Marianne & Leonard: palabras de amor
Una mirada en profundidad a la relación entre el músico Leonard Cohen y su musa noruega Marianne Ihlen.Una mirada en profundidad a la relación entre el músico Leonard Cohen y su musa noruega Marianne Ihlen.Una mirada en profundidad a la relación entre el músico Leonard Cohen y su musa noruega Marianne Ihlen.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 4 nominaciones en total
- Self
- (metraje de archivo)
- Self
- (metraje de archivo)
- Self
- (metraje de archivo)
- Self - Writer and Poet
- (as Richard Vick)
- Self
- (metraje de archivo)
- Self
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- Self
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Reseñas destacadas
This film is rich in material and covers many fascinating topics including Cohen's career. It's fascinating to learn of his life and work before becoming a legendary singer/songwriter. And events surrounding his first stage appearance are very surprising considering the great career that followed. In addition, the film is often blunt about Cohen's struggles with depression.
"Marianne & Leonard" is beautifully expressed in the first half with a very poetic flow. It is blessed with amazing footage especially of Hydra in the early 60s. The film also joins many recent films in its depiction of the hedonism of the 60s and 70s ("Echo in the Canyon", "Gordon Lightfoot: If You Could Read My Mind", "Rocketman", "Bohemian Rhapsody"). At first, the drug scene and open marriage are exposed for their fun indulgence but the serious and devastating consequences are made very clear in the second half.
Some editing might have improved in the film's second half which occasionally meanders. Also, while it genuinely expresses the consequences of the earlier indulgences (especially for how children were affected), there are insertions of inappropriate drunkalogues ("Man, we were SO stoned that night, ya just wouldn't BELIEVE it").
While much of the second half negates the beauty of the earlier half, it is saved by an emotional conclusion that is so deeply moving, it could make a stone weep - a perfect conclusion for film that is sometimes mixed but overall quite good. - dbamateurcritic
There were other women - many of them, sometimes more than one a day. Free Love, fueled by drugs - acid, uppers, downers - was just an excuse for promiscuity, but promiscuity was mandatory in the 1960s. And not without casualties: suicides and deaths from overdoses. Marianne had a son by her first husband, Axel, whom we see as a happy child on the island. Like other children of that era, he ended in an institution.
Cohen has given us some great songs, and his dark gravelly voice is one of the iconic sounds of the last sixty years, but Nick Broomfield's unflinching documentary paints a portrait of an egotistical, self-destructive man who took up women and dropped them as casually as a Kleenex.
Three months before he died and knowing death was coming, he sent a love-letter to Marianne who was in her final days. So maybe, the man had a heart. His songs seem to say so, but his life rather less so.
Couple of comments: this is the latest documentary from director Nick Broomfield, best known for his "Kurt & Courtney" documentary in the late 90s. Here he delves into the long relationship between Leonard Cohen and Marianne Ihlen, who became Leonard's lover and muse. As a life-long fan of Leonard Cohen, I knew of Marianne vaguely (of course through the song "So Long, Marianne") and knew of their relationship but really nothing more than that. So this documentary was quite revealing in many ways. I was amazed at all of the archive footage that was unearthed from the 60s and 70s that paint such a vivid picture of that era (including footage from Broomfield himself and from D.A. Pennebaker, among others). We hear from Marianne (mostly through Norwegian interviews) and Leonard themselves extensively, but others comment as well (check out Judy Collins and, even better, the extensive comments from Ron Cornelius, Cohen's band mate who sounds remarkably like Bill Clinton). Please note: this is NOT a bio-documentary of Leonard Cohen. Hence, while there are some music and performance clips, they are clearly secondary only. The focus of the film is the long and complicated relationship/friendship between Marianne and Leonard. The last 10 min. of the film are a true emotional gut punch (as we know all along that these two passed away just months apart in 2016).
"Marianne & Leonard: Words of Love" opened out of the blue this weekend at my local art-house theater here in Cincinnati, and I immediately just had to go see it. The Friday early evening screening where I saw this at was not attended well (exactly 5 people in total). I have no idea how an "average" viewer might watch this documentary, but as a life-long fan of Cohen, I thought this documentary was just lovely from start to finish. (I saw Cohen in concert only 1 time, at the 2009 Coachella music fest, and what an unforgettable set that was.) If you are a Leonard Cohen fan and always have been curious about that mysterious Marianne from "So Lone, Marianne", I'd readily suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
¿Sabías que...?
- CuriosidadesA lot of the footage of the couple was shot by D.A. Pennebaker who had also stayed on the island of Hydra.
- Citas
Self, also narrator and interviewer: It was the 60s, in the time of free love and open marriage, including Leonard and Marianne's. I was a rather lost 20 year old visiting the island of Hydra when Marianne befriended me. For a short while, I became one of her lovers. She encouraged me to follow my dreams and she played me Leonard's songs under the Greek moon and stars. Her smile and enthusiasm were one of a kind and I fell completely intoxicated by the beauty of their relationship.
- ConexionesEdited from Ladies and Gentlemen, Mr. Leonard Cohen (1965)
Selecciones populares
- How long is Marianne & Leonard: Words of Love?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Marianne & Leonard: Words of Love
- Localizaciones del rodaje
- Hydra, Grecia(island, main location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.012.034 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 44.942 US$
- 7 jul 2019
- Recaudación en todo el mundo
- 3.311.263 US$
- Duración1 hora 42 minutos
- Color
- Relación de aspecto
- 1.78 : 1