Destino final: Lazos de sangre

Loved the movie.. and from what I noticed in the movie theatre and from my friends. Everyone enjoyed it! I personally enjoyed the overall story.. The opening scene in the tower is amazing really. Showed the story back in the old days and after many years in our time how death (a person) follows everyone.

I liked it.. Especially how the story carries on.. as a family curse plot. Some people find Final Destination movies repetitive.. true. I guess hardcore fans might expect/anticipate every single shot because it follows the same path as the old movies. But this one is very enjoyable.

Really keeps you at the edge of your seat. Most accidents were amusing to be honest. Especially the one in the MRI machine. Very creative.

There's a scene around the middle of the film Final Destination: Bloodlines where William John Bludworth, the character played by Tony Todd throughout the series says "I intend to enjoy the time I have left, and I suggest you do the same. Life is precious. Enjoy every single second. You never know when... Good luck."

It such a wistful moment because this was Tony Todd's last film and was extra impactful because it almost looked as if Tony broke the fourth wall and spoke directly to the audience. It was an extremely poignant moment, especially since Todd appeared to be in such ill health.

We all know the general premise by now - cheating death just delays the inevitable.

When a woman named Iris saves hundreds of people from death in a space needle like structure that's about to collapse what happens is that they eventually die but it takes decades instead of days and Grandma Iris's family is now on the chopping block. Her granddaughter Stephanie has been having these insane nightmares about her grandmother's death in the tower and when she goes to see her, Iris tells her that you can cheat death, but you can't escape it.

And well, you can't.

This sixth installment in the final destination series ranks up there with the logging incident in the second installment. The opening scene of carnage is nothing short of amazing and superbly well-crafted and choreographed and funny and, thankfully, the perpetrator who caused all the damage was immediately rectified. 71-year-old stuntwoman Yvette Ferguson came out of retirement for a fire stunt in the premonition scene, which some believe to be a world record for the oldest person set on fire on camera.

Let's face it, at its core, the final destination movies are Rube Goldbergesque slasher films, but this one really had the best sense of humor of all the films in the series. Whereas the first few movies had scenes in which you would laugh out of relief this movie has scenes that genuinely make you laugh out loud, not from relief, but because the sense of humor evinced by the writers and directors is just so spot on.

Does it break new ground? Other than the laughs it provides, probably not, but it is still a highly entertaining film.

I am going to give this an extra half star "In Memory of Tony Todd."

WATCH IT

4/5.

Not bad at all. It makes the most logically-connected sense out of all the FD series. But... Realism? Way less now. Personally, it's still between "mid" to the "quite good" level. The FD series have always stood out in the category of horror. This movie still has some questionable scenes that leaves me with slight curiosity on how some of the occurences could be avoided, but it didn't disappoint me. The casting is wonderful and so is the acting. Plus, this one's highly supernatural and not as gory as the others in terms of screen time. A lot relies on the sound/music, and angles. I watched it in Premiere so I got the benefit of the sound system's work. The special effects and lighting quality made every scene look realistic in portrayal. What impressed me is that this is one of those moderate-comeback horror thrillers that's categorized as supernatural but isn't involving a visible entity or character. These kinds of movies stand out to me. And I'm overall impressed by the tense moments FD is able to exhibit. Also, this is my first review on IMDb!

It's wild to say this, but after five movies and more than two decades, Final Destination somehow still has life left in it. Or rather, death. And this time, it hits a little closer to home. Bloodlines isn't just about unlucky strangers cheating fate anymore but it's about family. And with that shift, the stakes suddenly feel heavier, the emotions more raw. Because when death comes for the blood, it's not just fear you feel. It's grief. It's guilt. It's love. And maybe that's why this entry stands out, for better or worse.

Let's start with the concept. Family has never been the center of this franchise. We've seen classmates, co-workers, and acquaintances on the run from death, but this time, we're watching people who genuinely care for each other fall into that cycle. That makes a huge difference. It hurts more. It hits deeper. And yeah, it makes us wonder, if it were your family, how far would you go to stop the inevitable?

Also, credit where it's due. The film tries something new with the opening accident. No highways, no planes, no race tracks or suspension bridges. This time, it all kicks off in a high-rise restaurant. That shift alone already breathes new life into the formula. It's unexpected. It's acrophobic. It's oddly elegant and terrifying at the same time. But don't get too excited, if you were hoping for the long-awaited ship or water-related disaster (like many of us were), this ain't it.

Now, let's talk about the gore. We know why you're here. And yes, the deaths are brutal. Bloody. Wild. There were moments we flinched, moments we squirmed, moments we covered our eyes and peeked through our fingers. But as great as some of those sequences were, they don't quite reach the unforgettable horror of FD 2 or 3. Why? Because it uses too much CGI. The deaths feel animated and not in a good way. There's something about practical effects that stick with you, that disturb you long after the credits roll. Bloodlines often trades that realism for spectacle, and in doing so, it loses a bit of its bite.

The suspense is honestly a hit or miss. Part of what made Final Destination so scary was how simple the deaths were. The log truck that caused generational trauma, the tanning bed that was caused by dripping water, the escalator that was merely simple but very traumatizing, the lasik eye surgery that could happen basically to anyone. They made you fear your own bathroom. But here, some of the deaths feel too 'engineered'. Like fate had to go through a hundred different steps and a sprinkle of miracles just to make them happen. That makes it less scary, less grounded. It becomes a "movie death," not a "this could happen to me" death.

And that brings us to tone. This one's tricky. Bloodlines has this weird, goofy energy that feels like it wandered in from another genre. While we have cloudy sombre mood in Final Destination 2 or gothic rock look in Final Destination 3, this one felt goofy overall. It's still horror, yes, but it sometimes flirts a little too hard with comedy and not in the smart, dark humor way. Some of the jokes land, but a few feel way out of place. Like they belong in a Nickelodeon teen movie, not a franchise built on dread and doom. It felt comical and fantasy-like. You can definitely feel the directors' Disney Channel DNA in there especially in how some of the dialogue is written and delivered (Remember, they directed the live-action Kim Possible Movie fore real). A few lines honestly made us laugh, not because they were funny, but because they felt awkwardly placed or just plain corny.

But even with the tonal whiplash, the movie does do a few things really well. The balance between drama and horror is actually quite solid in some scenes. There are moments where you do care about the characters, their grief, their confusion, their desperation. There's one particular scene involving a sibling that really tugged at the heart. And those are the moments where Bloodlines reminds us what this franchise can be when it isn't trying to be too clever or too loud.

There are also some nice throwbacks for longtime fans but it's blink-and-you'll-miss-it easter eggs like a passing log truck, a familiar hospital name (Clear River, anyone?), and references to past characters or deaths. It's fan service, sure, but in a sweet, subtle way. Not overbearing. Just enough to make you smile but in fear.

Unfortunately, the pacing could've been tighter. The first half is a slow burn, and if you came in expecting death after death like Final Destination 2 or 4, you might be let down. This feels more like the first film. The story drives the engine, and the deaths are pit stops along the way. The final climax was mid. It doesn't really feel like that was supposed to be the climax of the movie. They could have explored more on how they could have impacted the story or the deaths more but what we got was a mid climax that felt boring and meh. It just doesn't build up to that edge-of-your-seat tension we were hoping for. It fizzles, rather than explodes.

We need to be honest about the visuals. Some of the camera work, lighting choices and delivery of dialogues just feel... off. Almost like you're watching an 18+ TV show rather than a polished horror film. At times it looks cheap, which is disappointing because this series deserves to feel cinematic. The horror deserves weight. Gravity. Darkness. Instead, it occasionally feels like a high-budget student film with B to C-list actors.

Still, despite all of that, we can't lie. We had fun. It gave us chills. It made us look over our shoulder. And more than anything, it reminded us that the Final Destination series still knows how to make death feel terrifyingly inevitable.

Verdict: After five films and a long break, Final Destination: Bloodlines doesn't just bring the franchise back - it rewires it. It's flawed, yes. The CGI bleeds into the kills too much. The goofy tone doesn't always match the stakes. But it hits deep. This isn't just about death anymore. It's about love, guilt, and what it means to lose someone you'd die for. Sure, some deaths feel too engineered, and yes, the tone sometimes slips into Nickelodeon-territory, but there's a real beating heart underneath the chaos. The CGI may cheapen the gore, but it still made us squirm, look away, and nervously laugh all in the same breath. It's not the scariest entry but it might be the most 'human'. And for a series known for senseless carnage, that's a wild achievement.

Final Destination: Bloodlines is a great time. It does the smart thing and goes for a more comedic approach than earlier entries in the series.

Bloodlines contains possibly the best opening of the franchise and the first 20 minutes are a treat. The effects, while not amazing, do the job and are particularly gory even for this series.

The movie works well bringing a new twist on the Final Destination formula and the family are all likable enough in their own ways.

It would be remiss of me not to mention a standout in Richard Harmon. I spend a good portion of his time on screen trying to calculate if Tom Green could have fathered him as he is his dead ringer in this (amazingly both canadian as well). It was obvious they were going for a Tom Green type of character.

Tony Todd shows up for the last time as the mortician and it's a great emotional and poetic send off for him as well as giving his character an interesting backstory.

The movie has some nice little easter eggs for fans of the series with some call backs to previous entries as well as harking back to some of the premonitions.

The Final Destination franchise has always been interesting to me but never quite delivered a quality movie. This is perhaps the closest it has came to that by just being a good time and not getting bogged down in the lore.