El sultán otomano Mehmed II emprende una campaña épica para tomar la capital bizantina de Constantinopla y da forma al curso de la historia durante siglos.El sultán otomano Mehmed II emprende una campaña épica para tomar la capital bizantina de Constantinopla y da forma al curso de la historia durante siglos.El sultán otomano Mehmed II emprende una campaña épica para tomar la capital bizantina de Constantinopla y da forma al curso de la historia durante siglos.
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- 1 premio y 11 nominaciones en total
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If you intend to shoot a docu-drama with some historians commenting on it, you need to base your story on the real facts.
This is not a docu-drama about Mehmet nor Ottomans; this is a story of the great defence strategist, mighty Guiliani.
If it's another legendary story; I could give it 8 (which I did because I respect the work done).
As a docu-drama I could only give 3 maybe.
A docu-drama should be researched well. This one was not. Where's the Orthodox Patriarch? Mehmet gave him the Ecumenical Power right after the conquest. This was the greatest wisdom of his time. And Mehmet was a great strategist, artist as well as an intellectual.
This story has very few accurate facts. That was disappointing.
This is not a docu-drama about Mehmet nor Ottomans; this is a story of the great defence strategist, mighty Guiliani.
If it's another legendary story; I could give it 8 (which I did because I respect the work done).
As a docu-drama I could only give 3 maybe.
A docu-drama should be researched well. This one was not. Where's the Orthodox Patriarch? Mehmet gave him the Ecumenical Power right after the conquest. This was the greatest wisdom of his time. And Mehmet was a great strategist, artist as well as an intellectual.
This story has very few accurate facts. That was disappointing.
As a a Greek, I could have been pre-emptively negative about this series.
However, I cannot ignore the fact that the producers did some serious research and consultation before they put pen to paper.
From the small conversations to the serious arguments, it appears that they have checked first with the historians.
There is good acting, good atmosphere, good costumes, decent battle scenes and loved the fact that the producers were careful with not allowing the documentary bit to take over.
The only three things that stopped me from giving it a 10/10 are that -) The utter obsession with Justinian to the point the whole series is about him and how heroic the Italians were. -) The obsession with portraying all Greeks as treacherous cowards (you couldn't help yourselves there :) -) Portraying the Turks as inferior and Mehmed a hotheaded and reckless
I strongly recommend and can't wait for the sequel (probably about Vienna)
There is good acting, good atmosphere, good costumes, decent battle scenes and loved the fact that the producers were careful with not allowing the documentary bit to take over.
The only three things that stopped me from giving it a 10/10 are that -) The utter obsession with Justinian to the point the whole series is about him and how heroic the Italians were. -) The obsession with portraying all Greeks as treacherous cowards (you couldn't help yourselves there :) -) Portraying the Turks as inferior and Mehmed a hotheaded and reckless
I strongly recommend and can't wait for the sequel (probably about Vienna)
This is a historical fiction docuseries, showing the Fall of Constantinople from a Turkish perspective. Historical fiction is by definition not fully historically accurate, because past events are placed on a narrative arc and dramatized in order to build a strong story. Accept this and you'll be a happier viewer.
The iron-willed Sultan Mehmed the Conqueror is beautifully played by Cem Yigit Uzümoglu, who's destined to become a global star after this memorable performance. Because of Cem's passionate portrayal of the young Ottoman ruler Mehmed II, I found myself rooting for him despite of the tragic fates of many soldiers, mercenaries and innocent civilians.
This series was produced and directed by a Turkish film team, and most actors are also Turkish. Critics who claim that the series is biased in favour of the Romans are clearly missing something. In this particular story the Romans are defending themselves against an attack, and many of the victims are civilians, so there's bound to be scenes where we sympathize with them. This is how good storytelling works, and it would have been a creative failure not to include that side of the story.
'Rise of Empires: Ottoman' is a powerful, visually impressive and absolutely bingeworthy series that will linger in my mind for a very long time.
The iron-willed Sultan Mehmed the Conqueror is beautifully played by Cem Yigit Uzümoglu, who's destined to become a global star after this memorable performance. Because of Cem's passionate portrayal of the young Ottoman ruler Mehmed II, I found myself rooting for him despite of the tragic fates of many soldiers, mercenaries and innocent civilians.
This series was produced and directed by a Turkish film team, and most actors are also Turkish. Critics who claim that the series is biased in favour of the Romans are clearly missing something. In this particular story the Romans are defending themselves against an attack, and many of the victims are civilians, so there's bound to be scenes where we sympathize with them. This is how good storytelling works, and it would have been a creative failure not to include that side of the story.
'Rise of Empires: Ottoman' is a powerful, visually impressive and absolutely bingeworthy series that will linger in my mind for a very long time.
I found this mix of drama and documentary highly entertaining, visually impressive, and educational. I've read a few books about the siege of Constantinople, and always thought "what a great story, why doesn't anyone make a movie out of it?". When I found out that this was a Turkish production, I was afraid it'd be based as they are too close to the subject to be objective, but the basics of the story are accurately displayed. Yes, they puffed up Giustiniani and added a couple of female characters while other protagonists are missing. They simplified a lot of stuff and didn't go in depth into what preceded the siege and the motivations of the characters. But most of what made the cut is historically accurate, always allowing for the conflicting accounts and various viewpoints. Choices were obviously made on basis of which made better dramaturgical sense and which were more realistic, not in order to glorify this or that side. Some Turkish reviewers insist that "this isn't how it happened" (meaning "not what was I taught at school") and even believe that sultan Mehmet actually designed his cannons himself. Now maybe that's reported by one of his biographers but how possible is it that a 20-year old prince with no knowledge of metallurgy designed the most advanced weapons of his time? Anyway, I found that the producers used the source material well and come out with a gripping docu-drama that generally respected historical truth. If you want more nuances, read some books! I'm already looking forward to the next series.
I'm not sure what exactly the future of this series is - will the next seasons be about Ottomans, other empires, or will there not even be more seasons? Regardless, this first season could more aptly have been named the Siege of Constantinople, as it is almost all about that famed siege. Good thing too, because 6 episodes seems to be the perfect length for depicting the siege in full. And the series is very well paced, although some of the flashback scenes feel a bit too long.
The siege itself is exceptionally well depicted. The budget was either very high, or very well used, because the quality of the CGI, the sets, and the costumes is simply superb, and the actors too are brilliant. The show doesn't quite bias towards one side. If there is a bias, there is a bias against realism. Both sides are depicted in a more positive light than should be. The Genoans and Venetians were far less scheming than they were in real life, and the mercenaries defending the city more adept and brave than they truly were. Conversely, the show also glosses over the Ottoman plundering of the city. But apart from that criticism, I can't really find anything I disliked about the depiction of the siege itself. I also really appreciated that the show stressed the importance of it - the demise of the 1500 year old Empire, giving birth to one that would last nearly 500 years more.
I'm not sure I quite like the docudrama style of storytelling. I think it is a tad lazy compared to just telling a story through actors. But that is a minor issue I have with an otherwise excellent depiction of a legendary siege.
The siege itself is exceptionally well depicted. The budget was either very high, or very well used, because the quality of the CGI, the sets, and the costumes is simply superb, and the actors too are brilliant. The show doesn't quite bias towards one side. If there is a bias, there is a bias against realism. Both sides are depicted in a more positive light than should be. The Genoans and Venetians were far less scheming than they were in real life, and the mercenaries defending the city more adept and brave than they truly were. Conversely, the show also glosses over the Ottoman plundering of the city. But apart from that criticism, I can't really find anything I disliked about the depiction of the siege itself. I also really appreciated that the show stressed the importance of it - the demise of the 1500 year old Empire, giving birth to one that would last nearly 500 years more.
I'm not sure I quite like the docudrama style of storytelling. I think it is a tad lazy compared to just telling a story through actors. But that is a minor issue I have with an otherwise excellent depiction of a legendary siege.
¿Sabías que...?
- CuriosidadesGeorge Sphrantzes was the Emperor Constantine XI's personal secretary and a friend. According to his own account of the conquest of Constantinople, his daughter Thamar (named Therma in the series) was 12 years old when the city fell and was taken into captivity by the Turks, dying in the Sultan's harem in September 1455 of an infectious disease. Therefore, the series inaccurately portrays her as having escaped to the island of Chios, which was then controlled by Genoa. There is also no evidence that Thamar and Giovanni Giustiniani Longo, the leader of the Genoese mercenaries, were in a romantic relationship.
Contemporary accounts do report, on the other hand, that the mortally-wounded Giustiniani was carried off to a Genoese galley which then headed for Chios. Giustiniani died either en route or shortly after arriving on the island and was buried in the Church of San Domenico (later the Church of Santa Maria del Castello, which eventually was converted into a mosque following the Turkish conquest of the island in 1566). The tomb is now lost.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Rise of Empires: Ottoman
- Localizaciones del rodaje
- Estambul, Turquía(location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1 / (high definition)
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