miss you.] Although the plot is good, the way it's done would confuse younger children, and it somehow just doesn't hold up. It is interesting to see, only for its historic aspect.
This movie was reportedly the one that sunk Larry Semon's career. Instead of the usual short films he was known for, Semon decided to do something "important" and made this (for the time) long film adaptation of THE WIZARD OF OZ,....or at least that's what the title indicates it should be. The story, it seems, bears little similarity to either the 1939 movie or the books. In fact, apart from a few names here and there, it is pretty much unrecognizable as the story about Dorothy and Oz. Instead, it was just an excuse to string along a lot of familiar and not especially funny gags--like I have seen in several other Larry Semon films, the big stunt is his swinging from tower to tower. A neat stunt the first time you see it, but not when it's old material and has nothing to do with the plot.
Overall, I consider this movie a wasted effort. I know that Semon COULD be funny--like he was in his short films. But here, it's just a confusing and dreary mess. Likewise, having Oliver Hardy in the film SHOULD have been an asset, but he was pretty much wasted as well. While not exactly a classic, the 1910 short silent version was much better and stuck closer to the original story and the 1939 version is a classic. This one is better off staying forgotten or seen by the morbidly curious as the project that may have ultimately destroyed Semon's career.
PS--In addition to being a terrible movie, there is a Black man named "Snowflake" that likes to eat watermelon! Ugghh!!!
Overall, I consider this movie a wasted effort. I know that Semon COULD be funny--like he was in his short films. But here, it's just a confusing and dreary mess. Likewise, having Oliver Hardy in the film SHOULD have been an asset, but he was pretty much wasted as well. While not exactly a classic, the 1910 short silent version was much better and stuck closer to the original story and the 1939 version is a classic. This one is better off staying forgotten or seen by the morbidly curious as the project that may have ultimately destroyed Semon's career.
PS--In addition to being a terrible movie, there is a Black man named "Snowflake" that likes to eat watermelon! Ugghh!!!
This WIZARD OF OZ is merely a frantic slapstick showcase for LARRY SEMON, apparently a silent comedian who is unknown to today's audiences and who died at a young age (39). He had a hand in the production and even designed his own Scarecrow costume, but the film is a curio that starts with a toymaker (again, LARRY SEMON) who tells a little girl the story of Dorothy (DOROTHY DWAN) from Kansas who, it turns out, is heir to be ruler of The Land of Oz.
But the story he tells has nothing whatsoever to do with L. Frank Baum's story as we know it from the '39 version starring Judy Garland. And this Dorothy is a grown-up young lady of 18 who bats her eyelashes and puts a finger to her lips in a coy manner as though signifying youthful uncertainty.
The only connection to the Oz story Baum gave us is the tornado, the effects for which are very good for 1925, and the combination of the Tin Man, The Scarecrow and The Cowardly Lion. OLIVER HARDY is the Tin Man (before his screen partnership with Stan Laurel), SPENCER BELL, a black man, is the Cowardly Lion and LARRY SEMON hogs the whole show as The Scarecrow. The best I can say for Lemon is that his costume and make-up for the role is laudable.
But the fragments of story used here are all over the map, the key to everything being the chance to have all of the performers involved in slapstick stunts. Only MARY CARR as Aunt Em is spared this indignity.
There are a few well staged moments that one can appreciate but all in all it's a bit too much for any adult to watch and I have no idea what children thought of this bizarre exercise in slapstick comedy.
But the story he tells has nothing whatsoever to do with L. Frank Baum's story as we know it from the '39 version starring Judy Garland. And this Dorothy is a grown-up young lady of 18 who bats her eyelashes and puts a finger to her lips in a coy manner as though signifying youthful uncertainty.
The only connection to the Oz story Baum gave us is the tornado, the effects for which are very good for 1925, and the combination of the Tin Man, The Scarecrow and The Cowardly Lion. OLIVER HARDY is the Tin Man (before his screen partnership with Stan Laurel), SPENCER BELL, a black man, is the Cowardly Lion and LARRY SEMON hogs the whole show as The Scarecrow. The best I can say for Lemon is that his costume and make-up for the role is laudable.
But the fragments of story used here are all over the map, the key to everything being the chance to have all of the performers involved in slapstick stunts. Only MARY CARR as Aunt Em is spared this indignity.
There are a few well staged moments that one can appreciate but all in all it's a bit too much for any adult to watch and I have no idea what children thought of this bizarre exercise in slapstick comedy.
While disappointing (to say the least), there are at least two interesting things about this version. One is to see someone who is not Buster Keaton or Charlie Chaplin (but is in fact Larry Semon, one of their contemporaries) trying to imitate them in what was clearly designed to be a star vehicle for him. It makes the work of the other two men seem that much more remarkable when you watch some of their competition.
The most interesting thing about this production, though, is perhaps the fact that the MGM version was made only 14 short years later. The world moves very fast sometimes.
The most interesting thing about this production, though, is perhaps the fact that the MGM version was made only 14 short years later. The world moves very fast sometimes.
I'm probably gonna get bashed by all you other Oz fans out there for writing this review, but who cares! I grew up watching the 1939 version and didn't know about this one until about 16 months ago. About 3 months ago, I got the DVD, I sat down, watched it, and laughed my fool head off. Okay! Okay! It doesn't follow the version we're all "used to watching". Anybody ever heard of a little variety? Well here it is.
There are a few downsides though. First off, there's no Toto, no "I don't think we're in Kansas anymore" line, no good witch/bad witch. Secondly, the DVD version has TERRIBLE music. But Jacqueline Lovell certainly adds something with her narration. If they were to at least add even a piano score, or organ score even, it would have sounded much better.
Otherwise, altogether, this version of the classic tale by L. Frank Baum is good. Drawn out very much at times, but NOT THAT BAD!!! See it at least once, but don't expect anything, because if you do, you're gonna ruin it for yourself. Also it's in heavy need of restoration, any takers?? Please! For the good of Oz?!
There are a few downsides though. First off, there's no Toto, no "I don't think we're in Kansas anymore" line, no good witch/bad witch. Secondly, the DVD version has TERRIBLE music. But Jacqueline Lovell certainly adds something with her narration. If they were to at least add even a piano score, or organ score even, it would have sounded much better.
Otherwise, altogether, this version of the classic tale by L. Frank Baum is good. Drawn out very much at times, but NOT THAT BAD!!! See it at least once, but don't expect anything, because if you do, you're gonna ruin it for yourself. Also it's in heavy need of restoration, any takers?? Please! For the good of Oz?!
¿Sabías que...?
- CuriosidadesMany theatres that booked the film never received it because its production caused Chadwick Pictures to go bankrupt, and distribution ceased long before it was intended to.
- PifiasThe plane that brings Kruel's emissaries from Oz to Kansas is a triplane in midair but a biplane when it lands.
- Citas
Prime Minister Kruel: Do your stuff, Wizzy!
- Versiones alternativas2005 DVD release on Warner Brothers (as a bonus feature with the 1939 version) alternates between sepia tone-colored images and blue-tinted images.
- ConexionesFeatured in Wiz on Down the Road (1978)
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Detalles
- Duración1 hora 35 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
By what name was Tomasín en el reino de Oz (1925) officially released in India in English?
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