The New York Hat

This competent Biograph short is probably best-known for being the screen writing debut of the acclaimed Anita Loos. It's also incredibly well acted and directed with confidence by DW Griffith.

As well as being her last, this is perhaps the best performance by Mary Pickford in a Biograph short. You can see why she would later soar to superstardom by playing young girls. Here, at twenty, she plays what we would assume is a girl in her mid-teens, and looks more convincingly that age than when she first worked for Griffith at sixteen. She had a real gift for portraying innocence. Griffith makes the most of her abilities and moves the camera in close on her face at key moments.

It's also nice to see Lionel Barrymore in a lead role. Although he was an established stage actor, on the screen he really had yet to prove himself in anything other than a series of somewhat silly character parts. In the New York Hat however he shows himself to be a fine screen player, playing the preacher with subtlety and dignity. He too gets the full benefit of Griffith's camera.

You get the feeling that by now Griffith could do this sort of drama standing on his head. The easy movement between standard three-quarter shot and mid-shot is by now totally natural. But really, this is Pickford, Barrymore and, of course Loos' show, and for the most part Griffith just sits back and lets them get on with it.

Loos has written a strong story, although in many ways this is very typical Biograph fare, so I assume she was deliberately trying to write something in the Biograph style. Still it makes for an entertaining little film, and fortunately it was highly regarded enough to have been given two superb and well-cast leads.

Excellent early film, expertly featuring "legendary" director D.W. Griffith and "legendary' actress Mary Pickford before they became "legendary". When Ms. Pickford's mother dies, she is despondent. Her mother (Kate Bruce) didn't have much, but managed to leave Pickford enough money to buy some "finery"; the money is bequeathed to the local Pastor (Lionel Barrymore).

When Pickford admires "The New York Hat" in a downtown shop window, Minister Barrymore decides to buy it for her -- which ignites gossipers; they link Mary and the Minister in a "romantic" scandal.

Watch Pickford act before, with, and after "The New York Hat". Her performance is great; she plays her part as a young woman, not a little girl, simply and effectively. Her emotions are extraordinarily well-conveyed, for G.W. Bitzer's camera, under Griffith's direction.

A charmer.

********* The New York Hat (12/5/12) D.W. Griffith ~ Mary Pickford, Lionel Barrymore, Charles Hill Mailes, Kate Bruce

This short melodrama has a somewhat offbeat story that works pretty well thanks to its efficient characterizations and its observations on human nature. And not the least of its merits is the chance to see Mary Pickford in one of her earlier roles, as the young woman at the center of the story, who longs for "The New York Hat". The story begins with Mary's dying mother leaving an unusual request with her pastor, and then goes on to show how the situation affects everyone involved. At first it doesn't seem like much to work with, but it is done efficiently, and Pickford is charming and sympathetic as always.

Whenever I watch films from the silent era I do sometimes struggle to focus on the film itself rather than be lost in the fact that I am seeing something that was filmed over 100 years ago and that everyone who made it is long dead – and indeed everyone who watched it on its release is almost certainly gone the same way by now too. It is always a sobering thought and I think seeing people on the screen makes it seem more amazing than, for example, seeing a painting created hundreds of years ago. Anyway, the downside of such thoughts are that if the film isn't particularly gripping then such things tend to take over my mind and it was this case with this simple film.

The plot sees a mother of a young girl pass away. She has a small amount of money to leave her daughter but does not trust her husband and so leaves it to a minister to make sure it is kept safe for her Mollie. Mollie is a simple girl but when she sees a beautiful hat in the local store all the way from New York, she really wants it despite not having the money. The minister sees this and decides to get it for her using a small amount of her mother's trust. It is a simple act but when the town gossips see a minister buying a hat for a young girl, well, tongues soon get to wagging.

It is a very simple tale which takes longer to build to the crux than it does to resolve and as such it is not really the most engaging. The thing that holds the attention though is that the cast do a very good job of delivering the material silently (obviously). I was expecting the occasional title card to show their words here and there, but the only titles are setting the scene rather than specifics. Pickford and Barrymore are both expressive and (mostly) do not overact too much to compensate for the silence, but actually do well with character with just their faces – particularly Pickford. The supporting cast are fine although I did enjoy the stern faced old biddies enjoying their scandal.

The New York Hat is now more a historical curio rather than a great film to be enjoyed on its own terms. The director and the main cast are the main headlines and, outside of this, the story really isn't enough to hold a modern viewer.

I viewed this short film in my film class and I was quite impressed with it considering it's age. It is easy to understand the story although there is no voices but it's still well defined by the music. And the characters are well defined as well.