Claroscuro

"We're all passing for something or other, aren't we?" Irene (Tessa Thompson)

Director Rebecca Hall's successful full-length debut, Passing, shows her artistic inclination to depict women on the verge of breaking away. Irene is a Black woman in the 1920's who could "pass" for white but just spends some time in the white world, being served and accepted in part because she is light skinned.

Now, her friend from her youth, Clare, consciously passes for white, and marries a racist who would kill if he knew his wife were Black. Although nothing shattering happens through most of the story, the racial divide is pronounced between white uptown and Harlem, where Irene and her husband, Brian, a doctor, live in a brownstone with a black maid and the two children he tries to prepare for a racist world they have yet to overcome.

As Clare continues to mingle with Irene's Black social life, Irene quietly assesses Clare's free-spirit and seems gently attracted to Clare. Yet, those feelings are Hall's quiet way of emphasizing the multifaced societal changes in a now truly reconstructed way.

Hall uses a crisp black and white image to accentuate the stark racial differences and the sterile laboratory-like world of incremental societal change. It's also an effective period enhancer. The title "Passing" carries multiple meanings fraught with the dark and light of good clashing with evil.

I couldn't help thinking of Fitzgerald's Gatsby, himself an interloper having romantic notions ill-suited to a society he crashes with dire consequences. Hall has caught the ironies and ambiguities of a society in change.

It isn't all pretty but generally a gorgeous palette with which promising neophyte Hall paints. Isn't it the truth: "I'm beginning to believe that no one is ever completely happy, free, or safe"? Irene

One of the best movies of the year.

"Passing" is an admirable freshman directorial effort from actress Rebecca Hall, but the film feels too tightly controlled to ever fully come alive.

Ruth Negga (looking a bit like Joan Blondell) and especially Tessa Thompson give strong performances as two old friends and maybe more who run into each other again in New York City after years apart. Negga's character is passing for white and has married a vile biggot. Thomspson's character is in a sexless marriage with a doctor and is living a well to do life in Harlem. The act of passing in a racial context is the catalyst for the movie's plot, but the film explores the ways in which all of us are passing for something. It asks the question: Can those we love ever truly know us, and further, can we ever truly know ourselves?

A large number of Americans right now seem to be having trouble dealing with reality as it actually exists, so I thought a movie about people creating their own realities in an effort to make their lives better, or at least more comfortable, would feel more immediate and tuned in to the times. But Hall keeps such tight control of the reins that the film can't breathe. It's like she wanted so much to avoid any missteps with this sensitive issue that she inadvertently sucked the life out of it.

Still, the movie does have some things to recommend it. I've mentioned the performances, but it also looks gorgeous, filmed in pristine black and white by Eduard Grau. I'm excited to see what Hall does next, because she has a terrific eye. She just needs to relax.

Grade: B.

It's beautiful and stylish but it's disappointing. It has a really interesting idea and seems promising at first but then takes a stupid boring turn. In spite of some powerful lines, the screenplay is dull. Performances are very good. It has some good parts but it's flawed, it's a missed opportunity.

Rebecca Hall's directorial debut is impressive, to be sure. She proves with Passing that she has a sure hand behind the camera, capturing genuine human connection and emotion with very limited cuts.

The characters and their interactions provide thoroughly thoughtful material that causes one to wonder what-if anything-would ever be able to truly satisfy them in life, and what sort of wishes would bring nothing but heartache if they did come true.

It seems that Hall had a little too much on her mind, as some of the conflict between characters is quite rushed, leaving motivations vague, and it doesn't come across as strong as it should.

Overall, I'm impressed and I look forward to what Hall does next.

I dont really know what to think about the movie. It have a great ambience and atmosphere and the look white and black is pretty well made. But you need to be warned that the movie is very slow and threat a racial theme. But i didnt find any purpose of this movie and what it want us to think about it. I found 2 womens talk about their lifes and what they loved. Its like two friends who just meet and. Spend times together. Social condition is mentionned but i found it pretty superficial. It still pleasant to watch and some shots were pretty interesting but it clearly lack of storytelling. The visual lack also of storytelling and purpose. Still have a good moment to watch it but nothing more. I didnt find any messages or moral about the movie or surprise. The end is pretty rushed i suppose and it end pretty quick in my opinion. A little bit disappointing about the movie. I excpected more mysteries, suspense and more but nothing at all.