Malum

*NON SPOILER*

First of all, although both films shadowed eachother (as Malum is a remake), especially on the randomness front, back in 2014 when we were introduced to the Last Shift it was totally original and a lot more atmospheric.

Both films masterfully play on intense minimal locations and a small cast to create an unsettling experience. In Last Shift, the protagonist, Officer Jessica Loren, is portrayed with nuance, and her descent into terror feels palpable and real. The film's pacing is tight, with each scare and revelation meticulously timed to keep viewers on edge. In contrast, Malum, which also has the same director Anthony DiBlasi, somehow loses the magic of the original. Despite having a bigger budget and better production values, Malum lacks the tight narrative and atmospheric dread that made Last Shift so effective.

In summary, while Malum has the technical polish that Last Shift lacked, it ultimately fails to deliver the same level of psychological horror and engaging storytelling. Last Shift remains a superior film, with its clever use of suspense and atmosphere making it a standout in the horror genre (and it was very original at the time), whereas Malum feels like a hollow imitation, focusing on superficial scares rather than true horror.

I want to preface this review with the fact that I had a good time with this movie. It was fun, scary and successful as a stand alone. Being a fan of its predecessor, Last Shift, inevitable parallels and comparisons will be made. While both had their own pros and cons, I think at the end of the day I personally liked Last Shift better. Two of my main criticisms with Last Shift was the backstory/elaboration on plot and the budget.

Right out the gate Malum does a great job at giving a little bit more background on the characters and their story, making it feel like a more well-rounded throughline with a cohesive and concise point. However, as quickly as it took up for the slack in the story, it added another element specifically regarding the main girl and her involvement that almost negated its prior clarity and was left open ended and me scratching my head. Now, with all that said, at its foundation this is still an entertaining, intriguing story regardless and they did a good job at really sticking to its original core.

As far as the budget goes, the picture quality was great in this and vastly improved from Last Shift. I think that ended up being a positive and a negative aspect because while Malum was "aesthetically superior", something about the grittiness of last shift with the picture quality and special effects almost made it a little bit more real, down to earth and therefore creepier. Something about Malum just wasn't quite as spooky as I wanted it to be and it definitely relied on jump scares. There were for sure some cool moments involving the breaking of appendages and gnarly movie make up, but even then, star-faced Hellraiser guy looked pretty silly... so it's a tossup.

As far as everything else goes, I thought it was generally successful. The scenery, props, lighting, makeup and effects were all very cool. The acting was decent across the board, if not a little mediocre. The main girl did a fine job, but was particularly successful in scenes of high intensity emotion. There was one stand out performance from a woman playing a prostitute that is to be of note.

I was really excited about this reimagining, and while it didn't hit exactly what I wanted it to be, it was still successful in its own right. I hope it gets the attention it deserves along with the director and Last Shift. Would recommend.

As a casual viewer of horror movies, it's quite concerning to see directors resorting to rehashing their own movies, especially when they were mediocre to begin with. Malum, a remake of Last Shift, is just another example of egotistical directors trying to salvage their past failures with bigger budgets. Last Shift had some potential. It's disappointing to see a director not learn from their mistakes and try to make up for it by throwing more money at the problem. The only thing that seems to have improved in Malum is the soundtrack and production value, but that doesn't make up for the lackluster storyline and characters. To be honest, Malum is just another generic horror movie with no real substance or creativity. The constant terror and violence get old quickly, and it's hard to invest in characters that are one-dimensional and uninteresting. It's a shame that there are no fresh ideas or surprises in this movie, and it's certainly not worth the time or money to watch.

...then the director must have had an awful lot of really competent help creating Last Shift, because that is a well done, well acted and well written horror film, while Malum is a schlocky gore fest with inane acting and dopey dialog.

Just watch the first 15 minutes of Malum and then switch over to Last Shift and watch the first 15 minutes of that. It is a travesty how badly Malum compares to Last Shift in the same scenes - the acting is abysmal, in particular the alleged actress in Malum compared to the believable actress in First Shift, and the dialog has been severely dumbed down in Malum - and the dialog in First Shift was simplistic enough.

Really, nothing about Malum is horrific, unless you count what it's done to the reputation of the director.

I'm still trying to wrap my brain around why "Last Shift" needed a "re-imagining"? As one of the truly great horror films of the last 10 years, I was actually looking forward to the writer/directors next film, and when I heard it was going to be a "re-imagining" of the movie, it raised several alarms. After watching the film, I can confidently say that the only reason this was done was to race swap the main character, and to me, this is one of the most offensive things anyone can do to an already established franchise.

Aside from some great acting by the Male cast members, and some great SFX and gore, this movie is less frightening, less dynamic and definitely less memorable than Last Shift. In fact, I watched this with my partner and in the end he said, "The person who made this should never be allowed to make another movie in their lives". Was this the reaction the creative team was going for, because I'm guaranteed he wouldn't have had the same reaction to Last Shift.

As it stands, I'm getting tired of these creative teams forcing diversity and race-swapping characters just to meet a quota. But I guess that precious ESG score to guarantee funding for projects is more important than creative integrity these days, isn't it?

Summary; Don't watch this movie and just watch Last Shift again. This re-imagining is worse in almost every possible way, and wont be remembered nearly as fondly as the film it claims it is.