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Il signor Diavolo

  • 2019
  • 1h 26min
PUNTUACIÓN EN IMDb
5,9/10
1,6 mil
TU PUNTUACIÓN
Il signor Diavolo (2019)
Ver Trailer [OV]
Reproducir trailer1:47
1 vídeo
29 imágenes
MisterioTerrorThriller

Italia, 1952. El joven oficial Furio Momenté es enviado al Veneto para investigar el chocante caso de un niño que mató a uno de sus compañeros y que afirma haber matado al diablo mismo.Italia, 1952. El joven oficial Furio Momenté es enviado al Veneto para investigar el chocante caso de un niño que mató a uno de sus compañeros y que afirma haber matado al diablo mismo.Italia, 1952. El joven oficial Furio Momenté es enviado al Veneto para investigar el chocante caso de un niño que mató a uno de sus compañeros y que afirma haber matado al diablo mismo.

  • Dirección
    • Pupi Avati
  • Guión
    • Pupi Avati
    • Antonio Avati
    • Tommaso Avati
  • Reparto principal
    • Gabriel Lo Giudice
    • Filippo Franchini
    • Cesare Cremonini
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,9/10
    1,6 mil
    TU PUNTUACIÓN
    • Dirección
      • Pupi Avati
    • Guión
      • Pupi Avati
      • Antonio Avati
      • Tommaso Avati
    • Reparto principal
      • Gabriel Lo Giudice
      • Filippo Franchini
      • Cesare Cremonini
    • 8Reseñas de usuarios
    • 21Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio y 3 nominaciones en total

    Vídeos1

    Trailer [OV]
    Trailer 1:47
    Trailer [OV]

    Imágenes29

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 25
    Ver cartel

    Reparto principal50

    Editar
    Gabriel Lo Giudice
    Gabriel Lo Giudice
    • Furio Momentè
    Filippo Franchini
    • Carlo Mongiorgi
    Cesare Cremonini
    • Giulio Mongiorgi
    • (as Cesare S. Cremonini)
    Massimo Bonetti
    • Giudice Marino Malchionda
    Lino Capolicchio
    Lino Capolicchio
    • Don Dario Zanini
    Chiara Caselli
    Chiara Caselli
    • Clara Vestri Musy
    Gianni Cavina
    • Gino (il Sagrestano)
    Alessandro Haber
    Alessandro Haber
    • Padre Amedeo (esorcista)
    Andrea Roncato
    Andrea Roncato
    • Dott. Rubei
    Eva Antonia Grimaldi
    • Madre di Paolino
    Ludovica Pedetta
    • Infermiera Laura Poli
    Enrico Salimbeni
    • Giocatore due (Lio Piccolo)
    Fabio Ferrari
    • Alberto Collatina
    Chiara Sani
    • Maria Mongiorgi
    Iskra Menarini
    • Suor Dolores
    Lorenzo Salvatori
    • Emilio Vestri Musy
    Riccardo Claut
    • Paolino Osti
    Rosanna Amante
    • Secondina carcere minorile
    • Dirección
      • Pupi Avati
    • Guión
      • Pupi Avati
      • Antonio Avati
      • Tommaso Avati
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios8

    5,91.5K
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    Reseñas destacadas

    4pippolomeo

    Pupi Avati, what else to say?

    I watched this movie during spare time, hoping to see some "so bad it's good" stuff, knowing how terribly overrated everything shot by Avati is. In the beginning my hopes seemed to be fullfilled: terrible acting, awful scenes, didascalic photography.. however, with time the movie only gets more boring and unexplained, with some completely useless subplots like the "love story". Incredible how in 2019 a so called "maestro" can continue to get funds by italian ministry to make such awful and useless movies. Embarassing.
    3riaku-it

    And what is it? A movie?

    Superficial and discounted. Terrible acting, elementary history and meaning none. As a mysterious film there is no tension, as a horror film there is no terror. Alessandro Haber and Andrea Roncato make small cameos: Haber is fine but does not shine as usual; Roncato, compared to the protagonists, looks like an Oscar-winning actor. In a peasant context, in 1952, they still go around with oil lamps (ok), but they also have many vans and cars, even the father of the little protagonist. Completely unreal: they were very poor, at most they could afford a cart pulled by a mule. I am Italian and I know well the situation of the villages of those years, even a bicycle was considered expensive (see "Bicycle Thieves" by Vittorio De Sica, 1948). Luckily I didn't go to see it at the cinema: after 5 minutes I would have gone away cursing and asking for a refund. Garbage.
    6bsant54

    No one knows what this was about including me

    Too many things going on in the movie.

    Basically a kid kills another kid with extra teeth, church fomented it, another kid dies after being tripped by the extra teeth kid and dropping a host at mass (felt guilty about dropping the host - Priest stops mass because of it), kid with extra teeth tells kid that eventually kills him (and friend of dropping host kid) how to bring him back etc. Oh ya, the kid with extra teeth supposedly bit his baby sister to death in her crib. Not true per the Mother angry about her kid with teeth being murdered and a supporter of current Italian Gov and turns against them.

    Superstition that kid with teeth byproduct of in essence bestiality involving a pig therefore must have been the Devil in rural religious superstitious Italy of the1950's.

    Meanwhile, because the church involved DC Gov of the time wants it investigated (extra teeth kids Mother the reason), sends its Rep down that tries to figure out what in God's name happened - Mission Impossible per my 1st two paragraphs, gets way too involved and in the end I'm certain he wished he had stayed in Rome and pursued some nurse looking after his Father in a home (and what did that side story have anything to do with the core plot?).

    Too busy and weird (the pig thing was deranged to me - ya, they killed it for eating the host). Not much horror. They call it Padano Gothic.

    Shock for the sake of shock at times (the whole pig, host sideline story that comes with Mother Superior's involved).

    Told you it was a busy movie.

    I call it 6 stars for the effort and the investigator and kid murderer actors were decent as was kid with teeth. The rest more like filler if you ask me.
    6dopefishie

    Great style and atmosphere, but disappointing ending

    Great style and atmosphere, but disappointing ending. This is a recurring theme in Pupi Avati's work. This film is reminiscent of Arcane Sorcerer (1996) in which a protagonist goes to investigate strange happenings involving evil forces. There are similar castle/cathedral-like sets/locations. They both have underwhelming/disappointing endings.

    Where Il Signor Diavolo really shines is the atmosphere and the look of the film. It has a gorgeous and gritty feel. It felt authentic. The acting was good all around. The subtitles were poor on the version I saw so that may be part of the problem.

    However, the other part of the problem is the structure. This is a novel that was turned into a film about a man who spends half the film sitting down and reading a transcript of an interview that authorities conducted with a young boy who told them a story about why he killed a another boy he thought was the devil. Then, our protagonist has a series of conversations which lead into a rushed finale.

    It's creepy. It's wonderful to look at. But it doesn't go anywhere interesting.
    2gianmarcoronconi

    Ridiculous

    In this movie, it's just the beginning part that's scary. For the rest the plot is ridiculous, the special effects are ridiculous and even the aura of the film that should be scary is ridiculous.

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    Pieles
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    Reality
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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      This marks the first time Avati directs a movie adapted from one of his novels. Previously, he had done the opposite, adapting some of his movies ("La seconda notte di nozze", "Il nascondiglio", "I cavalieri che fecero l'impresa"...) into novels.

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de agosto de 2019 (Italia)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • Títulos en diferentes países
      • Господин Дьявол
    • Localizaciones del rodaje
      • Grado, Gorizia, Friuli-Venezia Giulia, Italia
    • Empresas productoras
      • Duea Film
      • Ruggente Film
      • Rai Cinema
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 1.000.000 € (estimación)
    • Recaudación en todo el mundo
      • 1.188.159 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 26 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.78 : 1

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