Sauvage

In another of my reviews I rated 'Theo and Hugo' as a gay film that was as close to perfection as possible. 'Sauvage' is as good, and objectively perhaps better. It also falls into the gay category. Or does it? As a gay man myself, I hate to say that this is a more widely themed film, but homophobia, which still exists as a curse within our society, will limit its appeal by putting it into what is offensively categorised as the 'gay' niche.

This is a masculine film and it depicts a group of male prostitutes who do not (want to) fall into the gay category. They may protect each other and form fierce ties, but their actual identities are as fluid as water. Leo, our main protagonist is basically gay, and when he loses the love of his life, who is a partner in prostitution, his precarious life unravels towards tragedy. He is romantic and can be gentle, but he is a broken person in a broken society. He did not choose to be broken, but his very nature, faced with the brutality that surrounds him, crushes his health and his inner resources. The ending has overwhelming power, as portrayed by Robert Bresson in 'Mouchette' and 'Au Hasard Balthazar'. This is not about choice, but the inevitability of the pain that society inflicts upon the more sensitive and gentle in our world. Leo's face at the end should move everyone to anger and tears.

The compassionate and also the more tortured aspects of the sexual world he is in are shown explicitly. Some were sickening and Leo was sickened by them. But, elderly gays are portrayed with more tenderness than younger gays, which is an about turn from other gay films, and for the better!

I was reminded also of Bunuel and the opening of 'L'Age d'Or'. The scorpions fight in this masculine environment, and the torturer in the car and the young couple with the monstrous sex toy are a disgrace even to the scorpions.

Last but not least, the film depicts homelessness and the human shame of a society that stands by, watches, and intervenes only when prodded. But like Bresson's gentle donkey Leo lays down his head to (perhaps) finally rest and I repeat, we see one of the most sublime scenes in cinema.

Leo is a 22 year old prostitute, in love with another male prostitute; only the guy he's in love with is heterosexual. He clearly cares for Leo, but cares more about his material well-being, even if it means 'bunking up' with an old man. Leo is different. He needs love, but not forced love. But at what cost? A slowly affecting drama which made me appreciate the love I have. 7.5 out of ten

A cruel, brutal and honest depiction of life as a young male prostitute in Paris. Leo lives in a very destructive existence. The movie takes us straight into life and does not hold back for how tough this life is. Felix Maritaud is fantastic in the role of Leo, and is able to express the despair he often experiences. But he also produces a protagonist who may not be able to change his existence (for reasons we do not know). Although the film is both brutal and intense, it also has warmth and shows friendship in a credible way. I also want to draw the effort to Eric Bernad in the role of Ahd. The relationship between him and Leo is one of the film's best scenes, but also the most demanding to be able to relate to. Frankly, I think the movie shows a harsh reality, perhaps in a closed world for most of us. The director will be praised for making a film that really manages to depict a human being in a merciless world. But the movie is also about that despite a tough situation, it's always the choice we take that has consequences. That way, the film does not produce these people as victims, but as living individuals who choose to live their lives, different from most of us. A strong movie, on many levels. Highly recommended.

The main actor is a gem, in his performance there's only honesty and pureness. The character is somehow immersed in a difficult world, but as many critiques have already said: it's not paternalistic, cathartic or moralist about it. Leo doesn't seek redemption, help or anything beyond love. Sex work is just a tiny part of a very complex character; who is profoundly strong, naive and beautiful, almost dreamy. He's not the victim, he's a wounded soul who makes continuously bad choices, but the perplexing part to me it was the fact, that he seems at peace with himself and his actions, even at the end of the film. It is been a while since I have seen such a powerful film in terms of character complexity. It's definitely one of those films who won't leave you alone the moment you leave the cinema, it stays for a while in your mind and your heart. That my friends, it's the main point of art existing in the first place.

This is a difficult film to review because it is an extremely difficult film to view. There were scenes when I found myself wincing and occasionally turning my face away from the screen. It's rough, it's raw, it's brutal, it's sad, it's violent and it all seems very authentic. It's the story of a young prostitute who is rather sweet at heart, but is also a lost soul with the need for love who continues to be lost when he finally finds it. The centerpiece of this very, very realistically acted film is Félix Maritaud. It is as bold and brazen a performance as you will ever see. He's beautiful, but ugly at times as he keeps going downhill in a life going in the wrong direction. This harsh film doesn't really have a purpose or a message other than to show you this ugly slice of life. To put it mildly, this is not a film for everyone nor is it a film for those who have a problem with nudity and sex. It cannot even really be classified as entertainment, but it is fascinating if you can handle it. Everyone in this is strong and not a one even seems like they're performing, but it is Mr. Maritaud that makes you care about a character, who despite all, always has an aura of innocence about him. This is the only feature film directed by Camille Vidal-Naquet. It would be interesting to see more of what he can do.