Añade un argumento en tu idiomaFollowing the death of her husband, the grieving proprietor of a small hotel finds her life turned further upside down after the arrival of a mysterious guest who won't leave.Following the death of her husband, the grieving proprietor of a small hotel finds her life turned further upside down after the arrival of a mysterious guest who won't leave.Following the death of her husband, the grieving proprietor of a small hotel finds her life turned further upside down after the arrival of a mysterious guest who won't leave.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios en total
Amelie Leroy
- Demon
- (voz)
Luke Richards
- The Unnamed
- (voz)
- …
Reseñas destacadas
Saw this on the recommendation of a friend who loves her unknown little horror gems. It's very clearly on a budget (having checked that budget before I wrote this) but what they do with that budget is very commendable. The past few years have seen an increase in the genre of folk horror (i.e Robert Eggars) - that idea of solitary, isolated locations, normally wrapped up in some cultish goings on that can allow the darkness to really settle in and make you feel unsettled as an audience, it's something that The Stranger utilises very well and for an independent film, dare I say, it does the job swimmingly.
Performances across the board (from what appears to be a relatively unknown cast) create a strong sense of realism in their fear of the ever building sense of dread that is the evil perpetrators outside, trying to get into the house/cottage as they have some masochistic fun with it's occupier's from the external. They sell the fear and urgency from the opening scene and you go along with them on the ride, hoping they may make it through.
Mr Clarke and Gerrard seem to have a very grounded feel for creating the supernatural here and it never falls off the proverbial cliff into cliche or 'oh, here we go again' territory. They utilise some very clear choices from the plot devices to the Dutch angles (who doesn't love a Dutch angle??) and know how to keep the pace just right. They do both their budget and cast/crew an absolute herculean service and I feel that, with some more money in the bank, they could really make a splash into the mainstream and independent movie sphere, if this movie is anything to look up to as a guide to where they can go.
Like I said, it is on a budget with relative unknowns across the crew, but when you hold this up to a few questionable horror movies of the last few years ( not at all looking in your direction.... Pooh: Blood and Honey) it's actually a taut, nerve inducing little horror that plays to its strengths and knows the lay of the land it's traveling.
My only quibble really (and that is judging the film on its own merits) is that the 2nd act did feel like there was something left on the cutting room floor, as if 15 minutes of footage had been shaved off to save on run time, it just jumps very quickly from one set of building stakes to 'oh, we are here now then'. With that said, having seen some of the negative reviews on here I would say give it your own verdict before you read their reviews - some people appear to just want to write negative reviews for the sake of being negative.
So, for an independent little British horror, I would give it a solid 8/10 - think Eden Lake, only less rude boy youths and more Jason Voorhees (only, it's better than all the Friday the 13th's - he went to space right??)
Performances across the board (from what appears to be a relatively unknown cast) create a strong sense of realism in their fear of the ever building sense of dread that is the evil perpetrators outside, trying to get into the house/cottage as they have some masochistic fun with it's occupier's from the external. They sell the fear and urgency from the opening scene and you go along with them on the ride, hoping they may make it through.
Mr Clarke and Gerrard seem to have a very grounded feel for creating the supernatural here and it never falls off the proverbial cliff into cliche or 'oh, here we go again' territory. They utilise some very clear choices from the plot devices to the Dutch angles (who doesn't love a Dutch angle??) and know how to keep the pace just right. They do both their budget and cast/crew an absolute herculean service and I feel that, with some more money in the bank, they could really make a splash into the mainstream and independent movie sphere, if this movie is anything to look up to as a guide to where they can go.
Like I said, it is on a budget with relative unknowns across the crew, but when you hold this up to a few questionable horror movies of the last few years ( not at all looking in your direction.... Pooh: Blood and Honey) it's actually a taut, nerve inducing little horror that plays to its strengths and knows the lay of the land it's traveling.
My only quibble really (and that is judging the film on its own merits) is that the 2nd act did feel like there was something left on the cutting room floor, as if 15 minutes of footage had been shaved off to save on run time, it just jumps very quickly from one set of building stakes to 'oh, we are here now then'. With that said, having seen some of the negative reviews on here I would say give it your own verdict before you read their reviews - some people appear to just want to write negative reviews for the sake of being negative.
So, for an independent little British horror, I would give it a solid 8/10 - think Eden Lake, only less rude boy youths and more Jason Voorhees (only, it's better than all the Friday the 13th's - he went to space right??)
I was initially lured to watching the 2022 horror movie "The Stranger" given the movie's somewhat interesting cover. I had never heard about this movie prior to watching it, so I didn't know what I was in for, so writers and directors Mike Clarke and Paul Gerrard had every opportunity to bedazzle and impress me.
The storyline in "The Stranger", as written by Mike Clarke and Paul Gerrard, started out okay, but about halfway through the 79 minutes, the movie started to lose its momentum and sort of went into a standstill of sorts. Sure, "The Stranger" was watchable, but it was hardly an outstanding, memorable or particularly scary horror experience.
I wasn't familiar with the cast ensemble in "The Stranger", but the actors and actresses put on fairly adequate performances, given the scope of the contents of script and storyline. It is a relatively small cast ensemble, with the majority of the movie just revolving around Damien Ashley (playing Kyle), Jennifer K. Preston (playing Amanda) and Isabella Percival (playing Karli).
Visually then "The Stranger" is a low-key movie. There wasn't much of any special effects being used throughout the course of the 79 minutes that the movie ran for. Not that the movie really needed special effects, as it wasn't such a movie.
Watchable for what it was, "The Stranger" came and went without leaving a lasting impression on me. The best thing about "The Stranger", actually, was the cover. "The Stranger" offers nothing that haven't already been done or seen in many other home-invasion movies before it. And it was sort of anti-climatic that you never get to know what those darkened human-like creatures actually were.
My rating of "The Stranger" from writers and directors Mike Clarke and Paul Gerrard lands on a four out of ten stars.
The storyline in "The Stranger", as written by Mike Clarke and Paul Gerrard, started out okay, but about halfway through the 79 minutes, the movie started to lose its momentum and sort of went into a standstill of sorts. Sure, "The Stranger" was watchable, but it was hardly an outstanding, memorable or particularly scary horror experience.
I wasn't familiar with the cast ensemble in "The Stranger", but the actors and actresses put on fairly adequate performances, given the scope of the contents of script and storyline. It is a relatively small cast ensemble, with the majority of the movie just revolving around Damien Ashley (playing Kyle), Jennifer K. Preston (playing Amanda) and Isabella Percival (playing Karli).
Visually then "The Stranger" is a low-key movie. There wasn't much of any special effects being used throughout the course of the 79 minutes that the movie ran for. Not that the movie really needed special effects, as it wasn't such a movie.
Watchable for what it was, "The Stranger" came and went without leaving a lasting impression on me. The best thing about "The Stranger", actually, was the cover. "The Stranger" offers nothing that haven't already been done or seen in many other home-invasion movies before it. And it was sort of anti-climatic that you never get to know what those darkened human-like creatures actually were.
My rating of "The Stranger" from writers and directors Mike Clarke and Paul Gerrard lands on a four out of ten stars.
This seems to be a concept movie from a new studio/director. And so must be taken with a pinch of salt, it's not a 10 by a some way, but not a 1 either.
Story - there isn't one. The opening scene draws you in thinking oh what's happened, seems daft but let's see. But by the end I'm still scratching my head on what the story was. It has the old classic family member dies, let's move to a remote country house with no neighbours.
Acting - on the whole is mediocre, but the script can be blamed for that. Some really awful conversations between mother and daughter including one near the beginning. Mother asks daughter to look out for signs as she is driving. They are on a single track driveway to the property, your not going to be looking out for signs. This is just one example of a number of poorly written exchanges. But there are points where it improves sligtly.
Music - usuall suspense horror music, with the annoying tones when something is about to happen. But acceptable.
Overall - I'm not going to watch this one again, it's longer than it needs to be but there is some good concepts. Probably should be lower in my ratings but suggest giving it a go anyway.
Story - there isn't one. The opening scene draws you in thinking oh what's happened, seems daft but let's see. But by the end I'm still scratching my head on what the story was. It has the old classic family member dies, let's move to a remote country house with no neighbours.
Acting - on the whole is mediocre, but the script can be blamed for that. Some really awful conversations between mother and daughter including one near the beginning. Mother asks daughter to look out for signs as she is driving. They are on a single track driveway to the property, your not going to be looking out for signs. This is just one example of a number of poorly written exchanges. But there are points where it improves sligtly.
Music - usuall suspense horror music, with the annoying tones when something is about to happen. But acceptable.
Overall - I'm not going to watch this one again, it's longer than it needs to be but there is some good concepts. Probably should be lower in my ratings but suggest giving it a go anyway.
That genre being - tiny budget, single location, handful of actors - horror.
Think Hellraiser and A Dark Song and X, on a shoestring.
It's a first time full feature - though Mike and Paul have been around awhile.
And if you take that into account the flaws can be excused.
The acting, it's not quite there, but it's generally prett good. A little more experience, whether from them, or the directors, or the script, and you can see it could have been great.
Effects, not much obvious, the few clear examples are more about turning the concepts into costume/makeup - and that was well done.
Originally titled Karli, the name change was a good idea, until another film came out with the same name last year!
Nicely leaves things open for a prequel and sequel(s).
The Hunters are coming...
Full disclosure, I've known one of the directors for a number of years.
Think Hellraiser and A Dark Song and X, on a shoestring.
It's a first time full feature - though Mike and Paul have been around awhile.
And if you take that into account the flaws can be excused.
The acting, it's not quite there, but it's generally prett good. A little more experience, whether from them, or the directors, or the script, and you can see it could have been great.
Effects, not much obvious, the few clear examples are more about turning the concepts into costume/makeup - and that was well done.
Originally titled Karli, the name change was a good idea, until another film came out with the same name last year!
Nicely leaves things open for a prequel and sequel(s).
The Hunters are coming...
Full disclosure, I've known one of the directors for a number of years.
The concept could have been a lot more interesting if we got more details about what's going on. Like who are the mysterious things chasing the man? I wish he would have developed theories or learned little details, and ideas about them as he was on the run. We don't learn much about them, just that they develop an interest in people and hunt them down. We have no idea why either.
Like it wasn't a terrible film, but it also didn't leave much of an impression on me either. I'll probably forget I watched it. The acting was very average, nothing special, but the dialogue was really awkward in places.
Like it wasn't a terrible film, but it also didn't leave much of an impression on me either. I'll probably forget I watched it. The acting was very average, nothing special, but the dialogue was really awkward in places.
¿Sabías que...?
- CuriosidadesHad the working title 'The Sanctuary', which was changed due to other movies having the same title.
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- How long is The Stranger?Con tecnología de Alexa
Detalles
- Duración
- 1h 19min(79 min)
- Color
- Relación de aspecto
- 2.35 : 1
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