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IMDbPro

Furie

  • 2019
  • TV-MA
  • 1h 37min
PUNTUACIÓN EN IMDb
5,6/10
3,4 mil
TU PUNTUACIÓN
Furie (2019)
Ver Bande-annonce [OV]
Reproducir trailer1:17
1 vídeo
16 imágenes
DramaHorrorThriller

A su regreso de vacaciones, Paul y su familia encuentran su casa ocupada por inquietantes ocupantes ilegales.A su regreso de vacaciones, Paul y su familia encuentran su casa ocupada por inquietantes ocupantes ilegales.A su regreso de vacaciones, Paul y su familia encuentran su casa ocupada por inquietantes ocupantes ilegales.

  • Dirección
    • Olivier Abbou
  • Guión
    • Aurélien Molas
    • Olivier Abbou
  • Reparto principal
    • Adama Niane
    • Stéphane Caillard
    • Paul Hamy
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,6/10
    3,4 mil
    TU PUNTUACIÓN
    • Dirección
      • Olivier Abbou
    • Guión
      • Aurélien Molas
      • Olivier Abbou
    • Reparto principal
      • Adama Niane
      • Stéphane Caillard
      • Paul Hamy
    • 39Reseñas de usuarios
    • 17Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Vídeos1

    Bande-annonce [OV]
    Trailer 1:17
    Bande-annonce [OV]

    Imágenes16

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 11
    Ver cartel

    Reparto principal38

    Editar
    Adama Niane
    • Paul Diallo
    Stéphane Caillard
    Stéphane Caillard
    • Chloé Diallo
    Paul Hamy
    Paul Hamy
    • Mickey
    Eddy Leduc
    • Franck
    Hubert Delattre
    Hubert Delattre
    • Eric Bolso
    Leïla Amara
    • Femme invitée
    Coline Beal
    • La rousse
    Carine Bouquillon
    • Sophie
    Marie Bourin
    Marie Bourin
    • Sabrina Bolso
    Zaïre Fataki
    • Kevin
    • (as Christopher Fataki)
    Charlotte Geiger
    • Jenny
    François Godart
    François Godart
    • Homme invité
    Jacques Herlin
    • Le juge
    Matthieu Kacou
    • Louis Diallo
    Carole Le Sone
    • Invitée
    Saverio Maligno
    • Invité
    Florence Masure
    • Employée mairie
    Alioune Badara Mbay
    • Agent de sécurité CIAO
    • Dirección
      • Olivier Abbou
    • Guión
      • Aurélien Molas
      • Olivier Abbou
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios39

    5,63.4K
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    Reseñas destacadas

    timotteart

    From intriguing, unsettling psychological thriller to same old slasher/gore...yawn

    Had a lot going for it and I was all in until a little less than 2/3 in when it changed gears, became increasingly implausible and full of plot holes, and went full-on super-violent gore-horror, which is just boring to me.

    Disappointing. As usual, naked women all over the place but the guys keep every stitch on. Sure this wasn't made in Hollywood?
    6TwistedContent

    Good, Provocative French Art-House Thriller

    "Furie" a.k.a. "Get In" is a good French meanie of a thriller, part one man's tough inner struggle over life, part house invasion thriller, sprinkled with some social commentary and all clothed up in the elements of an art-house. "Furie" entertains us provokingly, and succeeds at putting the viewer in a prolonged uncomfortable feeling, but also has some problems with pacing, realisticity and morality.

    Paul (Adama Niane), a high school history teacher, is happily returning home from the summer vacation with his family, but his life starts getting real complicated when his son's babysitter and her husband, whom Paul lend the house for the duration of the holidays, refuse to leave and claim themselves the official tenants. Paul and his family are forced to live in a trailer park while trying to reclaim the house. Nothing goes as it should, and Paul befriending trailer park's manager Mickey (Paul Hamy) isn't helping either.

    "Furie" tells a tough and rough tale - on their mission to regain their home, Paul and his family are constantly being put through many hardships - this is where a lot of social commentary has been put into, themes about simple man's actual importance in society, racism, discrimination, family, and both the lack of masculinity and toxic masculinity. Enough of these situations and the circumstances surrounding them put viewer in an uncomfortable position, making him think about the real life awfulness that can happen, and what does one do then. Director Olivier Abbou, however, seems to be struggling with maintaining a morality and message that's not a little corrupted/conflicted, and more importantly, struggling to build a better part of a thriller solely on social commentary rather than accompanying it with other devices of tension. In the very beginning, "Get In" claims to be based on a true story, and first servings of the story might be, but later on, especially in the third act, the movie appears more and more of an typical (but decent) action/horror thriller. One character had the physical endurance of a T-800, couple too many resurrections there.

    I thoroughly enjoyed all of the acting performances, I think in this case it was more the actor's work than the writers that made me root (or the opposite) for the characters. Adama Niane made a great protagonist in his continuous struggle to find his true self, Paul Hamy is one nasty villain, and Stephanie Caillard was done a bit of an injustice with a character that should've been more likeable.

    Atmospherically and aesthetically, despite being a B movie, "Furie" does a great job, visually it feels downright raw and serious, and often is audiovisually reminiscent of an art-house horror movie, a genre in which France has more than a few good movies. From a technical standpoint, "Furie" is a great indie flick.

    "Get In" is a flawed movie, but it's also an interesting movie, overall proving to be visually, atmospherically and morally a somewhat tough experience that, sadly, can also cross the lines with "tiring". I recommend this to all who enjoy French horror movies, house invasion thrillers and grim social commentary. My rating: 6/10.
    5orkneyislander

    Get Real

    Started off with a promising plot but ruined with a ridiculous ending with a bad guy who it appears could probably survive a direct nuclear hit. The acting was good enough. Gave it a five for the first half.
    3veo

    Nothing new, but dressed as art

    I hated this film. It just goes from A to B without any surprise or detour, on a road much better walked by other filmmakers. The film's premise is absurd, gratuitous, the "bad boys" are a travesty, and what the merde was that gross, needless, ridiculous scene in the end? Was that a way of showing us he was tough now? What is this, a porn Leslie Nielsen film? No, this movie doesn't know what is wants and leaves you disappointed, cheated, and swearing you'll never watch a film starring that boring and bored main actor again.
    7kosmasp

    Home invasion - well not quite

    This is quite the story and it is even crazier if you think that in one way or the other, this actually happened. I did not check what was truthful from real life, but just the premise itself is quite ludicrous ... Well not for the owners of the house of course, but in general.

    And just the fact that laws let this happen ... this is madness, but then again, we know laws sometimes do not help the innocent, escpecially if some take advantage of them. So there are cliches here and the characters do take steps most will expect, but this is still a thrilling ride and "adventure" and you really feel for them ... all their issues included!

    Argumento

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    • Curiosidades
      Before filming the sex scene between Adama Niane and Stéphane Caillard, the director asked the actors to 'make it as real as possible', but it was not shown explicitly. Adama Niane and Stéphane Caillard had such an intense orgasm. This helped to film Stéphane Caillard's moaning realistically.
    • Banda sonora
      On The Beat
      Written by John Costello and David Hilker and Performed by John Costello

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    Preguntas frecuentes15

    • How long is Get In?Con tecnología de Alexa
    • The movie claims to be based on a true story. Is there any proof of this?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 6 de noviembre de 2019 (Francia)
    • Países de origen
      • Francia
      • Bélgica
    • Idioma
      • Francés
    • Títulos en diferentes países
      • Get In
    • Empresas productoras
      • 22h22
      • Alliance de Production Cinematographique (APC)
      • Canal+
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 37 minutos
    • Relación de aspecto
      • 2.35 : 1

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