63 Up

In 1964, the short film "Seven Up!" appeared on British television. Its focus was on fourteen seven-year old children of different class backgrounds expressing their aspirations in life. Every seven years, a sequel was made re-interviewing the subjects as they expressed their current (at the time) life situations, concerns, and again, their outlooks for the future. "63 Up" focuses on most of the original fourteen post-middle age.

This film is part of a superb periodic series which uses great editing from its prequels to show the passage of time. The current film has special relevance as it is at the time of life when mortality is rearing its head.

Most of the subjects have lead rather conventional lives but there are a few exceptions particularly a man (Neil) who had great difficulties in his twenties and has had fascinating, unpredictable changes since then.

"63 Up" not only covers changes in the lives of the subjects but occasionally the changes in the world itself or at least in the UK. This includes discussions of the subjects' adult children who will likely face financial difficulties compared to their own prosperity as baby-boomers. In some ways, there could have been more talk on such worldly changes although Tony, a taxi driver, is blunt in describing how the rise of Uber has affected his livelihood.

The rare time an interviewee is asked about Brexit, it was always a man. There are only a handful of women (four out of the fourteen) interviewed and the omission of asking them questions on the state of the world reflects an attitude in earlier clips when as girls or young women, they were asked only about ideals of boyfriends, husbands, and children. Thankfully, an older clip is included in which one of the gals confronts the interviewer/director (Michael Apted) on this - and quite strongly, too.

While many of the stories have much in common and occasionally seem ordinary, it is still easy to care for these people after all these years. - dbamateurcritic

"Give me a child until he is 7, and I will give you the man."

Director Michael Apted has been revisiting the same group of 14 British-born adults every seven years for 56 years. It's a documentary achievement not ever before attempted. It succeeds magically.

His above thesis centers around the notion that at 7 years you can see the same person at 63. Well, maybe not fully, but their individual personalities come through as Apted flashes back to scenes from previous 7-year iterations, including the first in 1963 to let us see the growth of his engaging subjects.

Almost all participants have achieved some happiness, from laborer and mother to Oxford grads and barrister. Common to most of their happiness is children, as good an endorsement of having children as you will ever see. Yet, disappointments and tragedy follow them as well as impermanent happiness, as happens to all who walk this earth.

Apted smartly updates his take by asking questions about current life, such as Brexit or lack of opportunity to buy a home. It is obvious that their children are often staying home into maturity from their inability to buy. Even Tony, a real estate developer, is forced by 2008 to downsize.

Nick learns 10 days before Apted's arrival that he has lung cancer, and librarian Lynn has died from a playground accident. All in all, life has just moved on relentlessly to its inevitable conclusion.

Somehow Apted doesn't set us off into grim thoughts about the human condition; rather he celebrates the small moments of life that give joy and connect us all in common experiences. As his series seems to be coming to a close, we can enjoy watching cohesive parts of the lives we share with each other.

First, let's address the flaws of the program. The series explores the class system in England and how it determines the opportunities afforded each child. Each series begins with the quote "Give me a child until he is 7 and I will show you the man." Finally, the attitude of the filmmakers toward women is evident, especially in the earliest episodes. The subjects also complain of the superficiality of the series, constrained to half-hour segments on each person every 7 years.

True enough. Yet the series is mesmerizing for revealing changing attitudes and circumstances and how individuals cope with all the struggles we encounter as we age. Career advancement, relationship struggles, financial issues, health and death are glimpsed through the camera lens. Just to see the bright-eyed children at 7 and to see, even superficially, how each individual creates and lives a life reveals something of an era and themselves. The participants are subjected to the most intimate and sometimes mundane questions. Yet, for the most part, they continue to participate and kudos to them. I hope it gives them a chance to reflect and some perspective. I wonder if you would recognize the 7 year old I once was with the mature adult I am now.

The graying and mortality of the Up family takes center stage in the ninth installment of this incredible landmark series. One member has passed away and another is gravely ill as children and grandchildren dot the reunions and monopolize conversation and concern. Retired or nearing it they all show little to no regret in most cases with all for the most part satisfied with the way things have turned out this far along. There have been disappointments and setbacks but hope springs eternal in all as they look to the future well aware they are past their peak but still have something to offer and look forward to.

I adopted these distant relatives decades back and always look forward to the reunions where I get to catch up with them. It has been interesting watching them grow and mature over time as I have aged with them. Holding up a mirror to my face, mulling over the same questions director Michael Apted poses to them and their responses it remains a cinematic experience like no other for me. Hopefully I'll be around with the rest of them for the next chapter.

63 UP (Michael Apted, 2019). In limited release.

The world's greatest ever cinema experiment enters with it's latest installment - 56+ years in the making. At this point, the films are far removed from being stand-alone projects.One must have seen a few of the previous episodes (spaced 7 years apart since 1964) in order to fully appreciate the marvelous work Michael Apted and his team have achieved. And, now, as the group (originally 14 children) have broached the 60 year threshold, the mortality factor has certainly become the overwhelming obstacle to the series continuing. The first of the 14 has already passed on, another is very ill, and two more participants declined being interviewed (one for the very first time; the second (Charles) left in the late-70s/early 80s). Still, as melancholy a Doc as 63 UP is, it's still a fine piece of work. I began watching the series with 1984's 28 UP, and haven't missed one since (I've also caught up with 2 of the 3 other entries recently). So, to see the remaining eleven men and women is like catching up with old friends. American viewers are used to 'reality show' celebrities now, but, keep in mind, this group have been major celebrities in England for much of the past five decades. Tony, the ex-cabbie even relates a story of a passenger asking for his autograph when they were all in the company of Buzz Aldrin - the 2nd man to walk on the moon! Filmmaker Michael Apted (COAL MINER'S DAUGHTER, WORLD IS NOT ENOUGH) is now 78. Apted was a researcher on the original film (now dubbed 7 UP), and has directed all the subsequent films (he told me he had a contingency plan in place in case he wasn't able to finish future episodes). See you in seven years. On to 70 UP