The Legend of Ochi

This film has atmosphere, I'll give it that. The previews had me excited to check it out; Willem DaFoe hunting ape monsters in a viking outfit? Sign me up! The production design is top notch, the strange lost in time setting of Carpathia is beautiful and haunting, and the creature design and execution is very well done.

The story, on the other hand, seems to be an afterthought. The dialogue is indistinct (figuratively and literally; oftentimes I had no idea what they were saying), and the characters really lacked any nuance or development. Quirky for the sake of quirkiness.

My main gripe, though, is that it mostly fails as a kids' movie. I normally love slow, atmospheric films, but this one moved like the tectonic plates that formed the mountains of Catpathia. I brought my 9-year old and he didn't hesitate to tell me how boring he found the film, and we left before it ended. There was very little humor, and most of the parts that seemed to be attempts at laughs fell completely flat.

I really wanted to like this film. I admire the dedication to practical effects, and the attention to feeling and atmosphere in the world building. Unfortunately, the lack of a compelling story or characters made this into a slog.

I went to Cinemark's "secret movie" last night. It was "The Legend of Ochi", a fantasy adventure film about a young girl (Helena Zengel) who lives on an isolated island who is taught to fear the titular creature. But when she finds an injured baby one, she embarks on a journey to return it to its mountain home. The puppet animation of the creature is amazing, but the story itself is a bit silly even for a children's film; Willem Dafoe as her father and Emily Watson as her mother are fine, but they do overact a bit. Finn Wolfhard is wasted as Dafoe's adopted "son". I would rate it as a 5/10 for adults - children and young adults may rate it a 7/10.

Once again, the world is introduced to a supremely cute and photogenic creature meant to evoke child-like joy. The only difference is, this isn't some E. T. knock-off, but more like a dark Disney film from the early 80s.

Filled with dark imagery, ominous music and some deep themes about parental control and relationships, The Legend of Ochi gives us a sense of fear, joy and triumph amidst the backdrop of the Carpathian Mountains. It's rare to see this kind of movie made these days, especially since the hyper reality of the film's world has a touch of Wes Anderson. Fortunately, the film doesn't go too hard in that department as the world feels a little more real than Anderson's sensibilities.

Overall, the story starts out pretty strong, giving us a very good foundation to focus on. However, it's the muddled middle where the problems begin. A couple of overly convenient contrivances occur, and while they were certainly meant to move the story quicker, it was still jarring in their sudden entrance.

The only other complaint was sometimes the VFX shots didn't look convincing, but this was a low budget movie and they did a good job considering their limitations. Overall, I found the film to be a joy and interesting to look at, which is fine from time to time.

I had the opportunity to attend an early screening of The Legend of Ochi ahead of its theatrical release this Friday. The film offers a unique and imaginative premise, blending fantasy elements with a heartfelt narrative. The use of practical effects, such as puppetry, and the choice of real-world locations contribute to its distinctive visual style, reminiscent of classic 1980s fantasy films.

However, I found the pacing to be slower than anticipated, which affected my overall engagement with the story. While there are moments of humor that provide relief, the film's deliberate tempo may not resonate with all viewers. Additionally, some night scenes appeared overly dark, making it challenging to discern details, though other scenes were visually striking.

Despite these aspects, I appreciate the film's ambition and the creative efforts behind its production. I sincerely hope The Legend of Ochi finds its audience and enjoys a successful run upon release.

One of the most visually interesting movies I've seen in a while. They certainly went for the nostalgia vibe, giving an 80s feel to the scenery. Plot was a bit boring for me, a tad predictable, but still enjoyable. I'm not sure if it was an issue for just my theater or an issue with the sound production, but it was incredibly loud throughout yet dialogue remained soft. I found myself covering my ears in many parts due to the overwhelmingly high-pitched sounds of the ochi and the background score and sounds just to be struggling to hear many of the characters when they spoke. Props for using an orchestral score. It was beautiful regardless of volume and added to the warm ambiance of the movie. Warming to those sensitive to loud and high-pitched sounds, you may not want to see this one in theaters.