La agencia mundial de espionaje Citadel ha caído y la memoria de sus agentes ha sido borrada. Ahora, el poderoso sindicato Manticore se alza en el vacío. ¿Podrán los agentes de Citadel recor... Leer todoLa agencia mundial de espionaje Citadel ha caído y la memoria de sus agentes ha sido borrada. Ahora, el poderoso sindicato Manticore se alza en el vacío. ¿Podrán los agentes de Citadel recordar su pasado y reunir fuerzas para contraatacar?La agencia mundial de espionaje Citadel ha caído y la memoria de sus agentes ha sido borrada. Ahora, el poderoso sindicato Manticore se alza en el vacío. ¿Podrán los agentes de Citadel recordar su pasado y reunir fuerzas para contraatacar?
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- 1 premio y 5 nominaciones en total
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Resumen
Reviewers say 'Citadel' is a spy thriller receiving mixed feedback. Praise is given to Richard Madden, Priyanka Chopra Jonas, Stanley Tucci, and Lesley Manville for their performances. Action sequences and high production values are highlighted. However, criticisms include convoluted plots, clichéd tropes, and underdeveloped characters. Some find the dialogue uninspired and the pacing uneven. Despite these issues, the show is seen as entertaining and addictive, with potential for improvement in future seasons.
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I actually thought Citadel was pretty good. I've been looking forward to this ever since I first heard about it and then my expectations grew even more after watching the trailers. Well, I can tell you that without a doubt this show has not only met those expectations but surpassed them in every way. Besides looking great it has A-list stars attached both in front and behind the camera. It's made by the Russo Brothers (Avengers, Captain America: Civil War and Winter Soldier, The Gray Man, etc.) and stars Richard Madden (Game of Thrones, Bodyguard) and Priyanka Chopra Jonas (Baywatch, Quantico). It's a fun series from start to finish. It will grab your attention from the very first episode and bring you into their world. The visuals are beautiful and the story is fast paced. I'm glad to see this series was already renewed because I'm excited see where this show goes.
From the beginning of the show, it is clear what they were trying to do with the whole story, the concept of the Citadel universe as a whole is great, but it is indeed badly executed. If only they worked on the execution more; as in story telling, how the series of events would run after one another, noticed that there's a lot of flashbacks at wrong points throughout the episodes, and sometimes even too many flashbacks back to back, forgetting sometimes that the series is also taking place in real time. The whole high tech part of the series is also amazing what they tried to accomplish but their ambition was their undoing. This series is capable of being top notch, but the story telling needs refining, while watching you'd feel that the episode is out of place or out of sync with the story, you'd feel that it's missing something. Again more work is needed on execution.
Mason Kane (Richard Madden) was once one of the top agents for an independent global spy agency called Citadel that operated outside the controls of any government with its mission being to protect humanity from global threats. During a mission alongside Citadel's other top agent Nadia Sinh (Priyanka Chopra Jonas), the mission turned out to be a trap by insidious organization Manticore which lead to Citadel's collapse and Mason losing his memories believing himself to be an alias Kyle Conroy. 8 years later, Mason/Kyle is now married to Abby (Ashleigh Cummings) with a daughter Hendrix (Caoilinn Springall) with still no memory of his life beyond these 8 years save for flashes in dreams. When Mason/Kyle attempts another DNA test, this brings him to the attention of Bernard Orlick (Stanley Tucci), his former tech support specialist in Citadel who tells him that Manticore are preparing something major and he needs to use his dormant skillset to stop it.
Citdael is the long awaited collaboration between Amazon Studios and producers Joe and Anthony Russo that has spent five years in development with the intention being to create a globe spanning spy franchise consisting of a mothership series along with several planned local language spin-offs with an Indian and Italian series both confirmed at this point with several others in various stages of development. Totaling a six episode first season, Citadel is noted for being one of the most expensive series ever produced with an estimated $300 million production budget that's largely credited with reshoots that were undertaken when the original showrunners were replaced with David Weil. With the first two episodes now available, Citadel certainly has scope and production value to spare, but it's all in service of a very safe and very generic spy thriller that feels like a remix of the "greatest hits" of the past 20 years' worth of spy movies.
It's honestly pretty hard to discuss much regarding Citadel because the first two episodes have basically been very standard scenes of exposition, macguffin chases, and fight scenes with very little that actually gives Citadel much of an identity of its own. While I did like Stanley Tucci giving some personality to his tech expert character Bernard Orlick by adding some punch to his lines, most of the cast aren't really given all that much to work with and as a result Richard Madden and Priyanka Chopra Jonas just feel like placeholders in roles that could've been played by anyone and it'd hardly make a difference who you chose to play them.
Citadel just feels like time filler, albeit handsomely produced and competently made time filler. It's amazing how you have a series that not only has this level of financial backing but is coming from major producing powers and there's just nothing all that much to talk about in what's supposed to be a major hook to get viewers.
Citdael is the long awaited collaboration between Amazon Studios and producers Joe and Anthony Russo that has spent five years in development with the intention being to create a globe spanning spy franchise consisting of a mothership series along with several planned local language spin-offs with an Indian and Italian series both confirmed at this point with several others in various stages of development. Totaling a six episode first season, Citadel is noted for being one of the most expensive series ever produced with an estimated $300 million production budget that's largely credited with reshoots that were undertaken when the original showrunners were replaced with David Weil. With the first two episodes now available, Citadel certainly has scope and production value to spare, but it's all in service of a very safe and very generic spy thriller that feels like a remix of the "greatest hits" of the past 20 years' worth of spy movies.
It's honestly pretty hard to discuss much regarding Citadel because the first two episodes have basically been very standard scenes of exposition, macguffin chases, and fight scenes with very little that actually gives Citadel much of an identity of its own. While I did like Stanley Tucci giving some personality to his tech expert character Bernard Orlick by adding some punch to his lines, most of the cast aren't really given all that much to work with and as a result Richard Madden and Priyanka Chopra Jonas just feel like placeholders in roles that could've been played by anyone and it'd hardly make a difference who you chose to play them.
Citadel just feels like time filler, albeit handsomely produced and competently made time filler. It's amazing how you have a series that not only has this level of financial backing but is coming from major producing powers and there's just nothing all that much to talk about in what's supposed to be a major hook to get viewers.
It doesn't get much more cookie cutter and mediocre than this.
You can tell from the dialogue in the very first scene, what kind of show is going to be. The two main characters for no reason talks to each other in five different languages in a single conversation, to tell the audience how great they are as spies. The handler tells the agent on the mission to remember that the target has nuclear material in his briefcase, because I'm sure she forgot... The entire first episode continues in the same vein, where characters explain things to the audience by telling each other things they already know, and it's the laziest kind of writing.
Throw some amnesia in there, some top agents who's fighting is laughable and who like to throw quips around instead of carrying out their mission and you've got a show that nobody is going to remember in 10 minutes.
You can tell from the dialogue in the very first scene, what kind of show is going to be. The two main characters for no reason talks to each other in five different languages in a single conversation, to tell the audience how great they are as spies. The handler tells the agent on the mission to remember that the target has nuclear material in his briefcase, because I'm sure she forgot... The entire first episode continues in the same vein, where characters explain things to the audience by telling each other things they already know, and it's the laziest kind of writing.
Throw some amnesia in there, some top agents who's fighting is laughable and who like to throw quips around instead of carrying out their mission and you've got a show that nobody is going to remember in 10 minutes.
For now, just a big parade of shallow clichés.
Maybe it's an attempt to bring a teenage audience closer to spy genre. The intended audience would then justify the insubstantial plot, the characters' constant explanations of what's going on, the TikTok editing, and an almost cynical lack of engagement with the real world. By the way, do these plots involving nuclear artifacts still make sense? Why don't screenwriters experiment with contexts closer to the experiences of the new generations, such as pesticides, industrial secrets in medicine and food, disputes over geolocation data, etc.? Why not explicitly place industries and their business interests at the center of the story rather than these government agencies with their political overtones?
Boring.
Maybe it's an attempt to bring a teenage audience closer to spy genre. The intended audience would then justify the insubstantial plot, the characters' constant explanations of what's going on, the TikTok editing, and an almost cynical lack of engagement with the real world. By the way, do these plots involving nuclear artifacts still make sense? Why don't screenwriters experiment with contexts closer to the experiences of the new generations, such as pesticides, industrial secrets in medicine and food, disputes over geolocation data, etc.? Why not explicitly place industries and their business interests at the center of the story rather than these government agencies with their political overtones?
Boring.
Living the Spy Life With Priyanka and Richard
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