Una mirada al día a día de la asistente de un ejecutivo corporativo.Una mirada al día a día de la asistente de un ejecutivo corporativo.Una mirada al día a día de la asistente de un ejecutivo corporativo.
- Premios
- 4 premios y 25 nominaciones en total
James C.B. Gray
- Postal Worker
- (as James Gray)
Reseñas destacadas
I really enjoyed this film, it feels real and doesn't give in to sensationalism. If you're looking for thrills and spills then this isn't it.
Let's just say, that whoever did this, has experience when it comes to the life of an assistant. There is nothing fancy here and the ticks and tocks are subtle and not in your face. The life of an Assistant is not glamouros (in realityt that is and in the way it is depicted here) - this could easily be a documentary then.
So your patience is being tested in a way, one would say. The movie is interesting to some then and annoying to boring to others. Be aware to which group you belong and act accordingly (watch or don't that is)
So your patience is being tested in a way, one would say. The movie is interesting to some then and annoying to boring to others. Be aware to which group you belong and act accordingly (watch or don't that is)
This was my life for 5 years in my 20s. Dreadful and boring; being treated like complete crap by anyone in positions of authority save a few people, being ignored, asked to smile more, dress more or less sexy, catcalled, and asked to do things that were morally wrong for myself. So I relate to this movie. Some may find it boring but if you've worked in a toxic environment whether your male or female you'll see similarities that aren't always picked up on. Brilliantly done.
...only without the comfort of exaggeration or fantasy. Green employs exquisite camera composition to make the drab office environments a thing of sterile beauty, while Garner controls every uncomfortable on-screen moment with brilliantly still misery. Dehumanizing phone calls, oppressive mundanity, hopeless sexism. It's a painstakingly meticulous view into the soul-crushing work of the assistant to the powerful, especially when the roles are this cliched: man over woman.
Following on from the Harvey Weinstien scandal and other instances of sexual abuse and harrassment by the rich and powerful I'm sure movies like "The Assistant" are going to become more common place but I doubt if many of them will be this strange, this unsettling or indeed this good. Although fiction, "The Assistant" looks and feels like it could be a documentary and Kitty Green, whose first feature this is, does indeed come from a documentary background.
The assistant of the title, (a beautifully subdued Julia Garner), is a young woman employed in the New York office of a media mogul, not just as a kind of secretary, but as someone to clean up, (literally), the mess (literally), that her boss leaves behind and to take whatever verbal abuse he dishes out. She is safe, it would seem, from sexual harrasment because, as she's told, 'she's not his type'. The boss himself is never seen on screen.
This is a genuinely frightening film that goes beyond what has come to be known as the #MeToo Movement. It paints a horrifying picture of what powerful people can do to subordinates given the chance, (I know because I too worked with such people but I, at least, had the balls to stand up to them...and not get fired). What distinguishes Green's film is that she never over-dramatizes, (if anything, she holds back almost to the point of boredom), uses actors who are not well-known to us, (a magnificently obsequious Matthew Macfadyen is the best known person on screen), and films it, not as a clammy thriller, but as a fly-on-the-wall slice of life. There is none of the triumphalism of "Bombshell" on display here, just the chilly feeling that an unseen monster is lurking out of camera shot and destroying the lives of everyone around him.
The assistant of the title, (a beautifully subdued Julia Garner), is a young woman employed in the New York office of a media mogul, not just as a kind of secretary, but as someone to clean up, (literally), the mess (literally), that her boss leaves behind and to take whatever verbal abuse he dishes out. She is safe, it would seem, from sexual harrasment because, as she's told, 'she's not his type'. The boss himself is never seen on screen.
This is a genuinely frightening film that goes beyond what has come to be known as the #MeToo Movement. It paints a horrifying picture of what powerful people can do to subordinates given the chance, (I know because I too worked with such people but I, at least, had the balls to stand up to them...and not get fired). What distinguishes Green's film is that she never over-dramatizes, (if anything, she holds back almost to the point of boredom), uses actors who are not well-known to us, (a magnificently obsequious Matthew Macfadyen is the best known person on screen), and films it, not as a clammy thriller, but as a fly-on-the-wall slice of life. There is none of the triumphalism of "Bombshell" on display here, just the chilly feeling that an unseen monster is lurking out of camera shot and destroying the lives of everyone around him.
¿Sabías que...?
- CuriosidadesThe drugs Jane puts in the storage box are Alprostadil injections for erectile dysfunction.
- PifiasIt has been noted as a "revealing mistake" that Jane has a driver in the morning but not in the evening. There are two plausible plot lines for this: 1. It is critical for Jane to be at work earlier than anyone to prepare the office for the day, so having her driven to the office is worth the expense, but not so important at the end of the work day; and 2. her boss was headed to L.A. that night and was using the driver for airport transport. Both plot lines continue the theme of Jane having value only when it is convenient or worthwhile to the overall office.
- Citas
Boss: [Over the phone] I'm not gonna yell at you. Am I yelling? No... Because you're not someone even worthy of that. Because you didn't even have the fucking courtesy to talk to me about whatever the fuck fantasy you decided to spew all over me... So, let me ask, do you want to keep this job?
Jane: Yeah.
Boss: Okay... Then send me a fucking apology.
- ConexionesFeatured in IMDb Originals: A Salute to Women Directors (2020)
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- How long is The Assistant?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- The assistant
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.100.313 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 79.141 US$
- 2 feb 2020
- Recaudación en todo el mundo
- 1.338.881 US$
- Duración
- 1h 27min(87 min)
- Color
- Relación de aspecto
- 2.00 : 1
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